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Chapter 18
WHEN WE GOT HOME IT WAS EARLY EVENING AND THE
kitchen counters were covered with green cardboard quart containers
filled with just-picked strawberries. My mother and Andy were
standing side by side near the sink, their silver heads bent over
the task, working and laughing. A pile of discarded stems grew high
between them, and several earthenware bowls were mounded with wet
berries. The air was thick with the scent of strawberries and
sugar; by the stove, placed carefully on a dish towel, eight jars
of jam, ruby red, were resting. One of the lids sealed with a click
as Yoshi and I came inside. My mother turned, smiling and holding
up one hand to quiet us. Her hair was damp, clinging to her scalp,
and her cheeks were flushed with heat. There was a streak of red
below her elbow and her fingers were stained red, too. We stood
still, and a second later another jar clicked, and then a third. My
mother laughed and let her hand fall.
“There—I’ve been counting the seals, and now
they’re all done. Aren’t they beautiful? I always love this part,
the jars like jewels on the counter. We’ll be so happy to have
these when the snow is six feet high.”
“They look good right now,” Yoshi said, slipping
off his shoes at the door.
“Sorry we’re so late. The road service took a
while.”
I crossed the room and took a strawberry from a
bowl, biting through the red to its soft white heart, and offered
one to Yoshi. We’d gone out early in the morning so many times when
I was little, picking strawberries from their low bushes, or
cherries from the trees, Blake and I eating as many as we picked.
We’d come home with a car full of fruit, the kitchen growing warm
and full of sweetness as the day unfolded and the jars of plump
gold or red spheres or the pale sliced moons of pears lined up in
rows, filling all the counters.
“Have a taste,” Andy said. He wiped his hands on a
towel and offered us a bowl of dark red jam, swirled with foam. “We
got some of that fresh bread of Avery’s, and some of her organic
butter, too, and let me tell you, it’s out of this world.”
Yoshi and I sat down at the table, suddenly
ravenous, and ate, telling the story of our day in Elmira: the
beautiful drive, Yoshi’s conversations in Japanese, Julie’s
familiar gift with the combination safe, and Iris’s amazing story.
My mother looked up from her work, her hands resting on the
berry-stained counter, when I started describing Iris, how
temperamental she’d been, how deeply it had affected her to learn
the truth.
“It was very moving and very sad,” I finished.
“That’s what I’ve been thinking about all the way home. Ninety-five
years old, and she still felt abandoned. I hope it helps her to
know what really happened.”
“I hope so, too,” my mother said. “I have to tell
you, I’m relieved it went well. I mean, she could have been crazy,
or mean, or dishonest, couldn’t she? Or just someone you’d rather
not know.”
“It’s true. You can’t choose your relatives, can
you? Your mother’s been kind of worried all day,” Andy said. He
stepped past her, carrying a bowl of smashed berries to the pot,
and kissed her cheek as he passed. My mother glanced up at him and
smiled.
“Everything was fine,” I said. “We were
fine.”
While my mother and Andy finished preparing the
berries, Yoshi and I made a salad and rice. We grilled salmon on
the patio. It was late when we all sat down to dinner, the sky
darkening to pale blue, then indigo, as we passed the food and
poured wine. Distantly, boats hummed on the lake. Yoshi rested his
hand on my thigh as we finished, and it seemed to contain all the
heat of the field where we’d waited for the road service to arrive,
the sunshine and the buzz of insects, and the scent of earth and
sweat. We carried the plates back inside, admired once more the
gleaming ruby jars. Then my mother and Andy left for a late movie.
We watched their headlights recede, Yoshi standing behind me,
pushing my hair aside, kissing my neck. He took my hand when I
turned, as if we were dancing, and when we climbed up to the cupola
it was like walking underwater, slow and graceful, full of forceful
currents.
When I woke up hours later, I’d been dreaming. From
the floor of the cupola the night sky was visible in all
directions, struck with stars, as if the sky were a dark canvas
flecked with holes, beyond which shone some clear white light. It
was easy to understand how ancient people had imagined another
world beyond, the myths of trees that would somehow grow past the
limits of the sky and take them there. Easy to understand why they
had not wished to name such power, too. I thought of the Wisdom
window, all the people growing from the earth, being filled with
breath and life, and of the Iroquois creation story Keegan had told
me, how a woman, pregnant with the breath of a god, fell through a
hole at the root of a great tree into the night, fell far to the
sea below, where a turtle rose to catch her and the animals dived
to the depths to bring back bits of mud and to make the world.
