They were all watching Jenner—the uniformed officers, Bartley, Halvorsen, the ATF agent, Flanagan, and Bucky Rutledge. They watched him pace the room, watched him photograph the dead detective, watched him take Rudge’s temperature, bend his arms to check for rigor mortis. Jenner knew they’d all seen or heard about the American Crime thing—they would all be thinking the same thing: this man gets cops killed.

He ignored them, had Flanagan and Buddy straighten Rudge so he was sitting upright in the chair, and measured the height of the wound again in the sitting position. Then he squeezed behind the chair to the wall, and measured the height of the bullet impact mark on the wall, the yellow tape measure finicky clean in the riotous halo of blood spatter.

Jenner photographed the bullets shoved into the shot glass. The table around the glass was dry, other than the blood droplets.

He took close-ups of Rudge’s wounds, Flanagan holding the head so Jenner could see the injuries clearly. He photographed the wound from different angles, bracketing each exposure. Then he went into the kitchen, tore off a sheet of Bounty paper towels, wet it in the sink, and wiped the blood gently from Rudge’s face.

Jenner looked at the damp towel—there was gray smudging amid the blood; he couldn’t be sure whether it was gunshot residue or just grime. He preserved the towel, in case Ballistics wanted to test it.

It was a close-range shot: that much was certain. Not a contact wound, but close range, a cloud of little scratches, gray gunpowder residue in the skin, spreading around the hole in a three-inch circle. The pattern was neatly circular on the skin behind the wound, but in front, the scratches scattered out over the cheek and the right side of the nose.

He looked at the revolver, a .32-caliber Smith & Wesson snubby, a typical cop backup piece—automatics jam, revolvers don’t. The short barrel meant the spray of gunpowder particles that caused the scratches would’ve spread out rapidly; Jenner estimated the muzzle was about six inches from Rudge’s face when the trigger was pulled.

Halvorsen was holding Rudge’s revolver, examining the barrel. Jenner said, “That’s not been fingerprinted yet.” Halvorsen glanced at Bartley, then said, “Sorry, doc. You’re right.” Bartley disappeared into Rudge’s bedroom.

Halvorsen placed the gun down on the coffee table and said, “Crime Scene can rule me out—they got my prints back in the lab.”

He paused, looked around the room, and then continued, “But I think we’re all thinking the same thing here, aren’t we?”

Jenner turned to him. “What am I thinking?”

Halvorsen said, “Doc, I don’t mean to be, like…disrespectful…But you don’t know Dave Rudge like we do. He’s a great cop, and we love him like a brother, but the fact is, the Job isn’t easy, and Rudge took it serious. He had some problems—and we all do. But the fact is, he drank pretty hard.”

“So what? He drank pretty hard—lots of cops do.”

Bartley returned with a gray plastic gun case in his hand. He opened the case, set it on the coffee table, took the cleaning rod and the cloth, and laid them on the end nearest Rudge. The ATF agent stood and walked wordlessly out of the room.

“Okay, Doc, this looks like an accident to me. Rudge is here, he’s cleaning his weapon. He’s had a bit to drink. He thinks he’s emptied the cylinder; he’s checking the barrel, he slips, and that’s it.”

Bartley looked around the room. “And I think that’s what we’re all thinking, right?”

Halvorsen nodded, the uniforms nodded, Flanagan hesitated, then nodded slowly.

Jenner said, “If that’s what you think, you don’t understand what’s going on here.”

“Doctor, those first pictures you took when you entered? It’s so easy to screw up and accidentally delete an image file.” He paused. “I think you missed the cleaning equipment in your first photos; you should probably go right ahead and take some new ones. I think the cleaning equipment set out like this, right in front of him, is a pretty big clue to just what happened, wouldn’t you say?”

Jenner shook his head. “You have got to be kidding me—this is how you protect his reputation?”

Halvorsen’s voice was firm. “You’ve been here not even three weeks, doc! We’ve known Rudge for a decade—the sheriff has known him since they were kids. Rudge is a great cop, one of the best. We’ve all got our personal demons, and if one night, in the dark of night, Rudge’s demons took him over, and he…made a bad mistake, well…he shouldn’t have to pay for that.”

Then Bartley said, “I think this is open and shut. He’s a bit messed-up, he’s had one too many…He’s watching TV, drinking…He picks up his gun, fooling around with it…He empties the cylinder, thinks he’s emptied it completely, and it’s a complete accident. Or maybe he decides to see what it’d be like to, y’know, tempt fate, and leaves one round in. He spins the cylinder, points it at himself, pulls the trigger…”

Halvorsen leaned in to interrupt. “We don’t want him to go out as a suicide, doc. That isn’t right. It doesn’t have to be that way.”

They were all looking at him now.

Jenner said, “It’s not a suicide: it’s a murder.”

Halvorsen said, “What?”

“Someone shot him in the head, and set it up to look like a suicide or a Russian roulette death.”

Bartley said, “How you figure that?”

“A few things. First off, the range of fire: I put the muzzle of the gun at three to nine inches from Rudge’s face. Suicides need a guarantee: they want to be sure they’re buying a one-way ticket—they press the muzzle against their temple, or stick the barrel in their mouth. They don’t want any mistakes—try holding a heavy revolver eight inches from your face, see how confident you feel about your aim.”

