As Big Paul and I led the unresisting goblins toward the door, I thought about what I could do to show my appreciation for Rachel's efforts. I was wondering if witches liked flowers when I heard the insane screech behind me, followed instantly by Paul's voice shouting, "Fuck!"
  I whirled to see a goblin – the undrugged, uncompliant third goblin that nobody had known about – rushing at Paul. It held a knife with a foot-long blade in one green, furry paw.
  I'd seen Paul's scores on the yearly firearms qualification, including "Draw and Fire." He was slower than me, by three-tenths of a second. But he still had plenty of time to draw down on the meth-crazed goblin.
  I had my own weapon out now, but Paul's bulk blocked my shot. No problem. I knew he could double-tap that little green fucker without my help, and I'm sure Big Paul knew it, too. Right up until the instant that his weapon jammed.
  I heard the click from Paul's Colt Commander, and knew instantly what had happened. And Paul froze. He should have dropped to the floor and given me a clear shot. That's standard procedure. Christ, they even teach it at the police academy. Instead, he just stood there, pulling the trigger on his useless weapon over and over, as if hoping that i would finally fire.
  Paul's goblin prisoner was between us, and I wasted a precious couple of seconds shoving him out of the way. I reached for Paul's shoulder with my free hand, intending to push him aside so I could get a clear shot of my own. But by then it was far too late.
  I felt the impact as the goblin's blade slammed into Paul's chest, unprotected by the body armor I'd said we didn't need. I heard his grunt of pain and surprise, saw the spray of blood from the wound – the bright red arterial blood that continued to spurt as Paul fell to his knees, giving me at last a clear view of the goblin that had knifed him, its face made even uglier by the rage and drug-induced madness stamped on it, then made uglier still by the impact of my bullet between its crazed black eyes.
  The head shot was an instant kill, I knew that. There was no reason for me to empty the other seven rounds of cold-iron-tipped 9 mm into the green, misshapen body as it lay sprawled on the floor. No reason at all.
  I tried to stop Paul's bleeding with pressure, and pretty soon I had a lot of uniformed help. But Paul still died before they could get him into an ambulance. They said later that the goblin's blade had severed one of the arteries leading to his heart. He'd bled to death internally in under a minute.
  Nobody could have known there was a third goblin hiding in back, they said. Big Paul should've remembered to keep his weapon clean, they said. It was nobody's fault, they said. Everybody, from the chief on down, seemed to accept that.
  Everybody but me.
 
 Skip ahead about seven weeks.
  I arrived for my shift a few minutes before 9pm, nodded to my partner, and sat down at my desk to check the messages and email that had come in during the day.
  The Supernatural Crimes squad room is a cramped rectangle, with the detectives' desks set flush against the walls at the long sides. The shorter end at the front has McGuire's office and a door leading to the small reception area. The other end's got a door that leads to interrogation cells, a tiny lounge with coffee and vending machines, and the locker room.
  Two of the other detective teams were already there. Pearce and McLane had the pair of desks opposite mine. McLane had bad acne as a kid, and has the pockmarks on his face to prove it. He had one of those four-dollar lattes in front of him as he paged through today's Scranton Times-Tribune. I noticed that the front page was all about some corrupt politician; the real news story will be if they find one in the Wyoming Valley who isn't corrupt.
  Pearce, who's built like a fireplug, had a pair of earphones in, his big, square head bobbing to whatever the iPod was cranking out, although I'd bet it was the Dixie Chicks. Pearce used to fight in Golden Gloves, and his nose has been broken so many times he's become a mouth breather.
  Further down on my side of the room, Sefchik and Aquilina sat at their abutting desks, arguing quietly about something. That didn't mean much – they always argued. But they've stayed partners for going on three years. Sefchik had the blond-and-blue looks of a choirboy, offset by the mouth of a Marine DI. As usual, he had a bottle of Diet Pepsi on his desk, and his partner drank from it as often as he did. You gotta like somebody pretty well to swap spit with them like that. Maybe Sefchik would have felt differently if Aquilina was a guy.
  Carmela Aquilina was one of the unit's two female detectives. Cops being cops, she had to put up with a fair amount of shit when she first joined the squad. There's only one locker room for everybody, and guys were always trying to catch a glimpse of Carmela in the shower. She go so sick of it that she started walking around the locker room naked all the time, locking eyes with anybody she caught staring. We're so used to it now, nobody really looks anymore. Maybe that's what she had in mind to begin with.
  I was barely halfway through my email when the lieutenant appeared at the door of his office and called out a couple of names, one of them mine. There was a report of something weird going down, and my partner and I had caught it.
 
My new partner was Karl Renfer, a tall, gangly kid, all elbows and knees. Far as I'm concerned, a "kid" is anyone younger than I am, and Karl's just past thirty. He'd been with the Supe Squad about six months. I remember when he'd been a basketball standout at Abington High. After graduation, he joined the army, and they made him an MP. He says that's when he realized he wanted to be a cop.
  Karl'd had a pretty good record in uniform, and ordinarily I'd be okay about him riding with me. I've gotta have a partner, and it might as well be him. But there was already a cloud over him in the unit.
  When he first transferred in, Karl had been paired up with Marty O'Brian, who's about eighteen months away from his pension. Not one of my favorite cops, O'Brian. It's not that he's extremely lazy, or stupid, or mean, or careless about regs. He's just a little bit of all those things, so I don't have a lot of use for him. But he's been on the job a long time, and that earns him some degree of respect. I guess.
 
One night, O'Brian and Renfer had been sent to check out a cemetery at the edge of town, where a voodoo houngan had been spotted trying to raise zombies. Following procedure, they'd split up, with O'Brian approaching through the front gate and Karl finding another entrance at the side, or maybe the back.
  At least, that's the way it was supposed to go down.
  There was a houngan at work, all right. He'd already raised four zombies by the time O'Brian arrived on the scene. Instead of giving it up, the old man sent his newly created shamblers after O'Brian, who was forced to kill (or re-kill) all of them. In the process, a stray bullet found its way into the houngan's head, as well.
  That's the way O'Brian tells it.
  Karl Renfer didn't arrive until after the shooting was over. He said all the other cemetery gates were locked. He'd checked every one, and then tried to climb over the fence. But the church had been worried about vandals, so the fence was high and difficult. Karl wasn't able to get in until he found a trash barrel that he could up-end and use to boost himself over the top. He got to where O'Brian and the action was as soon as he could.
  That's what Karl claimed, anyway.
  O'Brian said Karl was yellow, that he'd been cowering somewhere while O'Brian heroically risked his life against the zombies and their evil master.
  There'd been no way to prove or disprove either story. The only possible witnesses were dead, either for the first or second time. After a Review Board hearing, Karl was cleared and sent back on the job. But O'Brian refused to work with him anymore, and, like I said, he's got a lot of seniority.
  So the new guy needed a partner. And for my sins, they gave him to me.
  O'Brian's an asshole, and maybe this was just more of his self-promoting bullshit. But "maybe" isn't good enough in this job. You have to be able to trust your partner all the way, every time. If there's any doubt about that, then the partnership isn't going to work.
  Every time we went out on a call, that doubt rode with us like a third passenger.
 
I was thinking about Big Paul again as il rought our unmarked car to a stop in front of the address we'd been given, just off North Keyser Avenue. The expression on his face when Paul realized he wasn't going to make it…
  Then I pushed all that stuff out of my mind and focused on the job. Wool-gathering's for sheep, and sooner or later, sheep get slaughtered.
  The place looked like an abandoned warehouse. That figured. I sometimes think companies build these things and leave them deserted just so bad guys will have someplace to hang out.
  There'd been a report that some Satanists were holding sacrifices in there, although nobody'd caught them at it yet. But this was the first night of the full moon, and if there was any coven activity going on, tonight was a good time for it.
  We've got freedom of religion in this country. You can worship Jesus, Jehovah, Allah, Vishnu, Satan, or Brad Pitt, for all the law cares. But killing dogs, cats, goats, or whatever – that comes under the animal cruelty laws, although some Santería practitioners are fighting it in the courts.
  Normally, dogs and cats would be a job for Animal Control, or maybe the SPCA. But every serious Satanist cult I ever heard of eventually moved up to sacrificing what they call "the goat without horns" – a human being.
  Unless somebody stopped them first.
 
I turned to Karl. "Stay here. I'll call you on the radio if I find anything interesting."
  Karl gave me a look I was already getting tired of, and said, "When are you gonna stop treating me like a fucking rookie?"
  "I'm treating you like my partner," I told him, "who happens to be the junior partner on this team and is supposed to do what he's told. And I'm telling you to wait here."
  I got out, and just before slamming the door shut I snapped, "And stay awake!"
  I was pissed off, but I couldn't have said at who. Maybe both of us.
  I made a careful circle of the warehouse. All I learned was that the loading dock was in back and there was a normal-sized door on the north side. I approached the door and carefully tried the handle. It was unlocked.
  I wasn't sure whether I was happy about that or not.
  Inside, it was darker than the boots of the High Sheriff of Hell. I thought I could hear voices chanting, but they weren't close.
  I took out my flashlight, and held it well away from my body before flicking it on. If the light was going to draw hostile attention, I didn't want any of it hitting me. But nobody shot, or shouted, or seemed to give much of a shit that I was there at all.
  I wasn't sure whether I was happy about that, either.
  The flashlight beam showed me that this part of the warehouse was divided into rooms by sheets of cheap plywood. There were a couple of hallways at right angles to each other. I followed the one where the chanting seemed loudest.
  After rounding a couple of corners, I saw a door with light under it – the faint, flickering light you get from candles.
  That door was unlocked, too. These people were either really stupid or really cocky. I turned the knob and pushed the door open slowly, praying the hinges wouldn't squeak.
 
I soon learned it wouldn't have mattered if the door was wired to start playing "The Star-Spangled Banner", in stereo. The people inside were so intent on what they were doing, they didn't even notice me. At first.
  I slipped inside the room and quickly counted the house. It looked like thirteen of them. Well, that figured. They were all dressed in those hooded gray robes that were probably the height of fashion in the fourteenth century.
  The cultists were standing in a rough semicircle, their backs to me. As I crept closer, I got a better view of what they were all staring at. That's when I realized it wasn't a case for Animal Control any longer.
  This coven had already moved beyond goats and chickens. They had gone all the way to the big time.
  The scrawny blonde teenager they had on the floor, tied spread-eagled and gagged, was dressed like a streetwalker. No surprise there.
  Prostitution is the only job that requires a woman to go someplace private with a complete stranger. That makes working girls easy prey for guys who have more on their minds than a quick blowjob. Psychos have known that ever since Jack the Ripper, if not before.
  It looked like they had just finished cutting her throat.
  Her blood was flowing slowly across the wooden floor in the direction of the pentagram that somebody had drawn there in yellow chalk. It didn't take Sherlock Holmes to figure out what they had in mind.
  These morons were trying to conjure a demon.
  Despite what you see in the movies, a summoning isn't all that easy to do. Hellspawn don't much like to be bothered by humans, who they regard with contempt. And most of the grimoires that you find are either completely worthless or they've got just enough accurate information to get you killed. Or worse.
  Conjuring a demon is like that proverb about grabbing a tiger by the tail – the slightest mistake, and you're lunch. I wondered if these fools would succeed in calling something from the netherworld. If they did, they might soon wish they'd failed.
  I had just decided to sneak back out and radio Karl to call for backup when the stream of the girl's blood reached the pentagram. As soon as it did, the air in the center began to shimmer and sparkle. The conjuration had worked, after all.
  Something from Hell was on its way.
 
I drew my weapon and stepped forward. Summoning a demon is a crime all by itself, and there was no way to tell whether these clowns had constructed their pentagram properly. If they hadn't, we could soon have a demon loose in my city, and I was not going to let that happen.
  "Police officer!" I yelled. "Stop the chanting and put your hands in the air! Do it!"
  Most of them whirled to face me, eyes wide with shock. But some were so mesmerized by the pentagram, they couldn't tear their eyes from it.
  The cultists who had turned my way were starting to put their hands up when I realized that I had miscounted. There were actually twelve of them gathered around the pentagram. I figured that out when Number Thirteen jumped me from behind.
  The thirteenth guy had been out of the room – maybe in the john, puking over the sight of blood, I don't know. But he picked a bad moment to come back.
  Lucky for me, the bastard didn't have a weapon. Instead, he jumped on my back, threw a forearm around my throat, and tried to grab my gun with his other hand.
  Most of the others had turned back to stare in awe at what had just appeared inside the pentagram. I only had time for a quick glance, but I saw that it was a class-four demon, which is about all you'd expect from Amateur Night. Not a heavyweight like Lucifuge Rofocale or Baal, thank heaven, but still enough to cause plenty of trouble if it got loose.
  Two of the cultists started toward me, I guess with the idea of giving their buddy on my back some help. I tried to bring my gun to bear on them, but Number Thirteen's hand on my wrist kept pulg it away.
  Since I couldn't shoot them, I decided to do the next best thing.
  I'd seen a guy do this in a bar fight, years ago. It had impressed me so much that I tried it myself in the gym a couple of times, where it didn't work real well. But I didn't have a lot of options.
  I took two running steps, tucked my head down, and went into the beginning of a forward somersault. It wasn't the full deal, not with Number Thirteen clinging to me like a tumor. But it took us right into the two approaching cultists like a huge bowling ball, knocking them sprawling, and ended up with Number Thirteen going down hard on his back with me on top of him. He let go of me then – he was too busy trying to remember how to breathe.
  I scrambled to my feet, sensed movement behind me, and turned just in time to catch another cultist's fist square in the face. The guy was no Muhammad Ali, but the punch was enough to knock me off balance. I went down, more pissed off than hurt, and immediately started to get up again.
  Then something far stronger than a human hand grabbed my ankle, and in a heartbeat I knew that my leg had breached the pentagram.
  The demon had me.
 