You live here, the stories all said, but you are filled
with the breath of the Divine, and the world in your care is
full of amazements.
Yoshi slept. I turned to look at him. His mouth was
slightly open and his breath faintly stale, his chest rising and
falling in such a steady, gentle rhythm. I ran my hand along his
arm and he twitched, then turned in his sleep and reached for me,
his arm slipping around my waist. I curved against him, and we lay
there at the top of the house, floating together in the
night.
My dream, the one that had woken me, gradually
surfaced again—not frightening, but intense, full of seeking and a
sadness that lingered. I’d been fishing with my father, floating in
the hour before dawn. It was still dark and he was hardly visible
next to me. We cast our lines and floated, cast again. We needed
better lures, he said, and I pulled the tackle box from beneath the
seat and opened it. Gray-green metal, it caught the faint
moonlight. Opened, it revealed rows of lures, each in their own
compartment. Iridescent, made of greens and blues and deep oranges
that seemed to have been drawn from the depth of a prism, richly
hued, yet also somehow luminous. They were like gemstones, smooth
and spherical and trailing feathers, streamers, bits of lace. Some
were tiny perfect images of the earth, blue-green and wondrous,
each turning slowly in a mist of white. I wanted so much to hold
them, yet when I touched them they broke into pieces, and the dream
energy turned urgent and frustrating as I struggled to hold the
broken halves and fragments together, to wrap the beautiful lures
in twine or thread them on tiny metal dowels. Something was wrong,
terribly wrong, and then my father showed me another box with lures
that were whole, smooth and gleaming, and I despaired at those in
my hands, so make-shift, seamed, and broken, held desperately
together by thread and metal rods and wishing.
I stared up at the stars, concentrated on my breath
and Yoshi’s in the little room. Surely this dream was connected
with the windows full of women and with finding Iris, the piece of
the family story that had been broken away a century ago, broken
away and obscured. Yet it was connected also to the dreams I’d been
having since the night I arrived, dreams that seemed to go deeper
than the ripples on the surface of life, deeper even than memory.
Dreams born out of the restless searching I’d been doing since I
left this place so many years ago. I thought about those dreams,
all the seeking of round things, hidden in leaves, spilling like
mercury, and now here, spheres falling into pieces, caught in a
metal box. Yoshi’s hand brushed my thigh, and I thought of how we’d
sat at the edge of the sunny field while we waited for the road
service, the pulse of his thigh beneath my cheek. I wanted to be
there again, in the sunny field with Yoshi, the deep blue lake set
like a bowl into the green fields of the earth, wanted that moment
of peace before we heard the truck arrive, the door slam, and we
sat up.
We had walked through the grass to meet the man in
the white cap. The trunk of the Impala was still open and he pulled
out a bag full of tools, an empty red plastic gas can, a folded
blanket, and my father’s tackle box, placing them carefully on the
gravel shoulder, looking in vain for a spare. “They don’t make
trunks this big anymore,” he’d said. Yoshi stood close to me, his
hand warm on the small of my back. We watched him work. The lake in
the distance was blue, silvery, and the fields were alive with
dragonflies. He put my father’s things back inside the trunk and
closed it.
I sat up, the bright, broken lures of my dream
spilling their pieces everywhere. The air was cool and still, and
the stars hadn’t moved. After my father drowned, the searchers had
gone out, diving for hours, bringing back a lake-filled boot, his
sodden hat, his fishing pole.
His tackle box, however, they’d never found.
His tackle box, hidden all this time in the trunk
of his car.
I knew as surely as I knew my name or the rush of
breath in my lungs that my father hadn’t been going out to fish the
night he died. He’d gone out onto the lake to think, to float on
the water in the darkness and grapple with whatever had woken him
or kept him from sleep, whatever had weighed so heavily on his
mind.