Bartley was looking unsure.

“Another thing: he gets shot in this chair, obviously. The bullet goes into the right side of his head, exits the back on the left side, and lodges in the wall behind him.”

“Yeah…”

“Bullets go in a straight line; from the height of the wounds and the bullet impact mark on the wall, he was obviously shot while sitting up.

“When people shoot themselves, typically they hold the gun to the temple, pull the trigger. Most times, the path is from right to left, a bit backward and a bit upward. But here the exit wound is lower than the entrance.

“I measured the height of the entrance wound above the floor with him sitting vertical, the height of the exit wound, and the height of the bullet impact site in the wall, and it lines up neatly…”

“And?”

“He was shot by someone standing above him, shooting down.”

Halvorsen looked at Bartley. “Bobby?”

Bartley shrugged. “I guess…”

Jenner said, “Okay, all right, wait. Something else. See that glass with the live rounds? You see it’s got blood droplets on it?”

“Yes. And there’s blood drops all around it, too—it was there when he shot himself.”

“You sure, Halvorsen? Pick it up.”

The detective pincered two fingers and lifted up the shot glass by its rim; on the table underneath where it had sat, there were several smudged droplets of blood.

Jenner said, “This glass was on the table when he was shot, but moved into this position afterward, probably when they put the bullets into it while dressing the scene.”

Halvorsen said to Bartley, “What do you think?”

Bartley picked up the gun case. “I think I should put the cleaning equipment away.”

A Hard Death
001-coverpage.html
002-titlepage.html
004-epigraphpage.html
003-TOC.html
005-chapter01.html
006-chapter02.html
007-chapter03.html
008-chapter04.html
009-chapter05.html
010-chapter06.html
011-chapter07.html
012-chapter08.html
013-chapter09.html
014-chapter10.html
015-chapter11.html
016-chapter12.html
017-chapter13.html
018-chapter14.html
019-chapter15.html
020-chapter16.html
021-chapter17.html
022-chapter18.html
023-chapter19.html
024-chapter20.html
025-chapter21.html
026-chapter22.html
027-chapter23.html
028-chapter24.html
029-chapter25.html
030-chapter26.html
031-chapter27.html
032-chapter28.html
033-chapter29.html
034-chapter30.html
035-chapter31.html
036-chapter32.html
037-chapter33.html
038-chapter34.html
039-chapter35.html
040-chapter36.html
041-chapter37.html
042-chapter38.html
043-chapter39.html
044-chapter40.html
045-chapter41.html
046-chapter42.html
047-chapter43.html
048-chapter44.html
049-chapter45.html
050-chapter46.html
051-chapter47.html
052-chapter48.html
053-chapter49.html
054-chapter50.html
055-chapter51.html
056-chapter52.html
057-chapter53.html
058-chapter54.html
059-chapter55.html
060-chapter56.html
061-chapter57.html
062-chapter58.html
063-chapter59.html
064-chapter60.html
065-chapter61.html
066-chapter62.html
067-chapter63.html
068-chapter64.html
069-chapter65.html
070-chapter66.html
071-chapter67.html
072-chapter68.html
073-chapter69.html
074-chapter70.html
075-chapter71.html
076-chapter72.html
077-chapter73.html
078-chapter74.html
079-chapter75.html
080-chapter76.html
081-chapter77.html
082-chapter78.html
083-chapter79.html
084-chapter80.html
085-chapter81.html
086-chapter82.html
087-chapter83.html
088-chapter84.html
089-chapter85.html
090-chapter86.html
091-chapter87.html
092-chapter88.html
093-chapter89.html
094-chapter90.html
095-chapter91.html
096-chapter92.html
097-chapter93.html
098-chapter94.html
099-chapter95.html
100-chapter96.html
101-chapter97.html
102-chapter98.html
103-chapter99.html
104-chapter100.html
105-chapter101.html
106-chapter102.html
107-chapter103.html
108-chapter104.html
109-chapter105.html
110-chapter106.html
111-chapter107.html
112-chapter108.html
113-chapter109.html
114-chapter110.html
115-chapter111.html
116-chapter112.html
117-chapter113.html
118-chapter114.html
119-chapter115.html
120-chapter116.html
121-chapter117.html
122-chapter118.html
123-chapter119.html
124-chapter120.html
125-chapter121.html
126-chapter122.html
127-chapter123.html
128-chapter124.html
129-chapter125.html
130-chapter126.html
131-chapter127.html
132-chapter128.html
133-chapter129.html
134-chapter130.html
135-chapter131.html
136-chapter132.html
137-chapter133.html
138-chapter134.html
139-chapter135.html
140-chapter136.html
141-chapter137.html
142-chapter138.html
143-chapter139.html
144-chapter140.html
145-chapter141.html
146-backmatterpage01.html
147-acknowledgmentpage.html
148-aboutauthorpage.html
149-adcardpage.html
150-creditspage.html
151-copyrightpage.html
152-aboutpublisherpage.html