Chapter 6
IN A LABYRINTH, WALKING THE SINUOUS PATH THAT
LEADS finally to the center, people once carried clews, round balls
made of twine, to help them find their way back out. As I left the
church, I felt I’d just discovered such a clue, tangible and full
in my hands, unraveling slowly to mark my way through this
unexpected landscape of the past. I threaded my way back through
the byzantine corridors, questions about Rose Jarrett and the
artist Frank Westrum rising one after another. She must have known
him, somehow; she must have been responsible for the border in the
windows, a kind of signature. She might even have commissioned the
windows, or been involved in their design somehow. If the papers
from the cupola were any indication, she’d been an adventurous
person, passionate and thoughtful, interested in women’s suffrage.
It was as if a window had appeared where I’d imagined only a wall,
so now I could look through it to discover another way to see the
story. Whatever had happened to Rose had happened long ago, was
ancient history, really, yet I felt instinctively that there was a
connection to my own life, and this was both thrilling and a little
frightening, too—because what if in the end I discovered something
I didn’t want to know?
I wanted to see the window again, to see if there
was anything I’d missed. Keegan had already gone, however; the door
to the vestment room was locked. I probably could have eased it
open if I’d tried, but the eyes of all those rectors lined up along
the wall made me too uncomfortable. I had a sense, also, that I
should not trespass, which echoed the feeling I’d always had
growing up that the mystery of this place was ultimately sealed
against me, no matter how much I might long to enter. I was a girl,
and so my picture would never look like the long line of men whose
faces lined the wall and whose domain this seemed. Though in the
Episcopal Church women were regularly ordained starting in 1976,
Suzi was the first female priest I had ever met. Likewise, in my
family, the stories never had women at the center, which was one
reason why the discovery of Rose—an ancestor I’d never heard of
before—felt so astonishing and intriguing.
I walked on. The sanctuary was very still, my
footsteps echoing on the tiles. Near the front doors, at the end of
the aisle, I paused and turned. Light filtered through the
stained-glass windows, muted and serene. Each one told a story,
invisible in darkness, taking life only when the sun rose and
filled the colors, and each was the story also of the people who
had given it, long dead now, whose names ran along the bottom in
gold letters. In honor of James, Hannah, Our Beloved Mother, The
Evans Family, Sarah, Virginia, child of Susan and Samuel. What
had Joanna said in the office as she handed me these papers? It
gives you chills . . . all these people . . . standing right where
we are now . . . living out their lives. My father had grown up
in this church, and his father. My great-grandfather Joseph had
walked these aisles before anyone alive today was born.
And Rose. She had stood here, too, decades before
the chapel on the depot land was built yet somehow connected to it,
holding her infant daughter, trying to soothe her perhaps, tucking
the edge of blanket closer against the coolness radiating from the
stone walls, even in May. Then she had walked out into the world
and disappeared.
A door fell shut; footsteps sounded on the choir
stairs, and then the Reverend Suzi emerged into the
sanctuary.
“Ah, Lucy,” she said, looking momentarily startled.
“Still here? Can I help you with something?”
“I’m just leaving. I just wanted to stand in the
church for a minute, I guess. I hope that’s okay. I was thinking
about all the people who’ve stood here before me. I haven’t been
here since my father died,” I added.
“Of course it’s okay. I heard about his accident,”
she said. “I’m sorry. It must have been very hard.”
I nodded. “It was. But it was a long time
ago.”
“Some moments resonate in powerful ways,” she
said.
Our voices were soft amid the stone walls, the
wood. I didn’t know what else to say, and anyway my throat had
thickened with the memory. Suzi let the silence gather for a
moment.
“You’re Evie Jarrett’s daughter, aren’t you?” she
asked, finally. “How’s your mother doing? How’s her arm?”
“She’s fine,” I said. “Better than I could have
imagined, actually; she’s even got a date this afternoon.”
Again, Suzi didn’t respond right away, which made
me really have to think about the words I’d spoken, to hear the
sharp edge my tone had carried.
“You know, your mother’s very glad you’re here,”
she said. “I went to see her after the accident and she was so
excited that you might come. It must be a little strange for you,
though. Are things very different?”