I slipped from beneath the sheet, careful not to
wake Yoshi, and pulled my shorts and T-shirt from the tangle of
clothes on the floor. We’d carried the heat of that field with us
all day, brushing against each other like sun against grass, like
stems pushing through the soil, and the clothes we’d discarded so
quickly as we’d kissed at the top of the cupola stairs still held
something of that warmth and sunshine. I went down the stairs
gingerly, trying to stay at the edges so the steps wouldn’t creak,
and stopped in the kitchen to collect the car keys from inside the
cupboard door. Then I went out through the porch and across the
lawn and driveway to the barn.
I was barefoot, the grass wet and the gravel harsh
against the soles of my feet. The barn doors swung open quietly.
The Impala was a shadow in the dim light. After my eyes adjusted, I
groped my way to my father’s workshop, stumbling against the lawn
mower and knocking over a rake with a clatter. The flashlight
hanging on the wall didn’t work, the batteries long dead, but the
old lantern still had an inch of kerosene at the bottom, and the
matches were where they had always been, to the right of the jars
of nails, above the shelf of planes. I lit the wick, and the glass
globe filled up with light, casting objects back into their shapes,
their shadows.
The car trunk opened easily, swinging upward. I
moved the lantern forward, light flickering into the darkened
spaces. The tackle box, dull green, was pushed far back in the
corner, and I had to put the lamp down before I could lift it out
all the way. It was locked. I found a wire on the workbench and
then I sat down right on the floor, the concrete cold and gritty
against my legs. The wire was thin and warm in my hand. The night
fell softly around my shoulders and I still felt halfway in a
dream, as if my father were present, watching me slip the wire into
the keyhole and press my ear against the box, listening, listening,
with an ear that knew how to hear.
Silence, and then the subtle rush of metal on
metal. The click, soft, almost imperceptible, when one of the pins
fell into place. One, and then another, and then the final sound in
the sequence, one, two, and then three. I sat up. The lid
was ajar, and I opened it.
The lures were as they always had been, dull,
feathered with wire, plastic worms, each one different than all the
others, none of them luminous, none of them a sphere. No little
moons and planets, floating in their own misty atmospheres, filled
the compartments. I’d seen these lures hundreds of times as a
child, had helped my father make them, spreading the wires and bits
of plastic or shining metal on his workbench, coaxing them into
shapes we imagined fish might dream of, and strike. I was filled
with nostalgia, remembering the sharp, final sound of scissors on
metal, the hiss of wire, the laughter of my father as he held the
lure up, bright or dull, spinning or trailing, so we could admire
our imaginations, our handiwork, the artifacts of pleasure.
I lifted out the insert with its bounty of lures.
Everything was so ordinary, so much as it had always been, that I
half expected to see the space below filled with rolls of wire and
twine, small pliers, extra fishing line. Maybe my father had simply
forgotten the tackle box, left it in the car after a trip to
another lake, and found himself out that night on the still, dark
waters with his pole and no lures. It was possible. However, when I
saw the bottom, I knew my intuition had been right. The space,
usually orderly but cluttered with equipment, was empty except for
a bundle of papers, several sheets together, folded in thirds,
bound with a dark red rubber band that disintegrated when I tried
to slip it off.
The page on top was unlined, with a single sentence
in my father’s handwriting: Found in kitchen, west
wall.
I closed my eyes and focused on my breathing, in
and out, a pulse like the sea, waiting until I calmed down.
Remembering the night I’d come in from the gorge, rushed with wind
and guilt and anger, to find my father standing in the garden,
smoking and thinking. Remembering that last spring, the kitchen
torn apart for several weeks, walls stripped down to their studs,
the air tasting of dust and metal, the new appliances sitting in
their boxes on the porch, my father in his work clothes, pulling a
bandana from his pocket to wipe the gritty sweat from his forehead
and glancing through the broken plaster and dust to find these
pages. I opened them, as he must have done, slowly, because I both
wanted to know and did not want to know, and my hands trembled as I
moved the cover page to the back and started reading.