Most people can think pretty fast when they have to. Even me. In a flash I considered my options, and none of them looked very good. I still had my gun, but shooting a demon is a waste of time, even with silver bullets. And Arnie Schwarzenegger in his prime couldn't have broken the grip that thing had on my leg.
  I was just thinking that my best option was to put the pistol in my mouth and pull the trigger when Karl Renfer appeared behind one of the smaller cultists, grabbed him at the neck and crotch with those big hands of his, and heaved.
  "Here's dinner, Hellfuck!" Karl yelled, as he threw the struggling man right at the demon's ugly, misshapen head.
  The kid was stronger than he looked.
  Class-four demons aren't very smart. If this one had been brighter, it would have hung on to me with one clawed hand and grabbed the airborne cultist with the other one. Kind of like dinner plus dessert.
  Instead, the stupid thing let go of me to grab its new prey, and I rolled away from that pentagram faster than a scalded cat on speed.
  I got to my feet just in time to see the demon bite the cultist's head off and swallow it whole.
  I waved my gun at the rest of the coven. "Freeze, motherfuckers! Hands in the air – you're all under arrest!" One of them made a dash for the door, but only got a few steps before Karl shot his leg out from under him. It didn't take long for us to get the rest face down on the floor, fingers interlaced behind their necks.
  I looked at Karl. "You call for backup?" I asked. My voice was a little unsteady.
  He shook his head. "Wasn't time, once I saw what was going down in here."
  "Okay, I'll do it now."
  I took out my radio, got the station, and told them what we were dealing with. The dispatcher promised to send help immediately. "Be sure to tell 'em to bring an exorcist," I told her. "We got something that needs to be sent back to Gehenna."
  As I clicked the radio off, I looked toward the pentagram. The demon was still devouring what was left of the unlucky cultist. Demons are real messy eaters.
  Karl saw where I was looking. "Ate the outfit, too," he said. "Must be the extra fiber."
  It wasn't all that funny, and definitely a 10 on the Insensitivity Scale, but I laughed. And laughed. It was all I could do to stop it from turning into tears. Comiclose to being eaten alive can shake you up some.
  Even a tough guy like me.
 
So the crime scene people took our statements, the department exorcist sent the snarling and screeching demon back home, and the poor hooker's body was carted off to the morgue. The cultists were on their way to the county jail. They'd be arraigned in the morning.
  Only a few of the robed idiots had actually seen Karl throw one of their buds to the demon. God only knows what kind of story they'd be telling. But if it came down to it, Karl and I would be more credible in front of a jury than a couple of cultists facing murder and summoning charges.
  A medic said my ankle was badly bruised, but nothing was broken. He taped it up tight and told me to take ibuprofen for the pain.
  As Karl and I headed back to the car, I said, "That was quick thinking in there, earlier. Pretty good job of power lifting, too. I guess I owe you one."
  There was enough light for me to see his grin. "Okay, so you're buying breakfast, even though it's my turn."
  "Deal," I told him. "But you're driving, since I'm injured, and all."
  As Karl started the car I said, "You know, those guys in the robes might have been onto something. I sometimes think that Satanism is the perfect religion."
  He looked at me like I'd just grown a second head.
  "No, really," I told him. "Way I figure it, if you're a Satanist, and you fuck up – well, you go to heaven. Right?"
  Karl laughed a lot longer and harder than the feeble joke was worth. Then he turned on the lights and drove us out of there.
  The kid was going to work out okay.
• • • •
For Karl and me, the rest of the shift was paperwork: arrest reports, a Supernatural Incident Report, all that stuff. And since Karl had fired his weapon, he had to talk to the Internal Affairs people, who surprised everybody by quickly agreeing that it was a righteous shoot.
  We were able to knock off about 6:00, just as the sun was coming up over the city. Karl said, "See ya," and headed off to his car, but I stood at the top of the steps for a minute, watching the sunrise. I know that Scranton's not a big deal like New York or San Francisco. But I still like the way the skyline looks at dawn.
  It's not a big town. And the way most people figure these things, it's not a great town, either. But it's my town. And protecting it from the forces of darkness is my job.
 
The shit hit the fan three months later, and none of us even knew it – at first. On the night in question (as we say in court) I came on shift at the usual time. I barely had the chance to sit down at my desk when McGuire was at his office door. "Markowski, Renfer!" he barked. "You got one."
  We'd caught a homicide. The stiff, according to McGuire, was in a house on Linden Street. The address was near the campus of the University of Scranton, which I attended for three years before running out of both money and ambition.
  "We know anything about the perp?" I asked. "Vamp, werewolf, or..."
  McGuire shook his head. "Or none of the above. It isn't clear the killer was a supe."
  I let my raised eyebrows ask the next question. McGuire got it immediately.
  "It's our case," he said, "because although the perp might not have been a supe, the victim was."
  I heard Karl mutter under his breath, "Well, fuck me to Jesus with a strap-on dildo."
  I couldn't have put it better, myself.
 
The house on Linden Street was typical for that neighborhood – a mid-size Victorian with a front yard the size of a postage stamp. The uniforms had secured the scene, but forensics hadn't shown up yet. There's a joke around the station house that if forensics ever arrives on time, it's a sign of the Apocalypse.
  I think the forensics guys started that one themselves, to stop detectives from bitching.
  Inside, I hung back a little and let Karl ask one of the uniformed cops, "So, what do we got here?" He just loves saying that at crime scenes. What the hell, we were all young once.
  One of the uniforms, a stocky guy named Conroy who I knew slightly, led us down a dim hallway toward a room where lights burned brightly. Halfway there, the smell told me this was going to be a bad one.
  What crept up my nostrils was a mixture of blood and shit and sweat and fear, and if you don't think fear has an odor, just ask any cop. Overlaying all of that was something a lot like roast pork, which is what burned human flesh smells like.
  I don't eat roast pork anymore. I haven't since my second year on the job, when I arrived at a crime scene shortly after a guy had doused his sleeping wife with gasoline and set her ablaze.
  From the warning my nose had given me, I wasn't surprised by what was waiting for us in that room, which the owner of the house probably called his study. I saw Karl's face twist when he saw the corpse, but I wasn't worried about him. He'd been a uniform himself for six years before joining the Supe Squad. Like any cop, he'd seen plenty of the ugliness the world has to offer. Although maybe nothing quite so ugly as this.
  The vic was a male Caucasian, early fifties. He was tied, with heavy fishing line, to a sturdy-looking wooden chair that probably belonged behind the ornately carved desk over near the window. Shelves on every wall were filled with old-looking books, but the man in the chair wouldn't be consulting them any more. It's pretty hard to read once your eyes have been burned out.
  The man was naked, so it wasn't difficult to see everything else that had been done to him – cuts, bruises, and burns covered the body from scalp to shins. I stepped forward for a closer look, making sure to breath through my mouth as I did.
  The tissue damage around the burns suggested a very hot flame, the kind you get from a blowtorch. I glanced around the room, but didn't see anything that would produce that kind of heat. Maybe the perp took it with him. On the floor not far from the chair was a wide strip of duct tape, about six inches long, all wrinkled and bloody.
  Karl started to say something, stopped, cleared his throat, and tried again. "How'd you know the guy was a supe?" he asked Conroy. "He's no vamp, that's for sure, and a were would probably have transformed and got free. That ain't silver holding him to the chair."
  Before Conroy could answer, I said, "Look here." Taking a pen from my pocket, I leaned over the vic's left hand. I slipped the pen under his fingers, what was left of them, and gently lifted the hand up. Despite the blood smear, the tattoo of a pentagram was clearly visible on his palm. I'd seen the edge of it from where I was standing.
  "Wizard," Karl said.
  "There's something else you guys oughta see," Conroy said. "It's in the next room."
 
We followed him through a connecting door into what was clearly the wizard's bedroom. The ceiling light was burning, along with a two-bulb floor lamp.
  I asked Conroy, "Were these lights already on?"
  "Yeah, that's why I decided to take a look," he said. "Everything's exactly the way I found it." He sounded defensive, and I wondered why.
  The four-poster bed was shoved over against a wall, fresh drag marks clearly visible on the polished hardwood. Where the bed had been standing was a hole in the floor, maybe a foot square. The matching pieces of wood used to conceal it had been pried up and tossed aside.
  Inside the hole was a safe with its heavy door open. I looked inside and saw cash, lots of it, although there was plenty of room left. The bills were divided into stacks bound with rubber bands.
  Now I knew what had gotten up Conroy's ass: he was afraid we might accuse him of helping himself to some of the dead guy's money.
  I straightened up and looked at Karl. "Whoever it was, he didn't come here for money," I said. "The bills haven't been messed with at all." The last part was for Conroy's benefit, although it was also true.
  "Unless maybe he was after the money," Karl said, "but got scared off by somebody before he could grab it."
  I shook my head. "Anybody who's hard-core enough to do all that–" I pointed with my chin toward the study "he's not gonna be stopped by a surprise visitor."
  "Yeah, maybe you're right." Karl turned to Conroy. "We got a name on the vic?"
  Conroy checked his notebook. "Kulick, George Lived alone."
  "Who called it in?" I asked him.
  "There's a housekeeper, Alma Lutinski, comes in once a week. Has her own key. She found the stiff, went all hysterical, and started screaming her lungs out. The neighbors heard her and called 911."
  "We'll need to talk to her," Karl said. "Where is she?"
  "She really lost her shit, so they took her to Mercy Hospital. The docs'll probably give her a shot, get her calmed down a little."
  "I doubt she got a look at the perp," I said. "Otherwise, he would've iced her, too. But we'll find out what she has to say for herself, later. Maybe she knows what the late Mr Kulick's been up to lately. And with who."
  There were voices coming from the hallway now. "Sounds like forensics is here," I said. "Finally."
  "Wanna start canvassing the neighborhood?" Karl asked.
  "Might as well," I said. "Shit, we might even find a witness. That happens every three or four years."
  I looked at Conroy. "Make sure the forensics guys pay close attention to that safe, okay? I'd like to know what else was in there besides money."
  We went back out through the study, careful not to trip over the forensics techs, who were crawling all over the place like ants on a candy bar. "Guess whatever was in that steel box was real important to somebody, haina?" Karl said.
  "Two somebodies."
  "Two?" Karl's brow wrinkled. "The perp, for sure..."
  "Kulick was the other one." I looked once more at the savaged piece of meat that had once been a human being. "Otherwise, he would have given it up long before all that was done to him."
 
Our canvass of the neighborhood turned up precisely zip. Richie Masalava, the M.E.'s guy at the crime scene, guesstimated that Kulick had been cold about twenty-four hours, but nobody we talked to remembered seeing or hearing anything unusual the day before.
  When Karl and I got to the hospital, the tranquilizers had worn off enough so that Alma Lutinski was more or less coherent. She said she had been George Kulick's housekeeper for about two and a half years.
  "I dust, I vacuum, I sweep and mop up. That's all." Her voice sounded husky, like the kind you get with heavy smokers, but I couldn't smell any tobacco on her. I wondered if Alma had screamed herself hoarse inside George Kulick's house.
  "Once in a while he leaves a note," she said. "'Dust the venetian blinds,' so I dust them. 'Clean the shower,' two-three times, maybe. He leaves a check on the kitchen table, every week. Never bounces. Not like some."
  "You never saw him when you came over to do your cleaning?" Karl asked Alma.
  "A few times, he's there. But then he goes into that room, his 'study' and closes the door. It's like I'm there by myself. I like that, nobody bothers me."
  "But didn't you have to get into the study to dust?" I said.
  "Oh, no." Alma shook her head. "Never the study. 'Stay out,' he says. 'Don't worry about the dust, the dirt,' he says. Why should I argue – I need more work to do?"
  Karl gave her his special smile then, the one he once claimed could charm the knickers off a nun. "Bet you went in at least once, though, didn't you? Looked around a little, maybe checked out his desk, all that crazy stuff he had in there. Weren't you curious? Just a little?"
  The look she gave him reminded me of a nun, all right, but not the kind who'll slip her knickers off for you. Her expression was right out of Sister Yolanda's playbook, and I was glad for Karl's sake that there wasn't a big wooden ruler handy.
  "You little snot," Alma said venomously. "You think I snoop? Look around? You think I steal, maybe, too, huh? He says stay out, I stay out. I'm a good Catholic woman, you German bastard."
  Karl and I backed away slowly, the way you do from a Doberman that's slipped its chain. Once we were safely outside, Karl said, "I think maybe she took a dislike to me. He shook his head. "'German bastard.' Talk about old country."
  "Maybe you should have tried for her knickers, instead," I said.
 
Things were quiet among the supe community the next few nights – nothing that the other detectives couldn't handle, anyway. Karl and I spent the time going through George Kulick's personal effects. We were looking for names of friends, associates, relatives, even enemies – anybody who could tell us what Kulick kept in that safe besides money.
  We came up empty on all counts. The only letters we found were professional correspondence, like the letter from a magical supply house, saying that the shipment of powdered bat wings he'd ordered would be delayed. Stuff like that. If he had an address book, we didn't find it. No diary, of course. My luck never runs that good. No answering machine for somebody to leave a juicy message or two.
  Phone records revealed no incoming calls for the last four months, and only two outgoing. Both of those were made to the local Domino's Pizza place.
  Kulick didn't even have a home computer. Guess he did his communicating in ways that Bill Gates had never heard of – although there were news stories that Microsoft was getting ready to release a new product line called Spell Software.
  I checked with my contacts in the magical community, but nobody knew George Kulick – or would admit to it, anyway. And no relative ever claimed the body, so it was buried in some land that the city owns in a local cemetery just for that purpose. In the old days, I guess it would have been called the potter's field.
 