“Oh, very! Everything has changed so much. Even
here. Maybe especially here. It wasn’t that long ago, but I was the
first girl allowed to be an acolyte in this church.”
“Really? So you were breaking new ground.” Suzi
spoke rather pensively, which made me wonder about the path she’d
taken.
“I suppose I was. I didn’t think about it that way,
though. I just wanted to be an acolyte. I hate to say it, looking
back, but it didn’t cross my mind even then that women could be
priests.”
“Some changes take a very long time. Like water on
stone. That’s why I’m so especially interested in these windows.”
She nodded at the manila folder Joanna had given me. “Did you find
anything?”
“Yes, actually. I did.” The photocopies of the
baptismal certificate and the window receipt were still faintly
warm from the machine when I handed them to her. “Rose. Her name
was Rose Jarrett. She would have been my great-great-aunt, though
I’ve never heard of her before. She had a daughter, Iris.”
“Reverend David Prescott—he’s in one of the photos
on the wall,” she noted, pointing out the signature. “Such a long
time ago. No one would remember her, which is too bad. Whoever she
was, she seems to have found a way to see herself—and women in
general—in the sacred texts. To imagine herself into the story, so
to speak. I think that must have been exceptionally difficult at
the time.”
“I know. I wonder what happened to her. And to
Iris, too. Plus there’s the border pattern, which is so
fascinating. Keegan said the windows dated to the 1930s, but the
papers I have are much earlier.”
“Keegan, yes.” She nodded, smiling, as she gave me
back the photocopies. “Well, he would know, wouldn’t he? I’ve
become very fond of Keegan, working with him on these windows. He
has enormous expertise, and he’s been good enough to donate his
time, which is a real blessing. The windows are a treasure, but
they turn out to be so incredibly expensive to maintain.”
“It’s been good to see him again,” I said,
remembering Keegan lifting Max into the air, their jokes back and
forth, their laughter. I thought about Blake and Avery with a baby
on the way, the elegant vase of gladioli sent to my mother by a
stranger, the mysterious old papers, fragile and gritty to the
touch.
Her cell phone rang, shattering the quiet, and the
Reverend Suzi slipped it from her pocket, glancing at the
number.
“Sorry—I have to take this,” she said, gesturing
toward the door. “It’s good to meet you, Lucy. Come by anytime. And
keep me posted on whatever you find, okay?”
Outside the muted sanctuary, the world seemed
bright, newly washed and vibrant. Summer traffic was already
backing up the hill and the sidewalks were crowded with tourists in
their loose bright cotton clothes. I walked without intention for a
while, absorbed by my discoveries, wandering through shops without
really seeing what I was looking at. In the park I wove my way
through the art fair to the seawall and tried to call Keegan; he
didn’t pick up, so I left a message about the baptismal certificate
as I wandered on through the village. At last I found myself at the
pier where Blake moored his boat. The Fearful Symmetry was
graceful, thirty feet long with a tall white mast, bobbing gently
on the water. I stepped down onto the deck and called his name, but
the voice that floated up from the cabin was Avery’s, light and
questioning. She appeared at the bottom of the stairs wearing jeans
and a gauzy yellow blouse, her dark hair pulled back in a
ponytail.
“Oh, Lucy,” she said. “Hi there. Blake’s at work. I
was just going over some papers. Come on down, if you want.”
The stairs were narrow, opening into a paneled room
as compact and complete as a studio apartment, with a v-berth in
the bow, a galley kitchen, a tiny bathroom, and a sitting area. I’d
always marveled at how sparely furnished Blake’s life was. He
didn’t care much for things; he liked the uncluttered feeling that
came from owning very little. Avery moved some pillows to make room
on the built-in sofa. The table was covered with drawings, and I
recognized my mother’s drafting paper, her neat lines and
handwriting.
“Want some iced tea?”
“I’d love some, thanks,” I said.
Avery moved as deftly in the narrow galley as she
did in her restaurant. She piled up all the papers on the table and
placed tall glasses of tea, with sprigs of fresh mint, on two
bright yellow coasters she pulled from a drawer. I had to smile:
never in a million years would it have crossed Blake’s mind to buy
coasters. “Those are some sketches your mom did,” she said as she
sat down. “They’re plans for organic vegetable gardens, actually.