It was a formal document, the last will and
testament of my great-grandfather, Joseph Arthur Jarrett. The boy
with his comet dreams had grown into a man who built a lock factory
and restored this house, and who wrote, at the end of his life, in
a firm, slanted script not so different from his sister’s. I moved
closer to the quivering golden light of the lantern, its faint
hiss, the scent of kerosene, everything falling away into shadows
except this paper, these words. There was a tribute to Cora, and a
memorial bequest to the flower guild she had enjoyed. There were
several other small bequests, to the library, to the church, to the
hardware association. The bulk of his estate, however, was to be
divided between his son, Joseph Arthur Jarrett Jr., and his niece,
Iris Jarrett Wyndham Stone, who had last resided in Elmira.
To amend for the things I denied her. To remind
my son that the world does not owe him a living by any
reckoning.
It was dated May 1972, about six months before he
died.
There were bats in the barn; one swooped low as I
sat back, the papers in my hand, trying to assimilate all the
dates, all that these pages meant and implied. In 1972 Rose had
been dead for thirty years and Cora for more than a decade, so when
my great-grandfather died there had been no one left alive in the
family who remembered Rose directly or knew her story, no one to
testify to the envelopes that had arrived every month in the early
years, money that was spent on Iris, yes, for the new dresses and
shoes or the books and tea sets, but that may have gone for other
purposes as well—to help pay the expenses on the new business, to
buy the grand falling-apart house on the lake and ensure its
restoration. It was impossible, from this distance in time, or
maybe ever, to separate good intentions and mistakes from
calculated moves, impossible to know exactly what had transpired
all those years ago, but it was vividly clear from this will that
he’d carried regret with him always. At the end of his life, he had
wanted to make amends, and it seemed he died believing he had done
so.
Another bat swooped low and floated back into the
rafters. The concrete was cold, but still I sat for a long time
with the will in my hands, watching the pattern of flickering light
and shadows on the ceiling and the wall, thinking of Rose, whom I
had never known but had nonetheless come to love. Finally I stood
up, brushing dust and grit from the backs of my legs. I put the
tackle box back in the trunk and closed it, extinguished the flame
on the lantern and returned it to the workbench. Then I went
outside and stood in the driveway, looking at the house, its eaves
and porches, the cupola where Yoshi slept, the peeling paint, the
unkempt garden, overgrown and heavy with wild roses. We’d grown up
here, Blake and I, running across the lawn, diving off the dock
into the lake, believing that the world had a certain order, an
inevitable pattern, as fixed as constellations in the sky. And all
the time these papers saying otherwise had been sealed up in the
kitchen wall.
The air smelled of roses, and waves shushed against
the invisible shore. I tried to imagine my father’s thoughts on
that last night, as he smoked one cigarette, then two, then walked
across the lawn and took the boat out, grabbing his pole but not
his tackle box. Had he even known who Iris was? Had he been trying
to find the story of her life in those weeks before he died? And
who had sealed these papers away in the kitchen wall all those
decades ago? Sealed them but not burned them, hidden them where
they might never be found, or would surface only after so much time
had passed that any memories of Rose and Iris would have faded into
dust. It might have been Joseph Arthur Jarrett himself, having
changed his mind. Or it might have been my grandfather, who must
have felt blistered with the anger radiating from these pages if
he’d read them.
On the patio, the iron chairs were cold and damp
with night condensation. I sat down, so agitated I wasn’t thinking
clearly, and pressed Blake’s number on my speed dial. It rang ten
times, twelve, fifteen, but finally he picked up, his voice
gravelly with sleep.
“What is it?” he wanted to know.
“You were asleep. I’m sorry. Is Avery there?”
“Yeah, trying to sleep. Look, Lucy, what the heck’s
going on? What difference does it make if Avery’s here?”
I stood up and walked to the edge of the patio,
looking out across the lawn to the lake, the soft shuffling of
shale beneath its waves against the beach.
“It’s about Rose. I didn’t want to wake you
both.”
“Well, thanks for that.” I heard his footsteps, and
then a space opened up around his voice as he stepped out on the
deck.
“Lucy, this is all ancient history, okay? Whoever
this Rose person was, whatever sort of scandal she caused a hundred
years ago, it just doesn’t matter anymore. Can’t you let it go? Get
some sleep, and let me get some, too.”
“Look, that’s just it, I found her daughter,” I
said. “I found Rose’s daughter, Iris. Yoshi and I met her today.
She’s ninety-five, and she lives in Elmira. We met her family,
too.”
