Chapter 10
The perfect place
Peony was a town twice removed from the history it sought to reflect. Adjacent to Woodstock, it pretended to the same tie-dyed, psychedelic, rock-concert past—while Woodstock in turn nourished its own ersatz aura through its name association with the pot-fogged concert that had actually been held fifty miles away on a farm in Bethel. Peony’s image was the product of smoke and mirrors, and upon this chimerical foundation had risen predictable commercial structures—New Age bookstores, tarot parlors, Wiccan and Druidical emporia, tattoo shops, performance-art spaces, vegan restaurants—a center of gravity for flower children approaching senility, Deadheads in old Volkswagen buses, and mad eclectics swathed in everything from leathers to feathers.
Of course, among these colorfully weird elements there were interspersed plenty of opportunities for tourists to spend money: stores and eateries whose names and decor were only a little outrageous and whose wares were tailored to the upscale visitors who liked to imagine they were exploring the cultural edge.
The loose web of roads radiating out from Peony’s business district led to money. Real-estate prices had doubled and tripled after 9/11, when New Yorkers of substantial means and galloping paranoia were captivated by the fantasy of a rural sanctuary. Homes in the hills surrounding the village grew in size and number, the SUVs morphed from Blazers and Broncos into Hummers and Land Rovers, and the people who came for country weekends wore what Ralph Lauren told them people in the country wore.
Hunters, firemen, and teachers gave way to lawyers, investment bankers, and women of a certain age whose divorce settlements financed their cultural activities, skin treatments, and mind-expanding involvements with gurus of this and that. In fact, Gurney suspected that the local population’s appetite for guru-based solutions to life’s problems may have persuaded Mark Mellery to set up shop there.
He turned off the county highway just before the village center, following his Google directions onto Filchers Brook Road—which snaked up a wooded hillside. This brought him eventually to a roadside wall of native slate, laid nearly four feet high. The wall ran parallel to the road, set back about ten feet, for at least a quarter of a mile. The setback was thick with pale blue asters. Halfway along the stretch of wall, there were two formal openings about fifty feet apart, the entrance and exit of a circular drive. Affixed to the wall at the first of these openings was a discreet bronze sign: MELLERY INSTITUTE FOR SPIRITUAL RENEWAL.
Turning in to the driveway brought the aesthetic of the place into sharper focus. Everywhere Gurney looked, he was given an impression of unplanned perfection. Beside the gravel drive, autumn flowers seemed to grow in haphazard freedom. Yet he was sure this casual image, not unlike Mellery’s, received careful tending. As in many haunts of the low-profile rich, the note intoned was one of meticulous informality, nature as it ought to be, with no wilting bloom left unpruned. Following the driveway brought Gurney’s car to the front of a large Georgian manor house, as gently groomed as the gardens.
Standing in front of the house and eyeing him with interest was an imperious man with a ginger beard. Gurney rolled down his window and asked where the parking area might be found. The man replied with a plummy British accent that he should follow the drive to its end.
Unfortunately, this led Gurney out through the other opening in the stone wall onto Filchers Brook Road. He drove back around through the entrance and followed the drive again to the front of the house, where the tall Englishman again regarded him with interest.
“The end of the drive took me to the public road,” said Gurney. “Did I miss something?”
“What a bloody fool I am!” the man cried with exaggerated chagrin that seemed in conflict with his natural bearing. “I think I know everything, but most of the time I’m wrong!”
Gurney had an inkling he might be in the presence of a madman. He also at that point noticed a second figure in the scene. Standing back in the shadow of a giant rhododendron, watching them intently, was a dark, stocky man who looked as if he might be waiting for a Sopranos audition.
“Ah,” cried the Englishman, pointing with enthusiasm farther along the drive, “there’s your answer! Sarah will take you under her protective wing. She’s the one for you!” Saying this with high theatricality, he turned and strode off, followed at some distance by the comic-book gangster.
Gurney drove on to where a woman stood by the driveway, solicitude writ large on her pudgy face. Her voice exuded empathy.
“Dear me, dear me, we’ve got you driving around in circles. That’s not a nice way to welcome you.” The level of concern in her eyes was alarming. “Let me take your car for you. Then you can go right into the house.”
“That’s not necessary. Could you just tell me where the parking area is?”
“Of course! Just follow me. I’ll make sure you don’t get lost this time.” Her tone made the task seem more daunting than one would imagine it to be.
She waved to Gurney to follow her. It was an expansive wave, as though she were commanding a caravan. In her other hand, at her side, she carried a closed umbrella. Her deliberate pace conveyed a concern that Gurney might lose sight of her. Reaching a break in the shrubbery, she stepped to the side, pointing Gurney into a narrow offshoot of the driveway that passed through the bushes. As he came abreast of her, she thrust the umbrella toward his open window.
He stopped, nonplussed.
“You know what they say about mountain weather,” she explained.
“I’m sure I’ll be fine.” He continued past her into the parking area, a place that looked able to accommodate twice the cars currently there, which Gurney numbered at sixteen. The neat rectangular space was nestled amid the ubiquitous flowers and shrubs. A lofty copper beech at the far end separated the parking area from a three-story red barn, its color vivid in the slanting sunlight.
He chose a space between two gargantuan SUVs. While he was parking, he became aware of a woman watching the process from behind a low bed of dahlias. When he got out of the car, he smiled politely at her—a dainty violet of a woman, small-boned and delicate of feature, with an old-fashioned look about her. If she were an actress, thought Gurney, she’d be a natural to play Emily Dickinson in The Belle of Amherst.
“I wonder if you could tell me where I might find Mark—” But the violet interrupted him with her own question.
“Who the fuck said you could park there?”