That’s my dream someday—to have organic gardens to supply the
restaurant. I hate paying to ship all that stuff, using all that
energy just to move produce around. She drew these up for me for my
birthday last month. It was really nice of her.”
I sipped my tea: cold, faintly raspberry. I
remembered Avery from high school as quiet, so shy she’d hardly
spoken the few times we’d met before. But that was years ago,
before she’d gone away to school, before she and Blake had ended
their romance and started it again several times. She seemed so
different now, confident and sure of what she wanted. She was at
least two years younger than I, and yet she already had her own
business and a baby on the way. I felt a pang of unexpected envy.
Envy, and the feeling I’d had so often in Japan that despite my
wild adventures, I’d really been circling around the same still
point for years.
“I think you’re brave,” I said.
“What? Dating Blake?”
“Well, that, of course.” I laughed. “No—taking all
this on, I mean.”
“I’m nuts, actually.” She laughed, too, relaxing
back on the cushions. “Really nuts, I sometimes think. It’s
exciting, sure, but there’s so much pressure. And it never ends.
Still, I love working with food. I love it when the place is full
and I look out and see everyone happy, eating healthy
things.”
“My meal was so good.”
She grew serious. “Thanks, but it could have been
better. If I had everything fresh, it would have been tons
better. Your artichokes were canned, I don’t like that. We were
hoping—Blake and I were hoping—that maybe we could get some acreage
when the depot land is sold. Or else down the road, when your
mother sells her place.”
I caught my breath a little to hear how far my
mother’s plans had traveled, trying to sort out my complex feelings
before I spoke. Loss, of course, and anger that I hadn’t known, and
the feeling that I’d been left out, which wasn’t fair; I’d been
gone for years, after all. Avery didn’t notice and went on
speaking.
“Not the lake lots, of course. Too pricey. But that
land is black earth, as rich as Iowa soil, and it used to all be
farms, before all the bunkers and airstrips. There’s a black walnut
tree just inside the depot gates—my great-grandfather planted that
tree decades ago when that part of the land belonged to him. I’d
like to get it back.”
There was wistfulness in her voice, and hard
determination, too, and I thought about the day I’d arrived—was it
only two days ago?—Pete leaning into the truck and saying, You
sure you don’t have a dog in this fight, Blake?
“Were you at the rally?” I asked.
She shook her head and gave a short laugh. “It
seems I’m only ever at the restaurant anymore. But I heard about
it—people came in for lunch after it was over. Were you?”
“I saw it, that’s all. Driving by with Blake the
day I arrived.” The boat swayed gently with a wave; one of my
mother’s drawings slipped from the table and I leaned over to pick
it up. “So many people were there.”
“So many—it’s true. It’s a huge controversy.
The wetlands people may be getting together with the white deer
people, though. They had lunch together, anyway—eggplant soufflés
and white wine.”
I thought of the deer emerging from the trees and
moving like clouds against the sea of tall grass. My father used to
tell us stories about them, growing up, and sometimes we’d go out
in the evenings to search for them, driving slowly on the gravel
roads around the depot. People came to school with stories of
having glimpsed one standing in the road or disappearing into the
trees, but that was rare, and in all our searching, we’d never seen
one. I asked Avery if she had.
“Just once. A long time ago. We were on our way
home early one morning when one leaped in front of our car. My
father slammed on the brakes, barely missed it. We watched it
disappear into the trees, and then five or six others followed,
pure white. I was little, so they seemed magical, like unicorns or
something. I remember we all just sat there, not speaking, for a
long time. Even my dad.”
I sipped my tea and studied the three framed photos
on the wall behind Avery. The first had been taken on the deck,
Blake standing behind Avery with his arms around her waist. Her
head was tipped back against his shoulder, she was laughing, and he
was smiling down at her, the wind sweeping a piece of her hair
across his cheek. The other two were more formal, the two of them
standing side by side, smiling at the camera in front of a
lighthouse, an anchor.
“Do you like those?” Avery asked, turning to look.
“I just had them framed last week. Those two on the left are from
the trip we took to Nova Scotia last spring.”
“You look so happy, both of you.” I was hoping she
would tell me about the baby, so I could stop pretending that I
didn’t know.
