CHARITY

It came to her as if she came to it sometime in the future. A thought that she was not dependent. The City, which generated its own noise and change, would not give her this. This thought. She must give it herself. Slowly, if need be. Did she think? Her feet weren’t so sure.

The pretzel man was standing between the push handles of his silver bin with its umbrella. He spoke to her and she smiled. The gap of some brief charge in herself she had no clear feeling for was the shape of a toasty, salt-roughened pretzel. But who would knead her lower back and rub her head where two aches kept their distance from each other unrolling straight ahead like motions? Funny, really funny, this emptiness or gap between the two pains would not change direction if she did, but had its own way and, like her other life that she would not want to live, would go on downtown without her—that is, if she and her upper and lower back pains turned west into Thirty-fourth Street as she almost always did.

So instead, feeling a smile in her cheeks and her teeth pinning gently her lower lip, her tongue at the corner, she kept on and heard the pretzel man say behind her, "No hungry today."

Couldn’t anyone read her thought? Her face could be pretty, but, she thought, pretty dumb, no secret. But whatever this year’s tax form said, whatever she read in the face that she was going home to now whether or not he was home in person, she was not dependent. Here she was on Park Avenue going home, a New Yorker, a person moving down these bricks of a beige sidewalk. People talked to each other on their way to the subway; she worked ten blocks from her home.

She was being leaned on, she didn’t look up above to her left at what her downward slope was taking her past; it would stop in a moment—the new office high-rise. Now here came a black man in a beige suit, and as he passed her he smiled, and she looked away from his neat nose to the green-and-brown handkerchief puffed out of his breast pocket. It matched the wide green-and-brown tie tied in a large, loose knot.

But she was supposed to be in a hurry, and she wasn’t getting anywhere. Her body had a name which made it foreign and unknown to all the things on her way that had not been told it. The traffic got louder when she tried to think. Would she buy a bottle of wine? The store with "House" in its name diagonally across the two-way pull of the avenue was not the store she had had in mind. She was relieved to be alone. She didn’t exist. Yet she had heard her name, heard it called through the now-turned-up glare of rush-hour engine fumes. So she’d looked back, back up the slope of this block, feeling its slope. She’d halted, awkward, to turn and see a bald man run across in front of a cab to make the curb on this side to reach a girl in a long, fine, brown poplin trenchcoat whom he hugged and patted on the small of her back so her behind was visible below and he curved his hand slowly down over her behind and the girl let go the handle of her shopping bag with a stick of French bread leaning out of the top and the bag dropped to the pavement and stood and then fell over. And the man’s harsh, husky voice seemed to say, "Hi," while he pressed his nose and teeth into her hair, and it was the voice even in all this grind of day that had called, "Norma," and though she wasn’t sure and was looking at the girl whose face was hidden because they might share this name Norma that she’d never "felt," she turned away as two oranges rolled out of the girl’s bag. The man smelled of shoes, slightly burnt food, acrid cloth—and celery, didn’t he?—he might have been under her nose.

Blocks ago she had passed a long skirt in a window on Third Avenue, and she wanted it; but she could not reach for the door handle, she could not get herself to go in and try on the skirt, no price tag, and she had to wash her hair so it would dry in time.