Driving home at the end of the third fruitless night, I found myself wishing that the forensics guys would pull off one of those miracles that you see on TV every week – the kind where they find some microscopic bit of evidence that would give us the perp's name, address, phone number, and astrological sign.
  Because what we had right now was shit.
 
After two more nights of no leads, no evidence, no witnesses and no dice, McGuire was talking about putting this one in the Pending Cases file, the place where unsolved crimes go to die.
  I could see his point. The other detectives in the unit were overworked, picking up the slack we'd left to work Kulick's murder. Things were getting busy again – the supes don't stay quiet for long. But the idea of just letting this one go made my whole face hurt. Nobody should have to die the way George Kulick did. Nobody. Except maybe the bastard who'd killed him.
  Near the end of our shift on the fifth night, I closed another cardboard box full of Kulick's stuff and said to Karl, "I guess if we're going to clear this one, we're going to have to go to the source."
  He turned and stared at me.
  "There's only two people who know for sure who whacked Kulick, right?" I said. "The perp and the victim."
  Karl shrugged. "Yeah, so?"
  "It's pretty clear that the perp hasn't left us anything to go on," I said. "So I guess it's time to ask the vic."
  "But the vic is fucking..." Karl's voice trailed off as his eyes narrowed. "Stan, you're not gonna–"
  "Yeah, I'm gonna. I don't see what other choice we have, if we're going to find this motherfucker."
  "Necromancy's against the law, for Chrissake!"
  "Not if it's conducted as police business, by a duly licensed practitioner of magic. And I know just where to find one."
 
Rachel Proctor was barely five feet tall, and built lean. She had auburn hair, smart-looking gray eyes and a beautiful smile. The smile put in an appearance when I first walked into her office, but once I'd started talking, it was gone, baby, gone.
  She was looking at me as if I'd just suggested that we have three-way sex with a goat some night. A real old, smelly goat.
  "Necromancy's against the law, Stan. You of all people ought to know that."
  "And you of all people ought to know that it's legal with a court order, Rachel."
  "And what do you think your chances are of getting that?"
  I pulled the court order out of my inside jacket pocket and laid it gently on her antique oak desk. "Pretty good, I'd say."
  She looked at the folded document for a few seconds, then at me for a few more, then she reached out one of her small, delicate hands to pick it up. She unfolded the order and scanned it quickly. "Judge Olszewski. I should have known."
  Rachel tossed the paper back on her desk. "Your paisan."
  "We prefer homie," I said.
  "I suppose you two hang out together at meetings of, what is it? – the Polish Falcons?"
  I shrugged. "Man's gotta do something with his free time, and Mom always told me to stay out of pool halls."
  She managed to combine amazement and annoyance in one slow shake of her head.
  "So," I said. "Can you do it?"
  "A better question is will I do it?" She leaned back in her chair, a huge leather thing that made her look like a kid playing on the good furniture. "Explain to me, slowly and carefully, why you want me to do this, and what you're hoping to accomplish by it."
  So I laid it out for her. I started by describing what had been done to George Kulick, in as much detail as I could without sounding like some kind of freak sadist who was getting off on it. To her credit, Rachelby,ooking a little queasy when I was done.
  She swallowed a couple of times, then said, "And you've exhausted all of the usual means of getting information about this... atrocity."
  "Every damn one," I told her. "Witnesses: none. Forensics: none. Associates: none. Friends and family: none. Enemies: none."
  "Well, one, anyway," she said grimly.
  "Depends on how you define your terms," I said. "Whoever tortured Kulick wanted the location and combination of that safe. Once he got that, I expect he put Kulick out of his misery pretty quick. I don't think it was personal."
  "I doubt that it made much difference to Mr Kulick," she said, and made a disgusted face.
  "What do you say we ask him and find out?"
  She sighed, then there was silence in the room for a while. I'd made my pitch. The rest was up to her. Nobody could order her to perform a necromancy – it was her call.
  Rachel was studying her right thumbnail as if it was the most fascinating thing in the world. Without looking up she asked, "Where was he buried?"
  "In one of the city-owned plots at the public graveyard."
  "Well, that's something," she said. "No hassles with the Church to worry about. And it's not hallowed ground. When did interment take place?"
  "Day before yesterday. But he died a week ago. They kept him on ice at the morgue for a while, in case somebody claimed the body. When nobody did, they planted him."
  "And in life he was a wizard, you say."
  "Yeah," I said. "He had the mark on him – and about a gazillion books on magic in his library. Why – does it matter?"
  "Indeed, it does. It means his spirit will be harder to control, once it's raised. I'll have to take extra precautions."
  "So you will do it." I didn't bother keeping the relief out of my voice.
  "Against my better judgment, yes, I will," Rachel said, sounding tired. "And I suppose you need this done immediately, if not sooner?"
  I shrugged. "Afraid so. The longer we wait, the greater the perp's chances of getting away with it. And a guy who'd do Kulick like that, you gotta figure he won't be squeamish about torturing somebody else to get what he wants."
  She gave me a look that said she knew I was trying to manipulate her emotionally, and she didn't like it.
  But she didn't tell me that I was wrong.
  "As you're aware, Stan, I'm a practitioner of white magic. But what you're asking for here is gray magic."
  I knew that one. "Black magic, performed for the purpose of good."
  "Exactly right. Normally, necromancy is one of the blackest of the black arts." She sighed deeply. "I'll need to get permission before I can proceed."
  I tapped the court order that lay on her desk. "We've already got this. What more do you need?"
  The thin smile she gave me didn't look much like the one I'd received walking in. "The kind of permission I need comes from a court you've never heard of, Stan. But it is one that I dare not disobey. I'll let you know, one way or the other, as soon as I find out."
  I stood up and slid the court order back in my pocket. "When do you plan to put in the request, or whatever it is you have to do?"
  "A few seconds after I see that door close behind you. So, get."
  I got.
 
The next day, I was getting ready for work when "Tubular Bells," the theme from The Exorcist, started playing in my shirt pocket. I touched an icon and brought the phone to my ear. "Markowski."
  Rachel Proctor's voice said, "Tomorrow night, at midnight. I'll need a day to prepare. Pick me up at my house about 9:00." She paused a moment. "You're going to be there, you know."
  "I wouldn't miss it for the world," I said. I might even have been telling the truth.
• • • •
The next night, I brought the car to a stop in front of Rachel's house at 8:59. A few moments later, she was tapping at the passenger-side window.
  "Pop your trunk."
  I pulled the lever. She disappeared from view, and then I felt the springs shift a little as something heavy was placed in the trunk. The lid slammed shut, and then Rachel was slipping into the passenger seat next to me.
  She looked terrible.
  Even in the light from the street lamps, I could see circles under her eyes that she hadn't bothered to hide with makeup. The skin of her face seemed looser, somehow, like someone recovering from a bad accident.
  "What're you staring at?" she snapped. I was stammering an apology when she laid a gentle hand on my arm. "Sorry, Stan. I know I look a fright – almost like one of the stereotypes of my profession."
  "Are you sick? Maybe we can–"
  "No, I'm not sick, in the usual sense of the term. I haven't slept, that's part of it. I last ate something... this morning, I think, but I forget what it was. I've been working pretty much nonstop since you left me yesterday. Necromancy takes a lot of preparation, and we're not exactly blessed with time, are we? A lot of the work involves setting up protections for the necromancer." She paused, then added, "That would be me."
  "Protections against the corpse? I thought–"
  "We won't be raising his corpse, Stan. You've been seeing too many movies. What we're going to resurrect, if this works, is his spirit – and that is infinitely more dangerous."
  "How come?"
  "Protecting myself from a physical body is a piece of cake, comparatively – there are a hundred spells that could do it. But guarding against a pure spirit is harder, because of all the different ways it can manifest. And the fact that he was a wizard makes it even trickier."
  "Why should it? Dead is dead, no? Except when it's undead."
  "I wish it were that simple. A dead man is a dead man, Stanley. But a dead wizard is... well, a dead wizard."
  Rachel turned to face forward. "Come on, let's get this circus on the road, before I come to my senses."
 
After a while, the silence in the car started to get uncomfortable. For me, anyway. "Proctor," I said. "That name has... associations for me. Something to do with the Salem witch trials, maybe?"
  "Very astute. I'm a descendant of John Proctor, who was hanged as a witch after being denounced by his housekeeper."
  "Your family history of witchcraft goes back a long ways, then." I said.
  "That it does – on both sides. My mother, whose maiden name was Brown, was a direct descendant of the Mathers – Increase, and his son, Cotton."
  "Mathers – like in Leave it to Beaver?"
  From the corner of my eye, I saw a glimmer of a smile.
  "I've always thought that ought to be the title of a porn flick. Or maybe it was, and I missed it."
  "I didn't know witches liked porn."
  "Don't generalize from one example, Stan. And d beplay dumb, either. You know who the Mathers were."
  "The guys behind the witch trials."
  "That's an oversimplification, but – yeah."
  "Sounds like an interesting family."
  "It was that, all right. Proctors on one side, Mathers on the other – and me in the middle."
  "You mean they used to–"
  "Let's not talk any more, Stan. It's distracting me."
  "Distracting? From what?"
  "Praying."
 
Grave 24-C looked like all the other plots in this corner of the city cemetery, apart from the freshly turned earth on top. There'd be no headstone, of course. Anybody willing to spring for a marker to put on George Kulick's grave would probably have paid for a proper funeral in the bargain, and he'd likely have buried the guy in a better class of graveyard, too.
  I helped Rachel Proctor set up for the ritual of necromancy, which was supposed to reach its climax at midnight. My help had mostly consisted of performing vital tasks such as "hold this" or "bring that."
  As she laid out her materials, Rachel said, "I'm going to follow the Sepulchre Path of necromancy. It's the easiest, but it should allow us to get the information you need. If I do it right, it will temporarily grant me the power of Insight, which is the ability to see what the deceased saw in the last moments of his life."
  "Could be pretty ugly, considering how he died," I said. "Can't you just call up his ghost and ask him who the killer was? I've heard of that being done."
  "Yes, it can be done." She carefully opened a packet containing a dark blue powder and poured some into a bowl. "But probably not by me. That would require the Ash Path, which is far more difficult. You'd need a real adept to have a chance of pulling that one off. And when it comes to this stuff, an adept I ain't."
  A little later I asked, "How many, uh, necromantic rituals have you been involved in, so far?"
  Without looking up from what she was doing, she said, "Including tonight?"
  "Sure."
  "One."
  "Oh."
  She had made three concentric circles on the ground near Kulick's grave. The outer ring, I could see, was made of salt. The two inner circles were laid down using powders that I didn't recognize. The one making up the middle circle was red. The innermost circle was in white. "This is where you'll stand when it starts," Rachel had said. "Whatever happens, do not leave the inner circle until I have given the spirit leave to depart and I explicitly tell you it's safe. Always assuming I'm able to summon his spirit in the first place."
  "What's so special about the inner circle?" I asked.
  "The white circle is the strongest, kind of like the innermost ring of a rampart," she said. "It is your place of refuge, and mine, too, if things get hairy. Kind of like a shark cage when Jaws is in town."
  I didn't remind her how relying on the shark cage had worked out in the movie, let alone the book.
  "Why don't you just stay in the white circle the whole time, if it's safest?"
  "Because I need access to the altar, which cannot itself be within the circle. Did you bring a personal object of Kulick's, as I asked you – something he had a lot of physical contact with?"
  I produced a silver Montblanc pen. "Here. This was found on his desk blotter. Looks like he used it quite a bit."
  "Good. Then we can begin."
  Just outside thee,er ring, Rachel had set up the small portable altar we'd brought with us. On it burned three candles – red, white, and black. They sat at the points of a triangle drawn on the altar; the lines were red at the sides, but black across the bottom. She had also placed there several other objects, including bowls, small bottles, and a variety of instruments – some of which I recognized, others whose function I could only guess.
  I was glad it wasn't windy, otherwise those candle flames wouldn't have lasted long. Then it occurred to me to wonder whether Rachel had anything to do with that.
  Using a long handmade match that she sparked into life with a thumbnail, she lit two sticks of incense, placing each one in a container at opposite ends of the altar. It didn't take long for the smoke to make my eyes water.
  "What the hell is that?" I asked.
  "One is wormwood, the other is horehound," she said. "And I'd be careful about using the 'h' word right now – you never know what it might summon by accident. In fact, it would be better if you didn't talk at all, Stan."
  I've been told to "shut up" before, but never so politely.
  Facing the altar, Rachel stood with her hands spread wide. Then she began what I later learned is known as a "Quarter Call":
  Spirits of Air,
  We call to you.
  The Breath of life
  the Knowledge of life,
  the Wind of life,
  it blows from thee to me,
  be with us now.
  Then she turned forty-five degrees to her left, and continued:
  Spirits of Fire,
  We call to you.
  The Heat of life,
  the Will of life,
  the Fire of life,
  it burns from thee to me,
  be with us now.
  She made another quarter turn. She was facing me now, but I don't think she even saw me.
  Spirits of Fire,
  We call to you.
  The Heat of life,
  the Will of life,
  the Fire of life,
  it burns from thee to me,
  be with us now.
  Another turn, and she chanted:
  Spirits of Earth,
  We call to you.
  The Flesh of life,
  the Strength of life,
  the Earth of life,
  it moves from thee to us,
  be with us now.
  Then she faced the altar again.
  I call upon Hecate,
  goddess of the crossroads.
  Bless my work, and my endeavors.
  Protect and keep me safe from harm.
  From every place that harm is wrought.
  From every evil that walks.
  Protect me, wise one, guard me now.
  O great Hecate, I beseech thee:
  Watch over me this night
  that I might do this work
  both faithfully and well.
  In thanks for your protection
  I make this offering now.
  There was a small wooden box on the altar. Rachel raised the lid and quickly reached in. Her hand came out holding something that moved in her grasp.
  I looked closer. She was holding a brown-andwhite mouse, its tail twitching like a hooked worm. I wondered whether she'd trapped it herself or bought it at a local pet store. Either way, things weren't looking too good for Mr Mouse right about now.
  Black magic requires a sacrifice – a blood sacrifice. It has its roots in the ancient religions, and their gods always required blood. In the case of some, like the Aztecs, the blood had to be human.
  I guessed the mouse was the smallest offering that Rachel thought would allow the ritual to work. Or maybe it was the biggest thing she could bring herself to kill.
  She closed the box again, and held the mouse down on its lid with her lift hand. With her right, she picked up a knife with an ornately carved handle.
  "Spiritus!" she said loudly, held the knife up to shoulder height, then lowered it. She did this twice more. Then, with the mouse still pinned against the top of the wooden box, she cut off its head with one quick, economical movement. I expect the little guy was dead before he even knew he was dying.
  I noticed that a breeze had sprung up, but the candle flames didn't flicker. The smoke from the incense rose straight up, as if the air was perfectly still. Maybe over there, it was.
  Rachel seemed to hesitate before beginning the next part of the ritual, but when she spoke, her voice was clear and strong.
  Colpriziana,
  offina alta nestra
  fuaro menut,
  I name George Harmon
  the dead which I seek.
  Spirit of George Harmon
  you may now approach this gate
  and answer truly to my calling.
  Berald, Beroald, Balbin,
  Gab, Gabor, Agaba!
  Arise, I charge and call thee!
  She repeated this twice more, a little louder each time. The smoke from the incense sticks had thickened and come together into one mass that grew as I watched. According to the laws of physics, what I was seeing was impossible. But I had a feeling that the laws of physics didn't count for much right now.
  Using a sharp stick of polished wood that I knew was her wand, Rachel made a big X in the air above the altar. A few moments later, she repeated the movement. Then a third time.
  I don't know how long it was – a minute, maybe two – before I noticed that an outline was appearing in the gathered smoke. An outline in the form of a man.
  Rachel must have seen it about the same time I did, because she started chanting, over and over: "Allay fortission fortissio allynsen roa!"
  I don't know how many times she repeated that phrase before she decided it was enough. But when she stopped, the quiet was almost oppressive. It wasn't just the absence of sound. The silence was like a force, pressing against my eardrums. The outline of the man in the smoke was clear and distinct, like a silhouette you'd see through the blinds of a lighted room at night.
  Then Rachel spoke, her voice only a little louder than normal. "I bid you welcome, spirit of George Kulick. I charge and bind thee now, to answer what I ask of thee, to harm none present, and to depart when thou hast been dismissed. I do this in the terrible names of Baal, of Beelzebub, and of Asmodeus."
  I once asked a warlock why spells contain all those "thee"s and "thou"s, ad other stuff that nobody says anymore.
  "When it comes to theory, no one is more conservative or fundamentalist as a magician," he'd told me. "It would make Southern Baptists look wild, by comparison. Lots of the spells in use today were first translated into English in the fifteenth and sixteenth centuries, when people did talk like that. The belief is, if a spell works, you don't mess with it, even to update the language. You'd never know what effect even the smallest change would have – until it was too late."
  Rachel took some powder from a jar and sprinkled a generous amount into one of the bowls. It immediately burst into flame, even though the bowl was nowhere near the candles, or any other heat source. "Speak to me now, George Kulick. Give to me the sight of thy death, and of he who did bring it upon thee. Let me see as thou hast seen, know as thou hast known, and learn as thou didst learn. Grant unto me the Insight into thy departure from this life, George Kulick, that I might take vengeance against thy tormentor."
  Things began happening very fast, then. The candles on the altar went out, all in the same instant. The incense stopped burning as if it had been doused with water. The small cloud of smoke that had borne the outline of a man dissipated into nothing.
  Then Rachel Proctor collapsed to the ground. A few seconds later, she started writhing and screaming – screaming like one of the damned.
 