“We were. It was a good trip, mostly.” She paused,
as if choosing her words. “Lucy, is Blake very much like your dad
was?”
I thought about this. I never would have said so
before, but knowing that Blake was working at Dream Master made me
reconsider. He’d given me his reasons, and they made sense, but all
the same I wondered if the lure of the past had something to do
with it; he could have worked anywhere else in town. “I don’t know.
In little ways, maybe. The same laugh, the same eyes, that sort of
thing. But I can’t really say. Why?”
Avery sighed. “I guess I’m just trying to figure
him out. Sometimes he just seems so far away. So lonely,
somehow.”
I didn’t answer right away. A very sad and
lonely person—those were Yoshi’s words to me. I liked to think
that the past had no power over me, but maybe I was caught in it,
too. Avery half-stood and reached to the counter for a bag of
pistachios, and I glimpsed the faint swell of her stomach beneath
the gauzy blouse, so slight I might not have noted it unless I
already knew. When Blake had visited me in Indonesia, he and Avery
had broken up, and one evening he’d struck up a deep flirtation
with a woman at the next table. I wouldn’t have guessed then that
he’d be here now, back with Avery, about to have a baby. The boat
swayed gently, making little ripples in the iced tea, and I thought
of the waves that had run through the earth, and of Yoshi’s hand
running the length of my thigh as I woke amid the earthquakes. I
thought of his kindness, and his kiss on the train platform, which
seemed a very long time ago.
“Lucy?” Avery said, offering me the pistachios.
“Earth to Lucy? Did you want some of these? Some more tea?”
“No, thanks.” I smiled. “Sorry to be so spacey. I
guess I’m still a little jet-lagged. I should probably get going,
actually.”
“Well, it’s good to see you. Can I give Blake a
message?”
I shook my head, imagining the sort of message I
could leave: Discovered lost ancestor, please call ASAP.
“That’s okay. I’ll track him down eventually.”
Upstairs, I lingered on the deck, thinking about
Yoshi, about loneliness, mine and Blake’s and maybe everyone’s. It
was still a clear day, but low clouds were scattered on the horizon
and the wind had come up; the lake was decorated now with
whitecapped waves. The fire siren sounded; it was noon. Even though
I didn’t want to go to Dream Master, I did want to tell Blake what
I’d discovered, and so I left the pier and crossed the main road,
following the outlet away from the center of town.
For all his talk of progress, Art had let Dream
Master go quite a bit. The plate-glass windows were filmy, and one
of the gutters on the third floor was hanging askew. The brick
needed tuckpointing, too, and the grass in front was long. It
struck me that maybe Art’s hiring of Blake was less an act of
generosity than it was of desperation. There was something weirdly
comforting about that thought—there seemed to be some sort of
balance in the universe as long as Art was doing poorly—except that
now Blake was involved. I took a deep breath, cut across the gravel
parking lot, and climbed the concrete steps. A little bell rang
when I opened the door, just as it had in my childhood. I paused on
the threshold, taking in the scents of metal and paint and sawdust,
the underlying odor of dust.
Aisles of locks and hardware and tools—hammers and
saws, planes and screwdrivers—ran the length of the store. There
were bins of nails in addition to the prepackaged kinds. Wooden
rulers and yardsticks sat beside tape measures in their flashy
yellow cases. Dozens of different light fixtures hung from the
ceiling.
I took a step and called out, “Hello.” Nothing.
“Hello?” I called again, louder, but no one came.
I walked up and down the aisles, noting the little
changes. Art had put gray speckled linoleum down over the planked
floor I remembered; he’d taken down the old flypaper strips,
probably long ago. The offices were still there, though, off a
corridor that ran behind the storefront, still paneled in dark
wood. My father’s, at the end of the hall, was completely
changed—the rolltop desk gone, the windows shaded with plastic
blinds, and a new conference table set up in the middle of the
room, shiny black laminate, with sleek black chairs around it. A
nondescript gray carpet covered the floor. I looked hard for the
room where I’d played with Blake and Joey, the room where my father
had unlocked so many secrets, but I found no trace.
“Lucy?”
I hadn’t heard Art coming, and I started. Tall and
broad-shouldered, he blocked much of the hall. Again, he looked so
much like my father that I found it difficult to speak.