An orange rolled past her, and sidestepping it was a model in denim shirt and khaki culottes who threatened not to see Norma or the orange—what did she see? Whatever the model saw up ahead in the direction of the pretzel man, in the direction Norma had come from, seemed to help her see nothing; the girl was round-shouldered, it looked good on her, maybe it was not that she was tall, taller than she wanted to be, but that it was late in the day, and the forward curve of the thin shoulders looked so good Norma felt a palm brush back and forth across her own front, her own palm or Gordon’s palm that had once done it and stopped for some reason though not he but the rich boy in school in the desk next to hers called nipples clam tails. The model swung by with a little smile on her wide mouth, her touched-up eye shadow very dark, her portfolio skimming the sidewalk, she was operating moment to moment and didn’t have to think if she was going in a straight line to wherever she was going. Two men with newspapers under their arms parted to let the orange run between them, but a Puerto Rican delivery boy from Norma’s supermarket on Third Avenue went down for it and underhanded it to his friend who got it in one hand and with the other bowled it uphill right at Norma, who turned to see the man beyond her who was kissing the girl stop to bend down and snatch the orange just before it would have rolled into the bag alongside the bread. Then he righted the bag, dropping the orange in, and Norma passed the two men with their papers and then passed two older women in tiny hats and red wool coats who held, each of them, a folded evening paper, and the Puerto Rican boys broke off what they were saying and the one Norma knew nodded fast and said Hi, and his eyes dropped, she thought, to her mouth, where she was forced to recall lines deeper and longer than dimples.

Going down this downhill block was so slow, what was reversed? One night she had found fresh bricks under her sandals and the bricks tilted, so the ground had moved while the construction men with helmets and king-tall cans of beer were laying them, laying these cheap, brittle-looking surface bricks in ignorance of the vanished armory with its Palazzo Vecchio tower. Now the bricks were smooth. She thought she didn’t like going downhill. She rode a bicycle in the country. Was it the steep curve uphill after the low gradual run down from her parents’ cottage? She was thirty-five with a family, what was she doing riding a bike at her parents’ cottage? If she were going uphill past the new office high-rise and not downhill, she would still be ignored by everyone, but she wouldn’t stick out.

A person of consequence—the words were on the tongue—she sought them but they didn’t come. They were going home, and she had one for each, a word for each person, they were going home, and she wasn’t—or this was what she felt. Because she lived here in the middle of Manhattan and they lived in Brooklyn and Queens and the Bronx, many of them, if they were truly going home. She didn’t have fat that shook; it wasn’t as if it was blubber, though she called it that to Gordon and the girls, and was glad the top half didn’t not belong to the bottom half like the woman who’d come into the office in pants today. She would have worn a beautiful dress, full and un-gathered. No, she stuck out because she was trying to think, and she had a headache in her lower back and a backache in her head, with nothing in between except a puffiness in her stomach as if she’d eaten salami—or, no, nothing in between the head and the lower back but this thought that should make her better, the thought that she was not dependent.

It came to her as if she came to it sometime in the future, but not like the thought of a son, the event never to come. Instead, it was the future, which meant that it itself was what it was coming from. The Neighborhood Council—which her peers and others were always saying Oh yes, they thought they’d heard of it—was turning her job into a paying job; she’d done a good job and she had to take the consequences: it was going to be real, and she hadn’t asked for this to happen—which, then, was how good things happened, when, here, she’d been trying to feel a neighborhood up and down these midtown largely business streets around Murray Hill for years. She wanted to say to herself the number of years, it was the age of one daughter Annie, two less than the other daughter Nancy’s, whose periods were the same as her own to the day, so maybe if she could say to herself what her weekly pay would be she could say to herself these other numbers, they were holding her back, the loud voice and calm body of Annie, and the silence and fidgetiness of Nancy were not holding her back.

But putting her feet one then the other down along the new squares and intersecting diagonal areas of brick sidewalk laid to extend the plaza-like pavement around the huge sandstone-colored building that she was escaping to her left, she knew in her back and her hips that the salary she was to deserve was no more why the thought of not being dependent had come to her than the bottle of wine was a sign of it taken home to Gordon—to Gordon’s knowledgeable face and voice.

The high-rise was bigger and bigger, she got down to the next corner. The height of the building broke into depth along this block’s downward slope, and if she looked up, this office tower pivoted eater-cornered, like the insane thought of the architect who doubtless was a man who knew what he was doing, she would see it sliding like an elevator into the ground but driving down before it even further down and away than she felt it now, the Renaissance stronghold it replaced.

National Guard armory. Regiment temporarily unknown. Renaissance Italy.