There was a silence, a rustling, and I imagined
Blake sitting down on one of the deck chairs, looking up at the
very same sky.
“Okay,” he said, finally. “Tell me why it’s so
important. Why you’re calling now, at one o’clock in the morning.
You didn’t just get back?”
I thought of the trip home through the blooming
fields, daylilies running through the ditches like fire, the fields
alive with butterflies and insects, the lakes vivid blue as we
drove on the ridges between them, how after that meeting I’d seen
the world the way you do when you’ve been a long time under water,
everything luminous and vibrant, strange and new, charged with
life. I couldn’t tell Blake about any of this, or about the dream
of lures that had woken me, brought me to the barn and the tackle
box and finally to this moment. And suddenly, remembering the rolls
of drafting paper at Dream Master, their penciled plans—secret
plans, unshared—I hesitated to tell Blake about the will.
“I know it’s late. I’m sorry, I couldn’t sleep. But
doesn’t it seem astonishing to you that there’s this whole branch
of the family we’ve never known existed?”
“It does.” He sighed. “Of course it does, it’s
interesting. But honestly—it’s not life-or-death interesting. It’s
not wake-me-up-in-the-middle-of-the-night interesting. Lucy, don’t
you think maybe you’re dwelling on this a little too much? Why not
just relax and enjoy showing Yoshi around. Maybe if you weren’t
between jobs and here on vacation, this might not seem quite as
important as it does right now.”
Despite what I’d told Yoshi earlier, Blake’s
comment touched a nerve. Maybe this was one of the reasons I’d
never let myself be between jobs before, had never paused, going
from scholarship to scholarship, good jobs to better ones, so I
could always come back and run into Art or Joey or even Zoe and
think to myself: So there.
“What do you mean? It changes everything.”
“They’re, like, third cousins once removed. It
doesn’t change anything at all.”
“Blake, the story changes everything.”
He laughed, exasperated. “Okay, okay. I’m not going
to argue with you at one o’clock in the morning, Lucy. I’ll see you
tomorrow at the party. Meanwhile, good night, okay?”
Then the phone went dead.
I sat on the patio for a few minutes longer. There
were bats here, too. Winged shadows, I had always liked them, their
small intelligent eyes, their fondness for insects and the night.
There were caves on the depot land and perhaps the bats lived
there, clustered silently along the walls, aware of the voice of
the land, the susurrations of the water and the swift growing of
the plants, listening to the strange new sounds of metal against
rock as the bulldozers scraped away the earth.
If my grandfather had found this will, had he
looked for Rose and Iris and never found them? It was possible. I’d
had a hard time tracking Iris down, even with the letters from Rose
and a great deal of luck. Or perhaps he’d never looked for her—that
was possible, too. I tried to imagine how it must have felt for my
grandfather to read that will—if indeed he had seen it—his father’s
words, so harsh, like blows: To amend for the things I denied
her. To remind my son that the world does not owe him a living by
any reckoning. Bitter words, and perhaps the writing of them
had been enough; perhaps my great-grandfather had put this will
into the wall so no one would ever see it, the flashing anger of a
moment.
Or, if my grandfather had read this will in the
silence of the house after Joseph Arthur Jarrett died, he might
have shoved the papers in the wall and smoothed the plaster over
with even strokes, as if to erase those words, though his father’s
disappointment was already engraved forever on his heart.
I thought of my father and Art, growing up in this
house, those words buried in the wall, all that bitterness sealed
away but present, shaping everything that followed, like water
shaping rock. Like it or not, it had shaped me, too.
Lights flashed across the lawn and over the surface
of the lake, then went off abruptly; gravel crunched in the
driveway, and my mother’s laughter carried through the night, and
voices, softer, floated through the darkness. Then silence, the
thud of the car door falling shut and more laughter, and the flash
of lights again as the car backed out. My mother came in through
the porch. I called out hello.
“Lucy?” she asked, coming to the screen door, then
pushing it open and stepping out onto the patio. She was dressed in
white and silver, like one of the flowers in her discarded night
garden, her perfume drifting through the air. “What are you doing
up? Where’s Yoshi?”
“Oh, he’s sleeping. I couldn’t. How was the
movie?”