“I was looking for Blake,” I said.
“I sent him to take an order in Union Springs. He
should be back pretty soon.”
“Oh. I see.” There was an awkward silence. “Do you
have a minute, then?” I asked. I realized I hadn’t really spoken to
Art in years—even at my father’s funeral we’d exchanged only the
most formal of condolences—but maybe my mother was right and he’d
be able to shed some light on the discoveries I’d made.
He glanced at his watch. “A few minutes,” he said.
“I’ve got to meet with the zoning office. But come on in, why don’t
you, and sit down.”
I sat in a leather chair with wooden arms. It would
spin, I remembered; we used to play on it when we were kids.
“So, Lucy,” Art said. “It’s been a while. What’s on
your mind?”
“It has been a long time, hasn’t it? Well, I guess
I just had some questions.”
He put his elbows on the desk, made a tent with his
fingers, and nodded.
“Happy to help if I can,” he said.
I was still carrying the papers from the church.
Rose Jarrett would have been Art’s great-aunt; Iris would have been
some kind of cousin. Yet I found myself reluctant to mention Rose,
the discovery of her existence still too new for me to want to
share it. Instead, I explained about the papers and pamphlets I’d
found in the cupola and asked if he knew anything about them.
Art listened closely. “In the cupola, you say? What
sort of papers?”
“Oh, a hodgepodge, really. Old newspaper articles,
some magazines. I was interested in them because they looked like
they had to do with the women’s suffrage movement. I thought they
might be historical. I thought you might know.”
His lower lip jutted out slightly as he thought,
and he shook his head. “Doesn’t sound at all familiar. Before my
time, of course.”
“Right. I thought they might have belonged to my
greatgrandmother—your grandmother. Cora, wasn’t that her name? The
dates seem about right for that. I never knew her, of course. I
don’t even remember hearing stories about her.”
I’d found the key; he relaxed back into his
chair.
“My grandmother was a lovely person. At least as
much as I remember her. I was only about ten when she died. She
loved children, doted on us. She made beautiful pies, too; it
seemed there was always a fresh one on her kitchen counter. That
was in the house you lived in, which was where I grew up, too. We
moved in after our grandfather died; Grandma Cora was a widow by
then and not in good health. She slept in the big room at the front
of the house—I think you’ve got the piano where her bed used to
be—and my mother took care of her until she died. Now, my
mother—your grandmother—she was a wonderful woman, too.”
I nodded, remembering the story my mother had told
me about what had happened while my father was in Vietnam. My
grandmother had died when I was seven, and all I could conjure of
her was a fluttering sleeve of a polyester print dress, her
eyebrows arching as she laughed, and the fleeting dark red color of
her fingernails.
“She didn’t like to swim,” I remembered,
suddenly.
“No, she did not. She made sure we learned, though,
me and Marty.”
“You know, the strange thing is, there was a note
with these articles. It seemed like it had been written by a member
of the family—it was written to your grandfather, in fact—but it
wasn’t signed. It was passionate, though. A note about a girl named
Iris, being sent away.”
He didn’t answer for a moment, and when he spoke,
it was slowly.
“Well, I suppose it’s no secret that every family
has its skeletons; you know that by now. There was some sort of
scandal, way back when. My grandmother’s sister, maybe? I’m just
talking from what I’ve gleaned, growing up, overhearing a bit of
this or that. It’s probably as much conjecture as truth. But
something did happen that got hushed up. Had to be hushed up,
that’s how I understood it, for the sake of the family. It never
interested me much, to be honest. I’m much more concerned with the
here and now, with what’s right in front of my face.”
I thought about what was right in front of us, this
building with its layers of the past, and all the things that had
gone unspoken for so many years.
“What happened?” I asked, the words slipping out
despite my best intentions. “What happened between you and my
father?”
When Art finally met my eyes his face was
anguished, grief welling up, the creases on the side of his mouth
deepened, his eyes darkened with pain.
“I will not speak ill of the dead,” he said. “That
is one thing I will not do. But I’m sure you’ve heard only one side
of the story. Your father was a good man, but he wasn’t easy. He
especially wasn’t easy for me. Maybe I wasn’t easy for him, either.