Where Gordon had taken her to the antiques show and to the cat show and to see Rod Laver play tennis. The Rocket was what Gordon called him, just like the retired hockey player from Montreal, he said. Yet to the antiques show had not Gordon been taken by her? A Frenchwoman that night of the tennis asked haltingly where at that hour her husband could find—what was the name?—razor blades, Norma had translated—and Gordon gripped her arm and said, "Speak to them."

But she didn’t have to now. The armory was gone. The quick grip on her arm, the command to perform—it was like Let’s go to bed, the way he sometimes said it.

But she didn’t have to.

It had come to her, like the new zest of stomach hunger she could live upon. And she didn’t have to give it back. Not at 11:25 p.m. after the News and Weather with Gordon getting up out of his chair. And not at rush hour going home, other people’s rush hour.

At the corner she saw across the street by a green newsstand three angry people pointing at an invisible monster on the sidewalk. She made herself look left at the base of the new building, for she had known what she would see. A woman in sneakers. This woman was often four, five blocks down from here walking right up the middle of Park Avenue traffic, or up on the island curb yelling to make them not pay attention to her but to the direction they were walking in. She yelled at air, sometimes at Norma. The woman was doing something at the bronze plaque. She was lining the raised letters one by one with lipstick—Seventy-first Regiment. Had Norma ever seen any color in her face. She had stolen the lipstick—no, found; for these women didn’t steal (why did Norma know that?). No color but the warm wash of grime and exposure-tan which smeared up into the woman’s scalp where the thin hair sprouted like new-grown fuzz; but on her legs it was different, it wasn’t this anointing color, it was dirt on white, her bagged stockings looked as if they had once been rolled below the knee; they had fallen around her ankles so that against the dark veins darting through her calves the skin was pallid and sooty. And Norma turned right to look away west across Park into the wild cavern of sun filling the far end of this Manhattan cross-street so that above the Jersey cliffs the Hudson River overflowed into the sky, and she saw a nice-looking boy from her building, late teenager, nice-looking, dark, standing next to a phone booth, she didn’t know his name, he had young, friendly-looking parents.

She had to think. She had to go from here to there. She had to get out of her clothes, the backache made her not fit here, crossing the street; but no one around her saw the backache—she was a gray pants suit, a woman of maybe thirty-five, making her way flat-footed across Park at Thirty-third Street or whatever the street had now become, into the sunset far off above Penn Station and New Jersey, with good news and a new thought. But drawn home so she didn’t have to make the motions herself. But she damn well did have to. And thinking and not thinking what she was going to do tonight that she had never done before in her life. Such a small, real thing but she wanted not to think about it, or only about Consciousness, not the other part that was a rule of the workshops which were held after all in a warm, carpeted room without furniture, and now she felt as unfitting as the cop on horseback (a huge-haunched horse whose haunches were the cop’s too, who) near a hydrant below the drugstore looked calm observing the people going home like a parade. But the people in front—check the two bicyclists cutting through them—could see her puffed tummy, she was thinking. Before I go there I better do something about it. But she had to think, since if she didn’t, the thoughts would find her. She felt Gordon was home, and he might have been home all day after what he had said in the dark. So she didn’t know how she would find him.

She was in the middle of Park Avenue South where the small stretch of tunnel came out that began just south of Grand Central, the bypass tunnel that made Gordon bawl a cabdriver out one night who took them the long way around.

A messenger, a retarded man she’d seen up and down Madison Avenue with wall eyes and a jaw like a shovel, limped by, carrying a manila envelope, keeping ahead of some black and Puerto Rican girls just off work in one of the lingerie workrooms and now laughing all the way to the uptown subway on the east side of Park.

But this thought that she was not dependent after all had come to her from living with him. A consequence. Oh God she knew who she owed the thought of her independence to, oh God she knew, for she saw ahead, for she knew, for then she saw Gordon get up out of his chair as the TV said, "It’s 11:23. Do you know where your package is?" Gordon was leaving the room. Then he laughed as if the joke came to him like a nutty afterthought or a belch. She was being stopped by a ragged man but looked past him at the same time to a curly-haired couple standing with a bike between them, grinning.