I stood outside Room 8 of Mercy Hospital's Intensive Care Unit and looked through the window at the still form on the bed. Rachel lay there, mercifully quiet, surrounded by machines that hummed and beeped as they kept track of every biological process of her body.
  "At least she doesn't seem to be in pain now," I said to Charlie Mulderig, who's been a doctor at Mercy for as long as I can remember.
  "No, she's not," Charlie said softly. "It wasn't easy. She's under very heavy sedation. For a while, I was afraid we were going to anesthetize her."
  "You mean, like in surgery?"
  "Exactly like in surgery. The pain centers of her brain were going crazy. And, apart from the humanitarian concerns, there was a real danger that she'd have a stroke if it continued."
  "Jesus."
  "Problem is," Charlie continued, "you can't keep someone under surgical anesthesia indefinitely without a substantial risk of brain damage. Fortunately, we found a combination of painkillers that worked, at least for the time being."
  "What the fuck was causing it, Charlie? Far as I could tell before the EMTs got there, there wasn't a mark on her."
  "There isn't a mark, in the sense you mean it. No evidence of trauma, anywhere on her body. And we found no evidence of anything internal that might have caused it, like a ruptured appendix or a kidney stone."
  "It must have been the magic, then." I ran down for him what Rachel had been doing just before her collapse.
  Charlie shook his head. "When it comes to magic, you're talking to the wrong guy. I don't pretend to understand that stuff. In fact, according to everything I learned in med school, magic ought to be impossible."
  "Except that it isn't."
  "No, I've seen too much evidence to the contrary."
  "Yeah, me, too."
  "I can imagine," he said. "Oh, yeah, that reminds me: I did find out something that may be of interest to you. As she was finally going under, Ms Proctor stopped screaming and started muttering intelligible words. Well, more or less intelligible."
  Charlie produced a folded sheet of paper from a pocka pocka po his white doctor coat. "One of the nurses wrote some of it down, after they'd got her stabilized."
  He unfolded the sheet and peered at it over the top of his glasses. "Apparently, she was saying something like I'll never tell you, you sick fuck. You'll never get the book, never. I gather it went on like that for a while, repeating the same stuff, over and over."
  He refolded the paper and handed it to me. "Here, for whatever use it is. I wonder who she thought she was talking to?"
  After a few seconds I said, in a voice that I barely kept from breaking, "She was talking to whoever tortured and killed George Kulick."
 
"The necromancy worked too fuckin' well," I told Karl the next night. "Not only did she raise the spirit of the late George Kulick, but he was able to get inside her head, somehow. That's gotta be what happened."
  "I thought you said she'd set up protections against that stuff," Karl said.
  "That's what she told me. But she'd never done one of these rituals before. Maybe she messed up somehow. If she did, it's my fault. I'm the stupid sonovabitch who pressured her into it."
  "Or maybe Kulick was just stronger than she expected. The dude was a wizard, after all."
  "Could be either one, could be both," I said. "She was trying to plug into Kulick's last moments, and it looks like she succeeded, big time. All of a sudden, she was right where Kulick had been, at the end."
  "And Kulick was being tortured. Which means that Rachel–"
  "Was going through the same thing – at a nerve level, anyway. Not so much as a bruise on her, but she still felt all the stuff that had been done to Kulick. I didn't think even magic could do that."
  "Why not?" Karl said. "They do it with hypnosis."
  I looked at him. "What the hell are you talking about?"
  "My cousin Cheryl's a therapist. You know, like a shrink. I guess she uses hypnotism in her job. Helping people recover memories, stuff like that. She told me once that when she was in school, they had 'em watch movies of some of the experiments in hypnosis. From like thirty years ago. Stuff that you couldn't get away with today. One guy in this film was put into a real deep trance, right? Then the hypnotist told him he was on fire."
  "Bet I can guess what happened then," I said.
  "Fuckin' A. Cheryl said the guy was on the floor, screaming like he was being burned alive."
  "Just like Rachel, who thought she was being tortured to death."
  "Cheryl said it took days to get that guy's screams out of her head."
  "I've got a feeling," I said, "that it's gonna take me a hell of a lot longer than that."
 
"It's Charlie Mulderig, Stan. I'm calling about Rachel Proctor."
  "Hey, Charlie. How is she?"
  There was a brief silence, then: "She's gone, Stan."
  I felt an icy fist reach into my stomach, grab my guts, and twist them.
  "Stan? Are you there? Stan?"
  "Yeah, Charlie, I'm here." I cleared my throat, then did it again. "What happened? Heart failure?"
  "No, Stan, I'm sorry for… Rachel isn't dead, as far as I know. She's just – gone. Missing. Her bed in the ICU is empty."
  The icy fist loosened its grip, but only a little. "Did she regain consciousness, Charlie?"
  "Not according to the nurses, and they were checking on her every hour or so. And if something had gone bad at any time – iegular heartbeat, sudden drop in blood pressure, something like that, the alarms built into the monitors would have gone off at the nurses' station. Those were still functioning, by the way. We checked."
  "Could some nurse have missed something? Maybe forgot one of the hourly checks?"
  "No way, no how. The ICU nurses are the best in the hospital, Stan. They do not fuck up, and that would constitute a major fuck-up."
  I closed my eyes and tried to make my miserable excuse for a brain work. "You've got surveillance cameras over there, Charlie. I've seen 'em."
  "Yeah, we do, and I know what you're thinking. There's one trained on the hallway right outside the ICU. Our security guy is reviewing the disc now."
  "There's no other way out of there, except for the windows, is there? And the ICU's on the fifth floor."
  "Exactly. However she left, conscious or not, on a gurney, in a wheelchair, or walking, she had to go along that corridor. We'll find her – well, find her image, anyway."
  "Give me a call when you do."
  I put down the phone and sat at my desk, staring at nothing. I was thinking about magic – and about disappearing acts.
 
I didn't hear back from Charlie until the next night. He called right after I came on shift.
  "So, how did she leave the ICU, Charlie? Was it under her own power, or was she taken?"
  There was a long pause before Charlie said, "We'd like to discuss that with you face-to-face, Stan. Can you drop by Mercy sometime tonight?"
  "Who's we?"
  "The head of security. And me."
  "All right, Charlie, I'll come over now, if the boss doesn't need me. But give me the short version now – how did she get out of there?"
  "There actually isn't a short version, Stan. That's why we'd like to discuss this with you in person."
  Arguing with him was just going to waste time I could better spend driving to Mercy Hospital. "I'll be there in twenty minutes," I said. I asked Karl to stay at the squad and call me if anything urgent came in. Then I got moving.
 
The head of security at Mercy was an ex-cop named Sam Rostock. He'd let himself go to seed after leaving the force, to the point where his belly now hung over the belt of his Wal-Mart grade slacks – but I guess muscle tone isn't too important when your toughest job is getting people to leave the hospital after visiting hours are over.
  I sat down after the introductions – which were unnecessary, but Charlie didn't know that. I was looking at Rostock but speaking to Charlie when I said, "So what was so important that you couldn't tell me about it over the phone?"
  "I checked the video feed from the camera that's aimed at that hallway," Rostock said. "The one outside the ICU. Checked it twice, for the period when what's-her-name, Proctor, was brought in until an hour after she was declared missing."
  I expected more, but Rostock stopped talking and just sat there, looking at me. It was impossible to read his face – he'd been a cop, after all.
  "There's nothing, Stan," Charlie said finally. "No indication that she left the ICU, either under her own power or with assistance. Nothing."
  "I don't suppose that a body was wheeled out of there, in a body bag or under a sheet, maybe," I said. "Or somebody in a wheelchair who'd suffered bad facial burns and was heavily bandaged – anything like that?"
  "Of course I checked stuff like that – you think I'm stupid?" Rostock said. "And it wasn't hard to do, because not one patient, living or dead, was taken out of the ICU during that period. Not one."
  I ran my hand through what was left of my hair a couple of times. "What about visitors? Did you check to see whether one more visitor left there than went in?"
  "My God, I never would have thought of that," Charlie said, softly.
  "Well, I did," Rostock said, but without the defensiveness in his voice. "Same time period – an hour before she was admitted, in case somebody was already in there, visiting in another room, to an hour after she was found gone. Every damn visitor that went in there is accounted for. And this is spring, so nobody's wearing hats or scarves that could hide their face. The ones who came in, went out. And only them."
  "Except for the nurses and doctors," I said.
  "Not bad," Rostock said, as if he meant it, "but I thought of them, too. Every doctor, nurse, and med tech working here is somebody I've met personally. I make a point of that. Plus, each one has a photo on file with Human Resources, the same picture that's on their ID badge. And with the computer system we have, I was able to do close-ups on the faces of everybody who passed through that door, in either direction. Nothing suspicious. Nothing even close."
  The three of us sat there for a while. "Okay, then," I said, finally. "Let me summarize the facts, such as they are." I ticked them off on my fingers as I went along.
  "One, Rachel Proctor was brought into the ICU, from the ER, at 4:18am two days ago. Two, Rachel Proctor did not leave the ICU through its only door, and getting away through the fifth-floor window is only gonna work if you're a bird. And three, Rachel Proctor is undeniably gone."
  I looked at each of them. "Accurate?"
  Their silence said it all.
  "So, what happened was impossible, except that it did," I went on. "And there's only one thing that makes the impossible happen, these days – and that's magic."
 