She smiled, but it was a private smile, and despite
the jam-filled jars and Andy’s kindness and my own best intentions,
I felt a surge of anger at everything she was leaving so willingly
behind. So easily, too, it seemed from outside, though I knew that
wasn’t fair. Maybe it was because I had been thinking so much about
my father, about his last restless days. Or maybe it was the scent
of strawberries still lingering in the house. “It was terrible,
actually, but we had fun. You know, it’s been years since I laughed
so much with anyone. We stopped at his place for pie when it was
over.”
“He’s quite the cook.”
If she heard my tone, she ignored it. “Yes, he
really is. The pie was incredible, deep-dish, with clotted cream.
He says he finds it relaxing to cook.”
“Well, that’s lovely.”
“Lucy. Honey. Just be happy for me. For heaven’s
sake, just be happy, period.”
“You know,” I said, not deciding to tell her, the
words just coming out in a rush. “The night Dad died, I ran into
him here, in your garden. In the middle of the night, before he
went fishing. He asked me to go with him. And I said no.”
My mother seemed startled. “The night he drowned?”
she asked slowly.
“Yes. That night. I mean, if I’d gone, everything
would be different. He’d probably still be alive, and everything,
everything, would be different.”
“Oh, honey,” she said. She came and put her arms
around me. “Is that what you think? What you’ve thought all these
years? Oh, honey, no. No. What happened to your father was not your
fault, or anyone’s fault, and you can’t fix it.”
“If I’d gone fishing with him,” I insisted,
“everything would be different now.”
“Yes, maybe. And if he hadn’t gone fishing at all
everything would be different, too. If it had been raining, if and
if and if. You can’t do this, Lucy. You just can’t. Believe me, I
tortured myself for a long time, too. Your father had had something
on his mind for days. After the accident—and at first I wasn’t even
sure it was an accident—I couldn’t stop wondering: why hadn’t I
pressed him harder to find out what was wrong? I woke up when he
got out of bed that night. I caught his hand as he was leaving the
room and asked him what was wrong and he said nothing. He kissed
me, and he said not to worry. Those were his last words to me. I
couldn’t sleep, though, so I went up to the cupola. I heard you
come in, Lucy. I heard the motorcycle come and go, I heard you
talking in the garden with your father. It was fine, everything you
said. It was not your fault, what happened.”
I didn’t speak for a moment. Bats rushed above us,
like leaves drifting, like scraps breaking free from the sky. The
relief I felt at having told her was physical.
“I know that. It’s just—”
“Your father is gone, honey. He’s been gone a long
time. He would want you to live your life.”
“I know. I know that. But Mom, you said he was
preoccupied. Do you happen to know why? What was on his
mind?”
She sat down, shaking her head. “Oh, Lucy, do we
have to? I don’t want to talk about the past anymore. You’ve found
Iris, right? So your quest is over. The past is the past, Lucy,”
she added gently. “It doesn’t help you to dwell there. You miss too
much of what’s going on right in front of you. Believe me, I speak
from experience on this. Don’t get stuck.”
The will, those pages with their slanted
handwriting, was burning in my hands. I imagined telling her about
it, but as with Blake, something held me back. This will left half
of everything to Iris, and all these decades later, I had found
her. Would the will still be valid? Would Iris even care? Would my
mother? I didn’t know, and that was just the trouble. I felt like I
was walking on sand.
She looked at me—puzzled, irritated, concerned. I
knew she wanted more than anything to walk away and go to bed, to
drift into sleep, the scent of pine and strawberries permeating
everything, the memory of Andy’s laugh, the touch of his large,
capable hands, all of this easing her into pleasure, sleep, dreams.
Still, after a moment she sighed and pulled her chair closer to the
table. I thought of the morning we’d sat here looking at Rose
Jarrett’s cryptic notes—just over two weeks ago, though it seemed a
lifetime away. I turned the pages in my hands.
“I don’t know,” my mother said. “I don’t know the
answer to your question. As I said, I thought about it night and
day for months after your father died. Trying to understand what
had happened. We weren’t old, you know—your father only forty-five
that summer, and I was forty-three, and for a long time after, I’d
wake up in the morning believing it hadn’t happened. I think that’s
why I closed off the rooms. I wanted a wall between then and now,
between what we’d dreamed for our lives and what had really
happened.