I don’t think we’d have gone into business together if it hadn’t
been expected of us from the time we were born. Still. What I did
back then, while he was off fighting the war—it was wrong. I can’t
undo it. But I can make a place here for you and for Blake. I was—I
am—absolutely serious about that.”
I didn’t know what to say; his impassioned remorse
caught me off guard. I wanted both to defend my father—against
what, I didn’t quite know—and to comfort my uncle, who seemed
consumed by the past in ways I hadn’t ever considered. My emotions
were so intense and so conflicting I didn’t realize right away that
he hadn’t really answered my question, not at all.
“I can’t work here,” is what I finally said. “If
that’s what you mean. I appreciate the offer, I suppose.”
He nodded once, ran his hand through his bristly
gray hair.
“Just think about it, Lucy. There’s always a place
for you here. Remember that.”
I told him I would and then I stood up, saying
good-bye, touching the papers I’d found, just to be sure they were
still in my bag.
“Don’t be a stranger, Lucy,” Art called as I left,
and I waved.
A few customers had entered the store and were
browsing in the aisles. To my surprise, Blake was behind the
counter, listening intently to a woman describing the kind of
plumbing supplies she needed. When he finished filling her order he
came over, smiling, rolling his eyes a little at the situation. I
thought of Yoshi, who had been so pleased when I told him about
Blake’s impending parenthood. When we’d talked of children it had
always been in an abstract sort of way, and now I found myself
wondering what Yoshi would be like as a father.
“What’s up?” Blake asked.
“Yoshi says hello,” I said. “He’s going to try to
smuggle in some rambutans.”
Blake laughed, and I told him briefly about the
letters in the cupola and the windows in Keegan’s studio and the
church. Again, I didn’t mention Rose. Blake was interested but
distracted, too; he kept glancing around the store to see if there
were any customers in need of help. Then Zoe came in, ringing the
little bells on the door, and when she saw me she ran over and
hugged me with the exuberance of early adolescence, then started
talking a mile a minute about a play she was in. She’d grown so
tall since I’d last seen her, and wore dangling earrings, and once
in a while she spoke of herself in the third person—“Zoe is so
excited!”—as if she were posting on Facebook and not talking to me
in person. She looked a lot like Joey, with the same intense
Jarrett eyes, her dark hair. Blake smiled, raised his eyebrows
slightly, and drifted off.
I promised Zoe I would see her again before I left
and she said she was coming to the solstice party with her parents.
Then I left Dream Master and walked back into town, got a sandwich
and drink from the grocery store, and sat on a bench by the outlet
while I ate. Light made dancing patterns on the water and a few
seagulls hovered on the concrete seawall, waiting for crumbs. I
tossed them little pieces of bread, thinking about my discoveries
at the church and my conversation with Art.
When I finished eating, I wadded up my lunch papers
and tossed them out, pausing in the shade of an oak tree to look at
the pictures I’d taken of the Wisdom window on my phone. The
resolution wasn’t very good, but still the imagery was vibrant,
striking. Had Rose designed them? And who had she been?
Yoshi had sent several messages regarding his
flights. I didn’t call because it would be after midnight there by
now, but I went to my saved messages and played the two he had
left, telling me about a job he’d heard about, one I might like,
and that my students missed me and he did, too. I closed my eyes
and played them again, listening to the cadence of his voice.
Keegan had left a voice message, too, about the
windows in the chapel. I tried to call him back, but he didn’t pick
up.
When a break came in the traffic, I darted across
the street and slipped into the library, which had once been a
private home. Built of gray stone, it had a deep front porch facing
the lake and a wooden screen door that creaked and slammed shut
behind me, causing the librarian, a young man with short hair, to
glance up. I passed the bulletin board thick with flyers: lost
cats, town meetings, a poster from the white deer consortium, an
open meeting of the Iroquois coalition. I sat at one of the long
cherry tables where I used to do homework. Now there were computers
at every seat. I typed in “Frank Westrum.” To my surprise, several
articles appeared. Though I couldn’t trust them all, I read the
first entry with some excitement anyway. Westrum had existed,
clearly, and as more than a local artist who’d faded obscurely
away.
Frank George Westrum, 1868-1942. Glass artisan.