"Why would Rachel use magic to make herself disappear?" Karl asked me. "If she wanted to leave the hospital, all she had to say was, Okay, I'm all better – release me."
  "Yeah, it makes no sense. Unless she wanted to disappear from sight for a while, you know, hide from somebody. Or something."
  "Hide from who?"
  "Maybe from me. Can't blame her for that – I'm the asshole who got her into this mess, whatever it is."
  "Don't start with that again, all right? The chick's all grown up, and everything. She knew what she was getting involved in – probably better than you did. And nobody held a gun to her head that I know of. Or a wand."
  "I know, but – what did you say?"
  Karl looked at me. "Just that nobody forced her to–"
  "No, about a wand."
  He shrugged. "I said wand cause it seemed more, like, appropriate for a witch, that's all. What's the big deal?"
  "I don't know how big a deal it is," I told him. "But you just reminded me that Rachel's not the only one in this case who can work magic."
  Karl frowned. "What are you talking about, man? Who else in this mess can…?" He let his voice trail off and his eyes went wide.
  "Exactly," I said. "George fucking Kulick, that's who."
  I started to explain to Karl the idea that had just occurred to me – but then the old man came to see us, and that changed everything.
 
Louise the Tease, our PA, came back to tell us that we had a visi. We call her that (not to her face) because her size 8 body is usually crammed into a size 6 dress, but she refuses to date cops – something about not wanting to take her work home with her. Louise said that someone up front was asking for whoever was working the Kulick murder.
  Karl and I looked at each other, then did a quick game of paper-rock-scissors. His paper wrapped my rock, so I stood up and headed for the small reception area. On the way, I had a brief fantasy that George Kulick's killer had walked in to confess, and we'd be able to close this case out tonight.
  Yeah, and a goblin will be the next pope.
  Whoever had the steel in his spine to do all those things to Kulick wasn't going to get all mushy and remorseful about it now. I just hoped that whoever had come in wasn't going to be a waste of time.
  It turned out to be an old guy, thin and pale, but not frail looking. His iron gray hair was combed straight back to form a widow's peak. The gray suit had probably been new during the Kennedy administration, and the white button-down shirt underneath it had been washed so often that it was closer to beige. He wore it buttoned to the neck, with no tie.
  "I'm Detective Sergeant Markowski," I said. "I understand you have some information about a case we're investigating."
  The old guy got to his feet smoothly. He had none of the shakiness about him that you'd expect from somebody who looked to be in his seventies. That got me wondering.
  "My name is Ernst Vollman," he said, his voice firm and clear. "If you refer to the murder of George Kulick, yes, I thought some conversation on the subject might be mutually beneficial."
  Mutually beneficial wasn't exactly what I had in mind, but I let it slide. Instead, as Vollman came closer, I put out my hand to shake.
  I don't usually do that with civilians – whether they're suspects, witnesses, or informants. I like to maintain a certain distance with the public, but this time I made an exception. It seemed like he might have hesitated for a moment, but then Vollman took my hand and shook it briefly.
  I noticed two things about that handshake. One was a sense of strength you wouldn't expect in an old guy. He didn't go all macho on me and try to squeeze, none of that bullshit. But suddenly I was aware that if he put his mind to it, he could break every bone in my hand without raising a sweat.
  The other thing was, his hand was cold. I know that old folks sometimes have circulation problems in their extremities, but this went way beyond that. This guy was cold.
  That's when I knew for sure.
  I gestured toward the squad room and followed Vollman toward the door, working hard to keep my face blank. Ernst Vollman represented something that Karl and I didn't have five minutes ago: a lead. So I was going to be very nice to this old man, for the time being. Even if he was a fucking vampire.
 
I told Vollman to sit in the visitor's chair next to my desk, and then Karl rolled his own chair over, placing it so that our visitor couldn't look at both of us at once. It's an old cop trick designed to keep suspects off balance.
  The old man didn't seem fazed by the seating arrangements. When I introduced Karl, Vollman looked at him for a long moment, as if planning to draw him from memory later. Or maybe have him for lunch. Then he turned his attention back to me.
  "I have been away from the city for several days," he said, "and only learned of Mr Kulick's tragic death upon my return last night."
  "Return from where?" Karl asked.
  "Oh, a number o places," Vollman said. "I travel a great deal, you see. To visit friends, relatives, old acquaintances. Sometimes they ask me for advice, or a favor, or to settle some small dispute."
  "So this isn't your job, then – travelling around," Karl said.
  "Not at all. I am long since retired. But I like to occupy my time usefully, when I can."
  "Where did you retire from, Mr Vollman?" I thought I'd join the conversation.
  Vollman made a small gesture. "I have done a great many things to support myself, over the years. Mostly, I have been self-employed."
  "Self-employed doing what?" Karl asked him. He was starting to get impatient with the old man's bullshit, and I didn't blame him.
  "Consulting, mostly. Some investments. Occasionally, import-export." Vollman's smile was as thin as the rest of him. He knew he was ducking our questions, and he knew we knew it, too. He also knew we couldn't do shit about it. For the moment, anyway.
  I decided to cut through the crap and see if there was anything underneath it. "What do you know about George Kulick's murder, Mr Vollman?"
  "I do not know who killed him, if that is what you are asking. But I believe I know something almost as important."
  Vollman paused, probably for effect. "I am fairly certain I know why he was killed."
 
There was a silence that lasted several seconds before I broke it. "If you're waiting for someone to feed you the next line, I'll do the honors: why was Kulick killed?"
  Vollman gave me another one of those little smiles. "I do have rather a tendency toward the dramatic, don't I? Please accept my apologies." He made the smile disappear. "I believe Mr Kulick was murdered because he was the possessor, in effect the guardian, of a certain object. An object of great value."
  Karl leaned forward, frowning. "The killer left something like forty grand behind. Even if what he came for was worth more than that, why not take the cash, too?" It was a question the two of us had been scratching our heads over ever since we saw what was in Kulick's safe. Who walks away from forty thousand bucks?
  Vollman gave Karl the kind of look that village idiots must get really tired of. "The answer, I would think, is obvious, Detective. Kulick's killer had no interest in money." He shook his head a couple of times. "There is more than one measure of value, my young friend."
  "The object, as you call it, must've had something to do with magic, then, since Kulick was a wizard," I said to Vollman.
  "Yes, that is quite true."
  "So, what's it to you?"
  The wrinkles around Vollman's eyes compressed a little. "I do not understand your meaning, Sergeant."
  "I mean, since when is the business of wizards of any interest to a vampire?"
  Vollman sat slowly back in his chair and looked at me.
  I've got good peripheral vision, and from the corner of my eye I could see Karl's hand move slowly toward the top drawer of his desk, and the crucifix he kept there. He needn't have bothered. Any vamp who wanted to cause trouble wouldn't pick a police station, especially the Supe Squad, to do it.
  Probably.
  Still, I was suddenly aware of the weight of the Beretta on my right hip, with its standard load of eight silver bullets that had been blessed by the Bishop of Scranton. Part of me wished the old vamp would give me an excuse to use it.
  "The handshake, yes?" Vollman said to me, after a moment. "It was the handshake that revealed y... true nature... to you. I wondered at your reason, since you do not, forgive me, Detective Sergeant, strike me as the friendly type."
  Friendly? I wanted to say. Hey, I'm one of the friendliest guys around – except to the bloodsucking undead.
  "How I know doesn't matter, Mr Vollman," I told him. "I asked you a question: why do you care about George Kulick and what happened to him?"
  Another long look. I was about to tell Vollman that I was getting tired of his theatrics when he said, "The reason I am interested in the fate of that particular wizard..." He turned his left hand over, palm up, to reveal an old, faded, but unmistakable tattoo of a pentagram. "...is because I am a wizard myself."
 
Karl and I looked at each other for several seconds before we returned our attention to Vollman.
  "I've never met anyone with your particular… combination of attributes before," I said.
  "Nor have I, and I have lived far longer than either of you gentlemen. However, there is nothing, in theory, to prevent someone from living in both worlds, should he choose to. Mind you, in my case the choice was not made freely."
  "How do you mean?" Karl asked.
  Vollman shrugged his thin shoulders. "It is a long story, but, in brief, I was already an accomplished wizard when I was attacked and… transformed... by a vampire. That was in the year 1512."
  I noticed that Karl was frowning. "I don't get it," he said. "Somebody who can work magic should have been able to handle a vampire without too much trouble."
  "Magic is not something that can be invoked at a moment's notice," Vollman told him. "Had I been given the time to prepare a defensive spell, I would surely have prevailed. But I had no inkling that a vampire was in the vicinity, and so was caught unawares."
  "Which also explains how Kulick was subdued by whoever tortured him," I said. "He didn't have a spell, or whatever, ready to use against his attacker."
  "Very likely," Vollman said, nodding. "Unlike a gun or a knife, magic cannot usually be brought to bear at a moment's notice. Although, given time for preparation, it can be a very potent weapon, indeed."
  "You said Kulick was taking care of some valuable object," I said. "I assume that's what was ripped off from his safe by whoever killed him. Care to tell us what it was?"
  Vollman looked at his hands for a long moment. "I suppose I must, since it is of vital importance that it be recovered. George Kulick was entrusted with a copy of the Opus Mago-Cabbilisticum et Theosophicum, written by Georg von Welling around 1735 – although parts of it are older. Far older."
  "Don't think I know that one," I said. "But I've got a feeling that it isn't this month's selection from the Book of the Month Club."
  "The work is not well known, even among the cognoscenti," Vollman said. "The Opus Mago, as it is usually called, is quite rare. Only four copies are believed still in existence. It is – and I beg your indulgence of the cliché – a book of forbidden knowledge."
  "I get it," Karl said. "Like the Necronomicon."
  Vollman looked at him. "The Necronomicon is a myth, a product of the fevered brain of that writer Lovecraft," he said scornfully.
  Karl shrugged. "Some people say different."
  "And some people," Vollman said, "once said the Earth is flat. Indeed, I knew several such individuals personally." He made a shooing away gesture with one hand. "But whether this Necronomicon exists is irrelevant. The Opusago, I assure you, is all too real."
  "What's in it that makes the book forbidden?" I asked him.
  "Spells, of course, along with descriptions of rituals, conjurations, directions for the making of certain implements and ingredients. Also, illustrations of certain... symbols."
  "So far, that sounds like a description of something that every practitioner has on his bookshelf," I said. "Or hers."
  Vollman nodded slowly. "In a general sense, perhaps. But the particular rituals and spells contained in the Opus Mago are used for the invocation and control of only the darkest powers. It is said that portions of the book were dictated by Satan himself, but that is probably a myth." He stopped, and stared at his hands for a moment. "Yes, a myth, almost certainly. In any case, this material is something no workaday wizard or witch would have access to. Nor is it anything they would wish to acquire."
  "You talking about calling up demons?" Karl asked. "Hell, we ran into one of them a couple, two, three months ago. No big deal."
  I wouldn't call almost having my head chewed off "no big deal", but I knew what Karl meant. Any number of wizards already had the knowledge necessary to conjure demons. Fortunately, most of them were smart enough not to do it.
  "No, the power of the Opus Mago goes far beyond that," Vollman said. "It is a great and terrible book. I have not looked within it myself, mind you. But I was present when it was given to Kulick for safekeeping."
  "Why?" I asked him.
  Vollman frowned. "Why? What do you mean?"
  "The way you put that suggests that you didn't give the book to Kulick, but you observed the transfer take place. Why were you there, if you weren't the guy handing over the book?"
  Vollman gave one of those little gestures that you associate with Mafia dons in the movies. It combined modesty and arrogance in exactly the right proportions. "There is, in this area, a loose confederation of those who are what you call 'supernaturals.' I have the honor to be its leader."
  Karl and I looked at each other for a second, then turned toward Vollman.
  "So it's you," Karl said.
  Vollman gave us raised eyebrows.
  "We'd heard that someone took over after Martin Thackery got staked," I told him. "But none of the supes we know would give us a name. You're the new boyar, the Man."
  "As good a term as any, I suppose," Vollman said, nodding.
  "Well then, Mr Man," Karl said, "why don't you tell us who you think killed George Kulick, before my partner and me are too old to do anything about it?" Sometimes I really like that kid.
  But I didn't much like what Vollman told us next. "I have absolutely no idea," he said.
  So much for our hopes of clearing this case quickly. There was silence while Karl and I digested the bad news, then I said to Vollman, "But you must have some idea about the kind of person who did it."
  "I might," Vollman said. "But then I expect you have already reached some conclusions of your own."
  My chair creaked as I leaned forward. "Whoever did Kulick that way has got a strong stomach and good nerves," I said. "He didn't lose control, like they sometimes do. He just kept doing stuff to Kulick until the poor bastard broke and told him where the safe was. Gave up the combination, too. He must've, since the safe wasn't punched, peeled, or blown."
  "Kulick was tough, you gotta give him that," Karl said. "He took a hell of a lot of punishment before he finally gave it up."
  "He had sworn an oath," Vollman said stiffly. "He was chosen to safeguard the book because he was the kind of man who takes such oaths seriously."
  "Don't be too hard on him," I said. "He suffered for that oath, in ways you can't even imagine."
  Vollman gave me a bleak look. "Do not underestimate what my imagination is capable of, Sergeant." He gave a long sigh. "But you are right. Kulick's memory will be honored for what he did – or tried to do."
  "Still, the average criminal, no matter how motivated, hasn't got the gumption to carry out that kind of systematic torture," I said. "This is somebody with a real vicious streak. And then there's the business with the money."
  "The money that was left in the safe, you mean," Vollman said.
  "Right. Even if all he wanted was the book, the killer could have taken the money, anyway. If he had, we'd be assuming a simple robbery as the motive, and the Major Crimes guys would be investigating it. Which means the perp is either dumb, or arrogant beyond belief – doesn't give a shit what we know, or think."
  "The individual who committed these acts is certainly not stupid, Sergeant," Vollman said. "But unbridled arrogance is not only possible – it is virtually certain in this instance. Making use of the spells contained in the Opus Mago would be similar to what a friend of mine once said about studying the work of the philosopher Hegel: one must be highly intelligent in order to do such, and profoundly stupid to wish to."
• • • •
Karl started to say something, but he was interrupted by a commotion from the reception area. I stood up, went to the door of the squad room, and looked out.
  Four people, three men and a woman, were standing at the P.A.'s desk, all of them screaming at Louise the Tease. From what I could gather, one of their tribe had been busted earlier in the evening, and they'd all come down to demand his release, on the grounds that he was king of the gypsies. It's the same crap they usually pull when one of their own gets picked up. Everybody's the king of the gypsies, unless it's a woman who's been arrested. She gets to be queen.
  Louise the Tease is known not to take no shit from nobody, but she was outnumbered, and nobody can kick up a fuss like a Gypsy. I was about to head over there and give her a hand when I realized that Vollman was standing just over my right shoulder. "Permit me," he said quietly.
  I moved aside, and he stood in the doorway, where I'd been. I expected him to go into Reception and approach the P.A.'s desk, but he stood where he was.
  "Chavaia!"
  The gypsies must have understood the word, because they all turned toward Vollman, looking both startled and annoyed. Then they saw who it was, and the annoyance vanished like a coin in a conjuring trick. Both their voices and expressions became very still.
  "Dinili, te maren, denash! Te khalion tai te shingerdjon che gada par brajo ents chai plamendi!"
  Vollman didn't yell, but it didn't look like they had any trouble hearing him. "Te lolirav phuv mure ratesa. Arctu viriumca ba treno al qua pashasha. Mucav!"
  Without another word, the four gypsies turned and left the room. They didn't quite run.
  Vollman nodded once, then turned and returned to his seat. I followed.
  Karl stared at the old man. "What the hell did you say to them?"
  Vollman produced the thin smile again. "I merely suggested they stop bothering the young lady and take their concerns elsewhere. Without delay."br/>
  "I notice they didn't give you an argument," I said.
  Vollman shrugged. "For some of these people, I am, as you say, The Man."
 