A ragged man in three or four coats loosely closed in plastic-wrap like what the cleaner used for finished work, and she had lost the word for this man. His eyes, against the annihilating sunlight, were the one clear part of his unshaven surface, his feet were bare, he had a white silk necktie around his adam’s apple inside his coats, and he was stopping her while others passed them going both ways. But the curly-haired young man patted the seat of the bike that stood between him and the curly-haired girl and turned and walked away, leaving his touch upon the saddle, which the girl then put her hand on, wheeling the bike off the sidewalk and getting the pedal right. So now in the gulf of blinding radiance from the west Norma saw the sun coming up, and that made her skip everything except what she heard in the gap after this unforeseen preparation coming out of the ragged bum’s blue eyes here as close as a picture: she didn’t know what to give him, she was taller than he, and she felt a blinking ahead—so she asked how much he wanted and heard his eyes with white gunk in the inner corners seem to speak again though it was people pushing past. Finding a dime, she put a wrinkled bill into his fingers and the blinking stopped but the color of the traffic-light words don’t walk was voided by the sun, and she and the bum stood alone with car horns firing at one another around them for they had stopped each other at the entrance to this Park Avenue bypass tunnel in the middle of Park Avenue traffic, she him as he her, and as she heard him speak of "Nice hair"—or was it just "Hair"?—somebody was shouting through the overwhelming light, "Get outa there, ya not supposed to be there, lady!" but cars were smoking past in both directions, she was being filmed, erased, or colossally embarrassed, and the bum took her elbow in his hand and when they found the curb from which he had come she was gasping, her eyes streaming, and she heard the same voice now above her and remembering the bottle of wine she smelled the policeman’s horse, or the odor of the bum, his body, his breathy presence. Smelled it through plastic wrap, and she turned to cross the crosstown street.

Yet when she got down to the liquor store she didn’t want to get the wrong thing. So she went on past to the two glass pay booths across from the next corner and found her dime again just as someone else whom she could not look at discovered the other phone was broken. So she aimed the dime and thought what she was going to dial.

But she had to think before she met Gordon, she had to stop being out of place, feeling that she stuck out in order to be ignored, which didn’t make sense yet it did, yet she wouldn’t know how to tell about it at the rap tonight.

In order to think, she had to speak. She could have spoken in the elevator this morning. To the gray-haired, strong-looking man in the elevator whom she hadn’t seen before who bobbed his head to her and muttered quite kindly, "Morning." She could tell he was kind, and she wished she hadn’t been in such a hurry because though she didn’t have to tell the girls to brush their teeth any more, she hadn’t washed her face—yet a soft curve of privacy at the far end of which she would touch his eyes softened her face toward him and it flowed; she knew he would have talked to her if she’d spoken first, he would have said something good with a twist of freshness and blurred by exposure to the morning. He’d been smoking, she smelled it with his shaving scent. She’d thought he’d spent the night with someone in the building—he was in shape—and she wanted to hear him right now. She was gasping again, but then when he had come out of the elevator behind her, he turned toward the mailroom and when she said, "It wouldn’t be in yet," she heard the words "Long time," but as she went out the street door she heard Spanish, and he and Manuel laughed—" mañana," she got, but the man was regular American, looked like he was away a lot, not focusing on these walls but carrying some presence of outside.

She’d been carrying the thought then of being not dependent.

Or most of it, for she’d woken up with it in her fingertips while the rest of her was aching, and she should have said it to the gray-haired broad-shouldered man who had come into the elevator out of nowhere, she saw now that she had wanted to, she just liked him, he had on a blue-striped shirt, the lines from his nostrils down past his mouth were grooves soft as leather, and she had never seen such eyelashes on a man—who then she thought might live in the building after all because he had aftershave on. And she didn’t speak her thought to him, that she was not dependent, it was so simple God knows what he would have thought. He had added to her his acceptance of the future like prediction, and from him she added to her thought that came to her the thought that what came to her came to her as if she came to it sometime in the future. She was probably dumb.