“Anyway, all I can tell you is that he had
something on his mind. He was preoccupied. Not worried so much as
distracted. It was like he was listening to music I couldn’t hear.
Sometimes I’d have to ask him a question three or four times to get
an answer. He was finishing the kitchen renovation, and he kept
having problems with the subcontractors. I didn’t want to add to
his stress. I figured he’d tell me eventually, once he’d had time
to work it out, whatever it was.”
She stared at the table, then looked up and spoke
again. Her eyes were dry, but her words were rough with
emotion.
“Does it matter, Lucy? Because I think we’re still
in different places with all this. In the beginning I kept
searching for reasons, too. I tortured myself with the idea that I
might have changed the outcome. If I’d only done this, or said
that, a different set of events would have followed. Maybe so. But
this is what happened, and nothing changes that. It was an
accident, and over the years it’s become a comfort for me to think
of it that way.”
We’d never spoken so directly of my father’s death
before; we’d driven grief underground, like water pressed beneath
shale, threatening to emerge without warning. I didn’t want to
cause her any further pain, but I put the will, those angry pages,
on the table. I explained what it was and how I’d found it. I told
her what it said.
She sat back in the chair, then picked up the
papers and shuffled through them, though it was too dark to
see.
“Really? He left half of everything to Iris?”
“He did. If he meant for this will to be seen, that
is. He might have put it in the wall himself. Changed his mind,
sealed it away instead of burning it.”
She nodded slowly. “Either that, or someone else
did. Your grandfather or grandmother. It’s hard for me to imagine
it was your grandfather, though. Do you remember him at all?”
“Not really, no.”
“He was genial, he liked the good life and was
happy to float along on what his father had accomplished. Art’s a
lot like that, when you get down to it. He feels entitled to
everything, somehow. He was the sort of person who went along to
get along—though, who knows, he might have bottled up enough anger
to do this. Your grandmother, though—especially after your
grandfather had that stroke—was very protective of her boys,
especially of Arthur. I can see her doing this. Of course, I never
knew your great-grandfather, so I can’t really say what he might
have done.”
“Well, someone didn’t want it to be found.”
“Yes.”
“That seems awfully mercenary, if it was all about
the money.”
“It might have been money. Or it might have been
anger or embarrassment. They were very proper, both of your
grandparents. Very concerned with appearances, with the family
name. It’s a small town, and word would have gotten around. It
might have been a sense of shame as much as anything, if either one
of them did this.
“That’s your father’s handwriting,” she said,
picking up the first page and reading it again. Found in
kitchen, west wall. “He must have come across it during the
renovation that last spring.” She sighed. “He never mentioned it.
He wouldn’t have, though. Still, I knew something was off.”
“So maybe this was what was on his mind.”
“Yes,” she said slowly. “I can see that. It might
have been.”
“If it’s true, it could change everything.”
In the silence we listened to the soft voice of the
lake, whispering and whispering to the stony shore where they had
pulled my father from the water.
“Well, not everything,” she said.
She stood up and slid the papers back across the
table. The radiant happiness that had surrounded her when she’d
come in had disappeared.
“Let’s just think about this,” she said. “Let’s not
mention it to anyone. We can talk to lawyers and so forth, but for
the time being, I don’t see the need to discuss it with
others.”
“It’s been such a strange day,” I said, because I
didn’t want to consider too deeply why she might wish to keep this
quiet.
My mother reached over and put her arm around my
shoulders. She smelled unfamiliar, of strawberries and sweat.
“Go to bed, Lucy,” she said. “Get some
sleep.”
I went upstairs, climbed into the room at the top
of the house where Yoshi was sleeping in the middle of the futon.
He moved away as I slipped in beside him. I lay there for a long
time, the events of the day and discoveries of the night coming
around and around, as if circling on a conveyor belt I could not
switch off. I tried relaxation exercises and reciting lines of
poetry and, remembering how I had felt in the chapel, for the first
time in years I even tried self-consciously to pray, but the cupola
was filling with the grainy gray light of sunrise before I finally
slipped into a fitful, dreamless sleep.