"So, what kind of person would want this book, the Opus Mago, bad enough to torture and kill for it?" I asked Vollman. "We're talking about a wizard or witch for starters, right?"
  "Almost certainly," he said. "No one else would have any hope of being able to make use of it."
  "You said something about 'arrogant' before," I added.
  "Indeed, yes," Vollman said. "As I told you, the Opus Mago contains spells and rituals for invoking the darkest of dark powers. It is considered a book of forbidden knowledge, and closely guarded, for that reason."
  "So where's the arrogance come in?" Karl asked.
  "In the belief that anyone, regardless of training or experience, can hope to control such powers once they have been summoned," Vollman said.
  "You're saying nobody could do it," Karl said.
  Vollman shook his head slowly. "I will not say that, not with certainty. But I think it highly unlikely that such control, even if it were achieved, could be maintained for long."
  "Maybe we ought to stop pussyfooting around this with terms like 'dark powers' and all that," I said. "You're not talking about just conjuring up some demon, are you?"
  "No," Vollman said. "As your partner reminded us earlier, that has become almost a mundane practice in these times."
  "What then?" I was afraid that I already knew the answer.
  And I was right, I did. "Something very, very bad," Vollman said. "There are a variety of spells, invocations, and rituals contained within the Opus Mago. Each, it is believed, permits access to a spiritual entity of immense power and great malevolence. One, supposedly, contains the means for calling up Quetzalcoatl, the Aztec snake god, which has grown immensely powerful from the all blood sacrifices made to it over centuries."
  "But all that human sacrifice stuff ended hundreds of years ago, once the Spaniards took over," I said.
  Vollman looked at me and shrugged. "If you choose to believe so."
  "What else?" Karl asked. "There's got to be more than that."
  "Indeed there is, Detective," Vollman told him. "For example, there are those who say the book describes a ritual for awakening one or more of the Great Old Ones, those creatures that supposedly existed before man, and which still await the day when they may supplant him."
  "Now I know you're yanking our chains," I said. "That stuff's right out of Lovecraft, and you already said he made it all up."
  Vollman shook his head. "No, Sergeant, I only said that Lovecraft made up the Necronomicon. The veracity of his other material is… open to dispute, shall we say. Some maintain that he discovered things that man was not meant to know, and it was that knowledge which eventually drove him mad."
  "You keep saying things like 'there are those who say,' and 'it is believed,'" I said. "So, you haven't looked at the book yourself."
  "No, I have not, nor did I ever wish to," Vollman said. "But I have, over the years, talked to several people who did." He gave me the thin smile again. "They were the ones who survived the experience, with their sanity intact, of course."
  "So, all right," Karl said. "This Opus Mago is a recipe book for cooking up different kinds of Truly Bad Shit. And it's been stolen by somebody who plans to whip up a big, smelly batch of idiviv>
  "Inelegantly put, Detective," Vollman said with a nod, "but an admirably succinct summary, nonetheless."
  "Big question is," I said, "how are we going to know when he makes the attempt?"
  Vollman's thin face, which would never be used to illustrate "cheerful" in the dictionary, became even more solemn. "You will know, Sergeant," he said. "Have no concerns on that account. You will know."
 
The first of the murders occurred four nights later, and we almost missed it.
  The case could easily have been written off as a routine homicide. It would have been, too, if Hugh Scanlon hadn't given me a call.
  Turned out, it was the right thing to do. This homicide was anything but routine.
  A lot of "regular" detectives don't like the Supe Squad very much – I think they take that "when you look into the abyss, the abyss also looks into you" stuff too seriously. But Scanlon's all right. I knew him from when we were both in Homicide. I eventually moved on to Supernatural Crimes for reasons of my own, but Scanlon kept working murders, and he's a Detective First now.
  The crime scene was the alley behind Tim Riley's Bar and Grill, and by the time Karl and I showed up, the routine was well under way. Nudging some rubbernecking civilians aside, I lifted the yellow crime scene tape so Karl could duck under it. Then I followed him down the alley, the smell of rotting garbage strong enough to gag a sewer rat.
  We made our way through the usual collection of the M.E.'s people, forensics techs, uniformed cops, and Homicide dicks, all of them busy or trying to look that way. Mostly they ignored us, apart from one or two hostile glances. But eventually Scanlon spotted us and came over.
  "Vic's a white male, around thirty, throat cut, bled out where we found him," he said. Scanlon's never been known to use two words when he can get by with one.
  "So why call us?" I asked him. "Sounds like a bar fight that moved out here, then went bad."
  "I thought so, too," Scanlon said. "Then I saw something. Come on."
  He led us over to where some forensics guy was taking photos of the body, his strobe flashing in the semi-darkness.
  "You about done?" Scanlon asked him.
  The guy looked up and realized he wasn't being asked a question. "Yeah, sure, all finished," he said, and backed off.
  Scanlon produced a pencil flashlight and clicked it on. The beam lingered for a moment on the throat wound that looked like a sardonic grin, then moved up to the victim's face. The dead guy had a thick head of brown hair, and some of it was combed down over his forehead. With his free hand, encased in a latex glove, Scanlon lifted the hair away so that we could see the victim's forehead clearly, and then I understood why we'd been called.
  Three symbols I'd never seen before were carved into the victim's forehead – one over the left temple, another over the right one, and a third square in the middle.
  The man in the alley wasn't just a murder victim.
  He was a sacrifice.
• • • •
  Inside the bar, Karl made the rounds of the customers while I had a word with the bartender, a pretty brunette in her mid-twenties whose nametag read "Andrea." She wore black pants on her slim hips, and a matching shirt, the cuffs folded back a couple of turns to leave her forearms bare.
  I described the vic for her and asked if she remembered serving him.
  "Yeah, sure. He was the double Scotch and water. Sat over there" – rea gestured to the right with her chin – "third stool from the end."
  "Notice anything unusual about him?"
  She glanced back toward the spot where the vic had been sitting, as if it helped her remember. "Well, he wasn't exactly killing that Scotch. When I figured out he wasn't coming back, I cleared the space. Glass was still full – he hadn't touched a drop."
  Why would somebody come into a bar, order booze, then not have any? Unless he came to do something besides drink.
  "He didn't stiff you, did he?"
  "Hell, no. He paid when I served him, just like he was supposed to. It's either that or run a tab, but I'm only supposed to run tabs for regulars." Andrea leaned closer and lowered her voice a little. "Listen, um, the guy paid with a twenty, and left his change on the bar. I didn't touch it until I was taking the glass away. By then, I figured he was either absentminded, or a hell of a good tipper. What should I, you know...?"
  "Might as well treat it like a tip and keep it," I said. "Let the guy's last act on earth be something good, even if he didn't intend it that way."
  "I like the way you think," she said. "Thanks."
  She straightened up, restoring the distance between us.
  "Do you remember him talking to anybody?" I asked her.
  "Uh-uh. He sat by himself, and I didn't see anybody come over. Only time I heard him talk was when he ordered the Scotch." She frowned. "Wait – his phone went off, once. I remember, cause the ringtone was this old Blue Oyster Cult song that I like."
  "'Don't Fear the Reaper'?"
  "Yeah, that's it. How'd you know?"
  "Lucky guess," I said. "So he got a phone call. Did you hear any of the conversation?"
  "Nah, I had customers further down. Anyway, I don't eavesdrop. I just went down his way cause I needed some ice." I saw her eyes narrow.
  "What?"
  "Nothing, I guess. But it wasn't long after the call that I noticed his chair was empty. At first, I just figured he went to the john."
  I glanced down and saw that the inside of her right arm was covered with thin scars running in all directions. I looked up before Andrea caught me staring.
  So she was a cutter. She fit the profile – it's almost always young women who feel the need to wound themselves in that particular way, over and over. Some of them do it so they can stop feeling whatever's gnawing at them. Others do it in the hope of feeling something, anything at all.
  I thanked her for the information and got up from the bar stool. Mentioning the scars wasn't going to do anything except embarrass Andrea. I wanted to think that she'd gotten help someplace and put it all behind her, but I knew better. A couple of those cuts were as fresh as yesterday's tears.
  We've all got our demons. And most of them can't be exorcised with a razor blade – even for a little while.
 
Karl and I walked back to our car, which we'd had to park half a block away. The bars were closed now, and the streets had grown quiet. Some tendrils of fog from the Lackawanna River were wrapping themselves around the trees and lamp posts.
  "Since I came up with zip from the customers, that phone call of yours is about the only lead we've got, unless forensics finds something," Karl said.
  "The CSI guys? Hell, they'll probably crack the case tomorrow. Don't you watch TV?"
  "Well, just in case they don't, I hope one of the phone companies will tell us who called the vic tonight."
  "That would be nice," I said. "Not as good as the perp confessing on the front page of the Times-Tribune tomorrow, but still not bad."
  "Is your buddy gonna send us a copy of the autopsy report?"
  "Yeah, along with the crime scene pictures, for all the good they'll do."
  "It was no bar fight, that's for sure," Karl said. "Hell, I knew that, soon as I got a look at the vic's wound."
  "How do you mean?"
  "Guy's throat was sliced, haina?" Karl said.
  "Yeah, so?"
  "So in any kind of a fight, guy uses a knife, you're gonna have stab wounds as the COD. Maybe some defensive cuts around the hands and arms, but the real damage comes from punctures." Karl kicked an empty soda can and sent it clanging into the gutter. "This was no fight, this was pre-fucking-meditated murder."
  "Could've been a mugging," I said. "Guy comes up behind the vic, knife to his throat, says, 'Give it up, motherfucker.' The vic struggles, maybe gets in a good kick backward or something. Then the perp panics, bears down too hard with the blade, the vic tries to pull away, and it's good night, sweet prince."
  "Yeah. But," Karl said.
  "'But' is right. We've got that artwork carved into his forehead."
  "You ever come across anything like those–" Karl stopped talking suddenly, and a moment later I realized why.
  Somebody was leaning against our car.
  The man was just a lean silhouette, until he turned his head a little and let the streetlight's glare fall on his face.
  It was Vollman.
 
"You were summoned tonight to the scene of a crime," Vollman said. "A murder, in fact."
  "How the hell did you know that?" Karl asked him.
  Vollman gave one of his narrow smiles. "I have my resources," he said. "Perhaps, in this instance, something as mundane as a scanner that picks up police radio broadcasts."
  "You seem to know why we're here, Vollman," I said. "But that doesn't explain why you are."
  "I assume the murder had one or more... occult... elements, or you gentlemen would not have been called to view the aftermath," Vollman said.
  "Yeah. So?" I took a long breath, made myself a little calmer. Vollman was a fucking bloodsucker, but for the moment, we needed him. The minute we didn't...
  "May I ask what those elements were?" He was a polite leech, I'll give him that.
  I took another one of those long breaths, then looked at Karl, who shrugged, "Why not?"
  "The victim had some esoteric symbols carved into his forehead," I said. "Three of them. Could be occult-related, although they don't fit in with any system of magic that I ever heard of."
  Even in the half-light, with the fog getting thicker, I could see something cross Vollman's lean face. I wondered what it was. After a long pause he asked, "Can you describe them?"
  "I can do better than that," I said, reaching for my notebook. "I drew them."
  I showed Vollman my version of the marks from the victim's brow. He looked at them as if he was trying to burn the images into his memory.
  "These drawings are accurate?" he asked.
  "Pretty close," I said. "I should have photos to check them against in a day or two, if it matters.
  There wasn't enough light to use my phone camera."
  "You recognize them?" Karl asked.
  "Not precisely, no," Vollman said, without taking his eyes off the paper. "They are very old in origin, I think. Sumerian, or possibly Babylonian. I have some books that I can consult."
  "And if you find something, you're going to let us know, right? Since we've been so open with you about this case and everything," I said.
  "Of course," Vollman said. "But in the meantime, Sergeant, may I offer a suggestion?"
  As if I could fucking stop you. "What?"
  "Ask whoever conducts the autopsy to look closely at the throat wound, with special attention to any trace elements that may be found there. It is very important, I think, to know exactly what was used to inflict the fatal cut."
  "What was used?" Karl said. "Shit, that oughta be obvious. It was a knife, and a damn sharp one, too. Or a straight razor, maybe."
  Vollman nodded. "I expect you are correct, Detective. But a crucial point is the material that the blade was made of."
  "Why's that so important?" I asked him.
  "The answer to that depends on what you find out," Vollman said with another one of his toothless smiles. Didn't want to display his fangs, I guess.
  The smile didn't last long. "I will be, as you say, in touch."
  Vollman took a couple of steps back, the fog and darkness making his form indistinct.
  "I need you to do better than–" I began, then stopped. "Vollman? Vollman!"
  He was gone, the stagy old bastard.
  Karl summarized my feelings very well. "Fucking vamps," he said.
 