Almost hard to say, impossible to say to Gordon, who would think her a dumbbell. Which Gordon might claim he did not think—he who knew wine, and the law, and sports; who knew Complete Works—of Tolstoy, Gibbon, Auchincloss, and Waugh, Beethoven (almost), Leonardo (almost)—and for whom if she was buying a special bottle of wine what was she doing crying in a glass booth trying by plastic pushbutton to reach a law firm with half a dozen names. She longed for music, there should be a music number you could tap out on these buttons, the buttons made high, final beeps like a hearing test. She hung up, there was the dense waiting presence outside seeming to tilt and turn the fragile phone booth so she would have to look instead of listen, she didn’t want to get away from him, and couldn’t. She was smiling automatically with her teeth on her lower lip, the gray-haired man this morning had seemed to look at her mouth, but this man now she couldn’t turn to directly. She called home, and let it ring twice, and hung up, and then she used the dime a third time pushing the numbers of Gordon’s office only to be told that he’d left early. So he hadn’t stayed home today. And probably hadn’t done what he said in the dark he would do.

She wasn’t having anything to drink tonight before going upstairs to the first session of the workshop which was fairly hard to get into. With all those women sitting around on the rug. Letting it hang out. And Norma with them. Naked as they. Rapping. Sharing information, said Grace Kimball. Find out you’re like other women, said Grace. (Not unique, then?) Learn to breathe, said Grace, learn to use a plastic speculum (easy enough) and a standing mirror. Go public. (Norma had heard the words before, but where?) Here they were Grace’s words. But not Grace herself not Grace. Grace understood how impossible Norma felt. Grace had no furniture to speak of. She had phones; books of photographs; carpet, music, worklamps and workspace; but no furniture—she’d cleared it all out, she listened to what Norma could not say along with what Norma did say—so that Norma joined Grace in listening to Norma, who wanted to sign up for Grace’s workshop but almost had not asked, in the midst of the overpowering wind of garlic that Grace "cleansed" with and had just received a shipment of from a farmer near Taos, New Mexico.

Norma felt exposed.

It will come to you, said Gordon, when Norma said she didn’t understand something, and he wasn’t kidding.

"After what?" she asked, and heard, "What?" in the phone receiver, for Gordon was home and she didn’t have to ask about wine after all but if she didn’t she would have nothing to put in place of the question except what was happening. She was half giggling half gasping, and the man outside the booth rapped twice. She got a hot stoniness from the quick oversalted cheeseburger she now didn’t recall chewing, Grace was into chewing—Norma did not usually say "into."

"When are you coming home?" she asked, knowing he was home.

"For Christ’s sake, Norma, you—"

But she was crying anyway while the late light enlarged her and the space between question (Had she taken the checkbook?) and answer (Yes, she had) filled up the booth so she would not be able to open the door, and the man waiting to make a call would give up.

He is a black man in a gray pinstripe suit and for a moment he looks at her, wrinkling his forehead, looks away but in a friendly way that says he feels time spent in eye contact is time taken away from Norma’s phone business which she must conclude before he can occupy the position she now occupies. Is everything stopping?

People passed. A guy in jeans tapped the glass with his knuckles as he went past, she felt a breeze across her front. She was breathless, but she saw she wouldn’t stop, she had to cry through, spill through, and even if the name of her body was not known.

So the light changed and the policeman’s horse moved ahead, rocking the rather gigantic police rider so he looked handsomely like that was his job—to rock well. She turned past all the moving faces outside and looked in a direction opposite where Gordon was and saw sun glare in windows across Park.

Gordon said, "Who is with you?"

Her breathing rushed, and she wanted to say the building is a eater-cornered mistake and the Neighborhood Council woman Kate said the building is going to get a prize which didn’t make any sense.

"Is anyone bothering you?" said Gordon.