Associated with the studios of La Farge, where he apprenticed
1894-1901. Married Beatrice Mansfield in 1896, and in 1919 moved
from New York City to Rochester, New York, to open an independent
glass studio. Consultant to Corning Glass. Two children, Marcus
Westrum b. 1896 and Annabeth Westrum b. 1897.
At the end of the article there was a link to the
Frank Westrum House in Rochester. A photo came up of a
stained-glass window, a simple sphere in shades of ivory against a
dark square background. A long-stemmed tulip followed the inner
curve of the sphere, the leaves fluid, as if floating, the single
red flower blooming. The patterns did not match the border pattern
on the windows in Keegan’s studio or the church, but stylistically
the resemblance was clear. Below was a single paragraph.
Home and studio of glass artist Frank Westrum
from 1920 until his death in 1942, this house contains 27 striking
examples of his stained-glass work in wide variety, from the grand
windows in the stairwell to modest transoms. Sold to private owners
in 1945, this dwelling was purchased by the Frank Westrum
Preservation Society in 1968, on the 100th anniversary of his
birth. The Society is dedicated to the collection and preservation
of his body of work, which exemplifies the resurgence of the art of
stained glass and the influences of William Morris, Charles Rennie
Mackintosh, and the Art Nouveau movement. Open May through
September, Tuesday and Thursday, 2-5.
I read this over twice, thinking of the window with
its cascades of vines, its animals and swimming fish, its brilliant
colors, and its row of familiar lacy moons along the bottom.
Rochester was about an hour away; I’d have time to get there.
Sunlight filtered through the leaves, making an ever-changing
pattern on the glossy table. The librarian gave me an amused,
perplexed smile when I asked him what day it was, just to be
sure.
“Wednesday, last time I checked.”
So much for making it that afternoon. And anyway,
there was my mother’s party.
On an impulse, I went back and typed in “Beatrice
Mansfield.” Sometimes I hated the Internet, which made it possible
to give in to every momentary distraction or flight of mind. But to
my surprise she, too, was listed with a brief entry.
Beatrice Mansfield, b. April 23, 1873, Seneca
Falls, NY. Design school in New York City. Married glass artist
Frank Westrum in New York City in 1896. Active in the fight for
women’s suffrage, corresponded with Elizabeth Cady Stanton, Amelia
Bloomer, Margaret Sanger, early mentor to Vivian Branch. Two
children, Marcus and Annabeth. Died April 10th, 1919, of
influenza.
Nothing came up when I typed “Rose Jarrett,”
however; not a single thing. When I checked the library’s online
catalog—the card catalog of my childhood, with its oak cabinet and
thick rectangular cards in neat rows, was long gone—there was
nothing there about her, either.
I sat back in the chair for a few minutes. The
ceiling fan clicked softly above me, stirring the warm air. An
older couple, probably retired, sat in stuffed armchairs by the bay
window, reading magazines and looking up to chat with each other
now and then. A group of teenage girls drifted in, moving together
like a flock of beautiful birds. It was so calm and tranquil here,
and I considered just staying for the afternoon, finding a good
book and a comfortable chair. Those were some of the simple
pleasures I’d imagined when I decided to make this visit. Yet the
past kept welling up, as persistent as a spring, and my curiosity
to know what had become of Rose and her daughter, and how their
lives might have helped to shape my own, now became as insistent as
hunger. It was partly the pure mystery of it, a desire to put all
the pieces into place and solve the puzzle. Yet it had to do with
my own life, too, all the scattered fragments that might come into
focus if I had a clearer lens. All these years I’d taken such
comfort in my wandering life, but really I’d been as anchored to
the night my father died as Blake had been, circling it from afar,
still caught within its gravity. Now Blake was moving on, and my
mother was, too; the feeling I’d been fighting all day, this
feeling of being adrift by myself in a vast dark space, engulfed me
for a moment.
I closed my eyes, listening to the fan and the
squeak of the screen door as it opened and fell shut with a sharp
slam, the soft, excited voices of the girls, the rustling pages of
the paper. The air smelled of new leaves, leather, and wood and
bloomed with quiet. I stayed, finally. I stood up and crossed the
room to the librarian, who looked up, smiling, as I started to
talk, telling him the story.