The autopsy report only took twenty-four hours or so, which was almost as big a miracle as the one that followed "Lazarus, come forth!" It informed us that the victim died of "exsanguination following a single deep, narrow laceration that severed carotid artery, windpipe, and jugular vein, with aspirated blood as a contributing factor."
  In other words, somebody cut the guy's throat, and he bled out and died, inhaling some of his own blood in the process. Big surprise.
  The tissue analysis of the wound area took another couple of days. Would've been longer, but the Homicide guys had put pressure on the lab. Good thing, too, or we might have had to wait a week or more for the results. Nobody rushes stuff for the Supe Squad.
  Homicide was treating this as their case. For the time being, we were letting them think it was. But we still got copies of all the paperwork. Scanlon saw to that.
 
"Silver?" Lieutenant McGuire stared at the top sheet of the lab report I'd just dropped on his desk. "They're sure?"
  "Sure as the lab is likely to be," I said. In the chair beside me, I heard Karl give a quiet snort of laughter. He was probably thinking about some of the notable fuckups the lab had made in the past.
  "I could have a sample sent to the FBI in Washington," I said, with a straight face. "They've got better facilities, as they're always reminding us."
  "Sure," McGuire said. "And the results might even come back before I collect my pension. But I doubt it."
  He was right. When it comes to requests from local law enforcement, the FBI lab could make a glacier look speedy.
  "You didn't get to the good part yet," I told McGuire. "Keep reading."
  He gave me a look, then returned to the lab report. McGuire's a fast reader, and I wondered how long it would take him to get to the punch line.
  One Mississippi, two Mississippi, three Mississippi, four–
  "A vamp? The vic's a fucking vampire?"
  I was about to say something stupid like "Yeah, where do we send the medal?" when Karl piped up with, "Must be, boss. It's pretty hard to fuck that up, once you know what to look for. There's, I think, nine different tests they can do."
  We both looked at him. He shrugged and said, "I read a lot, okay?"
  McGuire sat back in his chair, frowning. "Why would somebody use a silver-coated knife to off a vampire? There's plenty of easier ways to do it."
  "Beats the shit out of me," I said. "But Vollman thought we might find something interesting in the wound. That's why I requested the tissue analysis."
  "Who's Vollman?" McGuire asked. "Oh, right – your informant, I remember now. Maybe you better ask Mr Vollman why he thought the laceration would have unusual material in it."
  "I'd love to," I told him. "But I don't know how to contact the bloodsucker."
  McGuire raised his eyebrows at that, then lowered them in a first-class glare that included both Karl and me.
  "The old bastard wouldn't give us his contact information," Karl said. "Said he'd get in touch with us, instead."
  McGuire shook his head in disgust. "Then you two clowns had damn well better hope–"
  "Excuse me, Lieutenant?" Louise the Tease had appeared in McGuire's door. "I'm sorry to interrupt, but there's a man here to see the detectives." Louise looked at me. "It's the one who was here before – Vollman."
  I thought that kind of timing only happens on TV, but maybe Karl and I were having a change in our luck. And about time, too.
  We excused ourselves and got out of his office before the lieutenant could finish cutting each of us a brand new asshole.
 
"Silver," Vollman said thoughtfully, after I'd told him about the lab report. "I thought it might be some such."
  "And you thought that why, exactly?" I asked.
  "Has the knife itself been found?" Vollman asked, instead of answering my question.
  "Not so far," Karl told him. "Homicide had uniforms searching a five-block radius. They checked all the usual places where somebody would dump something – sewer grates, dumpsters, trash cans, like that. Nada."
  "Look," I said. "We both know you don't need a silver-plated knife to kill a vampire, although it seems to do the job pretty well. So the silver must have some other purpose."
  "A ritualistic purpose. Gotta be," Karl said.
  "And you knew it," I said. "That's why you told us to check for foreign substances in the wound. I want to know what you know about this, Vollman."
  The vampire/wizard looked at his hands for a long moment. They had long, thin fingers and the skin was free of the brown spots you associate with old folks. Guess vamps don't have liver problems. And for them, sun damage is never an issue – except when it's terminal.
  "I know little," he said finally. "But I suspect much, and fear even more."
  I slammed my open hand down on my desk. "Why don't you cut out the cryptic bullshit and tell us something straight out, just for a change?"
  Vollman raised his head and looked at me. He didn't seem to change expression, but I was suddenly very aware that I was sitting opposite a five hundred year-old monster who's probably killed more people than I've had meals.
  But I've faced down creatures as scary as Vollman before. I didn't blink or look away. I wan't afraid of him – or so I told myself.
  The old man held my gaze, then nodded, as if he had just confirmed something. "Very well, Sergeant. But what I know does not, regrettably, amount to a great deal."
  Vollman settled himself in his chair before going on. "The symbols you showed me were, in fact, from the language of ancient Sumeria. They do not constitute a word, but rather seem to form the first three letters of the name of an ancient god."
  "What god?" Karl asked him.
  Vollman looked uneasy for the first time since I had met him. "I would prefer not to say the name aloud. This is a powerful and quite malevolent deity. It probably makes no difference whether its name is spoken, but I have learned something of prudence in my long life."
  I knew what he meant. There are some names it's better not to say out loud, if you don't have to. Speaking of the devil doesn't necessarily make him appear – but it might.
  "All right," I said. "Would you be willing to write it down for us, instead?"
  "Yes," he said. "That I am prepared to do."
  I found a pad in one of my desk drawers and handed it to Vollman, along with a pen. After a moment's hesitation, he wrote something on the pad and passed it back to me.
  He had written the word "Sakosh."
 
It meant nothing to me. I showed the pad to Karl, who glanced at the name, looked back at me, and shrugged. He'd never heard of it, either.
  I tossed the pad on my desk. "So, somebody killed a vampire last night with a silver blade, then carved the name of some old Sumerian god on the guy's forehead. What's this got to do with the Opus Mago and George Kulick?"
  "Perhaps nothing," Vollman said. "But I hold very little faith in coincidence."
  "Me, too," I said. "So?"
  "So, the man in the alley was clearly a sacrifice, yes?"
  "Fair assumption," I said.
  "A sacrifice is used in magic to give power to a spell or incantation."
  "Right."
  "Most magical rituals that involve sacrifice call for the death of an animal. The sacrifice of a human being is used only in the blackest of the black arts, when some great evil is being contemplated."
  "Agreed."
  Vollman looked at Karl, then back at me. "Then ask yourselves this question, which has been haunting me for the last several nights: how monstrous must a spell be that requires the sacrifice of a vampire?"
 
There was a silence that Vollman finally broke by saying, "And remember the Opus Mago is a forbidden book precisely because it contains spells to be used for invoking the most potent of the dark forces, which are precisely the kind of powers that would require such an... extreme... sacrifice."
  "So your theory," Karl said, "is that whoever stole the Opus Mago plans to carry out one of those blacker than-black rituals, and that the guy who got his throat cut is supposed to kick-start the process."
  Vollman nodded. "That is the conclusion that I have reached, based on the available information."
  Karl's chair creaked as he leaned forward. "So how do we find the guy who's doing this shit?"
  "If I knew that…" Vollman shrugged instead of finishing the sentence.
  "If you knew that, you wouldn't need us," I said. "That's the most honest thing you've ever said to us, even if you didn't really say it."
  Vollman didn't respond to my dig. Istead, he asked politely, "Have your police colleagues produced any useful leads in the case of George Kulick?"
  "Not a damn thing," I said. "No witnesses, no murder weapon, and the forensics stuff is pretty much useless."
  "They found some stray hairs on the corpse," Karl said, "but whether they come from the perp or from the vic's girlfriend, or his mother, or whoever, we don't know. And a DNA match won't work until they have a suspect to match it to."
  "I was just remembering something you said the other day," I told Vollman. "Whoever would mess around with the Opus Mago would have to be a wizard of 'supreme arrogance,' or something like that. I had the impression that you believe most practitioners of the Art wouldn't be caught dead with that book, so to speak."
  "You are correct," Vollman said. "Even I have not read it – apart from a quick perusal, to verify its authenticity."
  "You wouldn't read it," Karl said. "Okay, who would?"
  Vollman raised his hands a few inches before dropping them back in his lap. "I have no idea."
  "But among the local supes you're the man," Karl said. "You told us so yourself. So you ought to know which of the practitioners would have the stones to try a spell from this book."
  "I ought to know, yes, and I do," Vollman said. "The answer to your question is, 'no one.'"
  "None of the local wizards, witches, sorcerers, or wannabees would give it a try? You're sure?" Karl was like a terrier with a rat. He gets that way sometimes.
  "Quite certain. The person in this area with the greatest chance of surviving such an attempt is, frankly, myself. And I would not venture such insanity."
  "So it's an outsider," I said. "Somebody who came here for the express purpose of stealing the Opus Mago and making use of it."
  Vollman thought about that for a while, or pretended to. Finally, he said, "You must be correct, Sergeant. I can think of no other explanation."
  "Why here?" Karl asked. "Why Scranton?"
  "Remember, there are only four copies of the Opus Mago known to remain in existence, Detective," Vollman said. "Kulick was the guardian of one of them. There were only so many places the thief could strike."
  "Where are the other three?" I asked him.
  Vollman counted them off slowly on his fingers as he spoke. "One is in London," he said, "in a secure vault at the British Museum. Another is in Cologne, Germany. The third is held in Johannesburg, South Africa. And the fourth is – was – here."
  "Are the other three copies still where they're supposed to be?" I was wondering whether Scranton was the thief's first stop, or his last.
  "I have made inquiries within the last few days," Vollman said. "Yes, all three are still in place." He held up a hand, palm toward me, for a moment. "And if I may anticipate your next question, no attempts have been made to steal the other copies."
  "So, whoever it was wanted the book, he picked Scranton as the best place to rip it off," Karl said. "Maybe because he heard the Opus Mago was guarded by just one guy and a dinky little floor safe."
  Vollman stirred in his chair a little, as if the accusation in Karl's voice had made him uncomfortable.
  "He came here for the book, then stuck around," Karl went on. "Why would he do that?"
  "Perhaps he is in a hurry," Vollman said. "He wants to waste no time in putting one of the spells into practice."
  "It would be good if we knew what ll was," I said to Karl. "Might give us a better idea of what we're dealing with."
  I turned to Vollman. "We know about the silver knife, and about the name of–" I stopped, and tapped the pad on my desk, where he had written the ancient god's name. "–this guy here. Is that enough to go on, for somebody to look in one of the other copies and work backwards?"
  Vollman sat there for a while, frowning. Then he said, "I can ask. You understand, I have no authority over those people. But if I explain what is at stake here, it may be that one of the other caretakers can be persuaded to search through his copy of the Opus Mago. Perhaps, given what we know, he can determine the exact nature of the spell that is being undertaken by this lunatic, whoever he may be."
  "Or 'she,'" Karl said.
  Vollman dipped his head in acknowledgment. "Or she."
  "If you can do that right away, it would be a very good thing," I said. "And in the meantime, Detective Renfer and I will talk to some of our contacts in the supernatural community."
  Vollman looked at me. "To what end?"
  "To see if there's a new wizard in town."
 
In Scranton, there's no shortage of what my mom used to call beer gardens. There are straight bars and supe bars. That doesn't mean a supe can't walk into any joint in town for a beer (or a Bloody Mary – with or without real blood), assuming he's of age and has the money to pay for it. Discrimination's against the law. Anyway, no bartender's going to refuse to serve somebody who might come back during the next full moon and tear his throat out.
  But most supes prefer the company of their own, and the biggest supe bar in town is Renfield's on Wyoming Avenue. I'd been there plenty of times before.
  The place was busy when Karl and I walked in a little after 3am. Supe bars usually stay open all night and close at dawn, for obvious reasons.
  You'd think we might get a hostile reception in a place like that, but you'd be wrong. Cops on the Supe Squad spend as much time investigating crimes committed against supes as we do on crimes with a supe perpetrator, and the supe community knows that. If a cop is fair in his dealings with them, the supes remember.
  And if he's not fair, they remember that, too.
  I try to be fair, even when dealing with vamps. You can't let your personal views get in the way of your work – it's not professional. And I'm always professional. Well, almost always.
 
We got nods of welcome from a couple of ogres sitting in a corner, and a quiet wave from a werewolf we knew. The rest of the customers ignored us, or pretended to.
  Elvira was tending bar, like she usually does on weeknights. That's not her real name, of course. But she's tricked out like that vamp wannabe who got famous hosting bad horror movies on TV. Why an attractive human would want to look like a vamp is beyond me, but I guess a girl's gotta make a living. Like the original, our Elvira's got boobs big enough to look good in the low-slung dress that's part of the get-up, and I bet that cleavage of hers is good for a lot of tips.
  When she slinked over, I ordered a ginger ale for myself and a seltzer for Karl. That thing about no booze on the job may be a cliché, but it's also a rule.
  Besides, if I was going to drink, I wouldn't do it in a supe bar, despite my good relations with most of the locals. There's always the chance that I'd get careless and have one too many.
  A circus animal trainer may get along pretty well with the lions, tigers, and leopards in his act, but he'd be a fool to turn hs back on them.
  Elvira was back within a minute. She placed our drinks in front of us, and I dropped a twenty on the bar. As she reached for it, I placed my hand on top of hers. Nothing painful – I just wanted to get her attention.
  She looked at me through all the mascara and eyeliner that surrounded her baby blues. "What?"
  "Seen any new faces, the last week or so?"
  She wrinkled her forehead in thought. "Gosh, no, I don't think so. You guys lookin' for somebody in particular?"
  I nodded. "A practitioner, gender unknown. New in town, and a real heavy hitter."
  "I haven't heard about anybody like that, Stan," Elvira said. "Honest."
  "Put the word out, will you?" I said. "Quiet, no drama. But make it clear that if anybody can give me a line on this new spellcaster, I'd owe them a heck of a big favor."
  Yeah, I really said "heck". I'm no Boy Scout, but it's not smart to say words like "hell" in a supe bar. You never know what might be listening.
  Elvira promised to let her customers know that I was in the market for information, and I told her to keep the change from my twenty.
  I turned around and leaned my back against the bar. It was the signal that I was open for business, if anybody had any. I've found it's better to let supes approach me, rather than the other way around. Some of them spook easy, you might say.
  Off to my left, Karl was deep in conversation with the LeFay sisters, a couple of young witches from up the line in Dickson City. He could have been asking about our wizard, or trying to set up a threesome for later. Either way, it didn't look like he was having much luck.
 
A few minutes later, I realized that Barney Ghougle had slipped onto the stool to my right. I hadn't seen him approach, but then nobody beats a ghoul for sneaky.
  Everybody calls him Barney Ghougle, even him. His real name is something unpronounceable, except by another ghoul. Barney looks kind of like Peter Lorre used to, back when he was a young actor making films in Germany – like M, where Lorre played a degenerate child murderer. The resemblance ends there, though. I'm sure Barney would never hurt a kid.
  Which doesn't necessarily mean he wouldn't eat one, if it was already dead.
  I nodded in his direction. "Hey, Barney."
  "Sergeant," he said in that raspy voice of his. "And how are you this fine evening?"
  Even from several feet away, his halitosis made my nose wrinkle. Ghouls have the absolute worst breath in the world.
  "I'm a little frustrated, to tell you the truth," I said.
  "Indeed?" He took a sip of what looked like a double bourbon on the rocks. "Perhaps I might be able to assist you in some way, if I knew the cause of your distress."
  Barney talks like that because he's a mortician, and I guess somber formality helps when you're dealing with the grieving. I hear that his funeral home is pretty successful, but I'd never do business with him. I like my relatives to be buried with all their parts intact.
  "Maybe you can help," I said. "I'm trying to get a line on a practitioner."
  He nodded sympathetically. "There are so many," he said. "And yet I would have thought you knew them all. The local ones, at least."
  "That's just it," I told him. "This one might not be local. He, or maybe she, could be new in town, say within the last week or two. Somebody who's major league, or thinks he is. The kind who takes on the really hard spells."
  I turned and looked at him. "Sounds like there might be a 'but' lurking in there someplace."
  "How well you know me," he said with a tiny smile. "I was, in fact, about to say that I may have heard something about a new arrival to our fair city, a visitor who would seem to fit your description."
  He didn't say anything else. The silence between us dragged on for a while.
  "All right," I said with a sigh. "What do you need?"
  Barney took another sip of his drink before answering. "My brother," he said, not looking at me.
  "Algernon? Don't tell me he's been busted again."
  The little ghoul nodded glumly.
  "Same thing?" I asked. "Indecent exposure?"
  Another nod. "It is really most embarrassing," he said.
  I knew he meant it. Among ghouls, eating the flesh of the recently dead was no big deal, but having a relative who likes to wave his weenie around in front of the living is a scandal. Especially if he keeps getting caught.
  "Who filed the complaint?" I asked. "Do you know?"
  He nodded slowly. "Some woman in Nay Aug Park. I gather she was on a bench, tossing peanuts to the squirrels, when Algernon approached her and asked if she'd like to see some real…" He let his voice fade out, with a despairing gesture.
  "I'll find out who she is," I told him. "See if maybe I can persuade her to change her mind about pressing charges. You may have to part with a few bucks to make her happy."
  "Which I would do, gladly," Barney said. "Thank you."
  "You're welcome. Now, about that spellcaster..."
  "Yes, of course." He gestured with his chin toward a table in one corner of the room. "It was there, in fact, that I learned what I am about to tell you. A week ago it was, or a little longer. While waiting for a friend to join me, I noticed that two of our local wizards were conversing at a nearby table. I'm afraid I may have eavesdropped."
  I didn't doubt it for a minute. Most ghouls are incredible busybodies. That's why they make such good sources for information.
  "And what did you hear?" I asked.
  "One was saying that he had recently encountered a man downtown, bumped into him quite literally. Someone whom he had known years ago and who has since achieved quite a formidable reputation for the use of black magic. But when greeted, the man apparently said something along the lines of 'You must be mistaken,' and walked away, quite brusquely."
  "Mistaken identity, maybe," I said. "It happens, you know."
  "Truly it does," Barney said. "But the one recounting this tale said he was absolutely certain that the fellow was the one he'd known, especially after he'd heard the man speak. Apparently he has a rather distinct Irish accent."
  "A name," I said. "Please tell me that you got a name for this guy."
  "In point of fact, I did," Barney said. "Whether it's a first name or last I can't say, but the practitioner I overheard referred to him as Sligo."
 
The morning sun was bright, but inside this windowless place natural light never entered. It was probably too embarrassed. The cheap fluorescents in the ceiling gave off a sickly blue-white glow that made the people – Homicide dicks, forensics techs, uniforms, the rest of them – look like overflow from a zombig for a frion.
  I pushed aside a couple of inflatable love dolls that were hanging from the ceiling and leaned over the counter to take a look at the guy who was lying on the floor. He stared back at me, the way corpses usually do. If I'm lucky, that's all they do.
  In life he'd apparently been in his early twenties, with longish blond hair and a bad complexion. There was blood on the garish Hawaiian shirt that was unbuttoned to his navel, and more of it pooled under the body.
  "Name's Peter Willbrand," one of the uniforms said to me. "Worked the counter last night, was supposed to've closed up at ten. The day guy found him when he opened up this morning, a little before nine."
  I'd been home for about three hours, and asleep for two, when the phone rang with the news that had brought me here to Fantasy Land, a depressing little shithole around the corner from the city bus station. Adult Books and Videos, the sign on the door said. Marital Aids, it said below that. Further down, Individual Viewing Booths, was followed by Supe-Friendly.
  Taped to the counter was a small poster that somebody had made on a PC, advertising what was playing in the jerk-off booths this week. In addition to the usual stuff, I noticed Ogre Gangbang 3, Werewolves Gone Wild, and something called The VILF Next Door. Guess that's what the sign outside meant by "Supe-Friendly."
  The coroner's guy on the scene was Homer Jordan, who went to Penn State on a football scholarship and still has the linebacker's shoulders to prove it. "So, how long's the corpus been delicti?" I asked him.
  "At least three hours, no more than eight. I might have a better idea after I post him."
  "Or not," I said.
  "Or not," he said with a little smile. Figuring precise time of death is a bitch for pathologists, always has been. But cops keep asking.
  "How about COD?" I asked.
  "Gunshot wound to the heart. That's officially preliminary, but, hell, Stan, you know what a bullet wound looks like, same as I do. That's what killed him."
  Fantasy Land had a string of small bells tied just above the door on the inside, probably so none of the pervs could sneak out without paying for their copies of Kiss My Whip Magazine. I heard the jangling and turned to see Karl come in, looking about as grumpy as I felt. Guess the thing with the LeFay sisters hadn't worked out.
  Or maybe it had, and that's why he was so pissed to be up early.
  Karl took his time walking over, sourly taking in the racks of magazines and paperbacks, the BluRay discs and DVDs, and the glass cases displaying every kind of vibrator, dildo, and butt plug known to man – or woman. As he got closer, I saw him looking at the poster for this week's porn videos. "What's a VILF?"
"Means Vampire I'd Like to Fang," I said.
  "I didn't think places like this existed anymore," Karl said. "What with all the Internet porn, online sex shops, stuff like that."
  "Not everybody's as good at finding smut on the Web as you are," I said. I batted the foot of an inflated love doll and set it swinging gently. "Besides," I said, "what Internet site is gonna be able to provide a guy with one of these honeys? On short notice, I mean."
  "Yeah, and speaking of short notice, what the fuck are we doing here, anyway?"
  I pointed to my left. "Over there," I said.
  Karl bent over the counter, looked at Peter Willbrand's corpse for a few seconds, then came back. "Okay, that's why Homicide's here," he said. "But why us?"
  "Good questi. I was wondering, myself." I looked over at Homer, who didn't bother to conceal the fact that he'd been listening. "You know anything about that?" I asked.
  "I've got no idea who called you guys, but I think I know where the impulse must've come from. Here, check this out."
  Homer eased behind the counter, careful not to step in the blood pool. He produced a pair of tweezers, bent over the dead guy, and carefully pulled back the collar of his gaudy shirt.
  There were three symbols carved into the corpse's nearly hairless chest.
  I didn't recognize them, but the alphabet looked like something I'd seen before.
  Karl and I looked at each other for a couple of seconds, then I pulled out my notepad and started carefully copying the stuff down.
  When I was done, I turned to Homer. "You've got photos of this, right?"
  "Course I do," he said. "I assume you want copies?"
  "You assume right, Homes." Homer likes it when I call him that – makes him feel like he's hanging with the cool kids.
  Homer watched as I put the notepad away, then asked, "What's that stuff on his chest say? Do you know?"
  "Uh-uh," I said, shaking my head. "But I'm pretty sure I know what it means."
  "Well, what?"
  "Trouble."
  Homer grinned with delight. "Damn, I love that kind of talk."
  "I know you do," I told him. "But do me a favor, will you? Peel back the vic's upper lip for a second."
  He gave me a strange look, but didn't ask any questions. Pulling out the tweezers again, he bent over the corpse, got a grip on the thin flap of flesh below the victim's nose, and lifted it up.
  All three of us stared at what Homer had uncovered, but Karl was the first one to speak. "Sonofabitch. Fangs."
 
By the time I finally got home from the crime scene, I was able to grab only three more hours of sleep. Then it was time to get up again, shower, eat, feed Quincey (my hamster, who's named after a hero of mine), and head back to the squad for the start of my regular shift.
  My email messages included one from Homer, who'd managed to do the autopsy on our vic right away. Must have been a slow day at the morgue.
  Stan:
  You owe me lunch, man (and not at Mickey Dee's, either) – I was planning to play golf this afternoon, not cut up a dead vamp for the Supe Squad.
  Okay: to the surprise of nobody, Mr Willbrand's death was caused by a single gunshot, bullet penetrating the left ventricle of the heart and lodging therein. Death was instantaneous, or near enough as makes no difference. I got the round out, more or less intact. It's a .38, but here's the weird thing: sucker looks like it's made of charcoal. That's right, something you'd use in your BBQ grill, except a lot smaller. I've sent it to the lab, and you'll get a chemical analysis from them, eventually. But I'll bet my next paycheck that I'm right.
  I've heard of silver bullets – and I bet you know more about that stuff than I would. But charcoal? What the fuck is up with that?
  Love & kisses,
  Homer
 
By the time I was finished, Karl was reading over my shoulder. "He asks a pretty good question there, near the end."
  "Sure does." I clicked the mouse a couple of times to add a copy of Homer's message to the case file. "Sts, sure. Even gold, a couple of times. Wasn't there a guy in some old James Bond movie that was known for using gold bullets?"
  "Francisco 'Pistols' Scaramanga," Karl said immediately. "The Man with the Golden Gun, 1974. Christopher Lee played him. Based on the last of the Bond novels that Ian Fleming wrote, before those other hacks started doing them. Movie was okay, but the book kind of sucked. Fleming was just going through the motions by then, rehashed a lot of stuff he'd done already. He died soon after."
  Karl is the biggest James Bond nut I've ever met, or even heard of. He's got the books, the DVDs, soundtrack albums, movie posters, and even – as he once admitted, after swearing me to secrecy – the complete set of 007 action figures.
  I'd only asked the James Bond question to postpone dealing with the fact that we probably had some kind of nut/wizard/serial killer operating in town, using each murder as an ingredient in some kind of elaborate spell to accomplish a goal that I couldn't even imagine.
  I was about to say as much when my email pinged, announcing a new message. I checked the address, to see whether it was worth reading.
  The message had come from Vollmanex@aol.com.
  Son of a bitch.
 
I understand there has been another killing that seems relevant to our matter of mutual concern. Is my information correct?
  Vollman.
  "Wonder how he knew we'd be here?" Karl asked.
  "The old bastard seems to know everything – except how we're gonna clear this case," I said.
  I clicked "Reply," typed "You bet it is," and sent it.
  Less than a minute later I was reading, Do you have AOL Instant Messenger, or something similar? If so, what is your screen name?
  "Why do I feel weird about doing IM with a vampire?" I said out loud. "I mean, what would Dracula say about this shit?"
  "Probably, 'I vant to haf a chaaat vith you... in real time,'" Karl said, doing a pretty fair Bela Lugosi.
  I sent Vollman my AOL identification. After a few seconds, the computer made that annoying zziiiing sound, and a chat window opened.
  Inside the window was "VollWiz: Are we connected?" The rest of the conversation (if you can call it that) went like this:
  Supecop1: Yes, I'm here.
  VollWiz: Does this latest murder bear similarities to the first one?
  Supecop1: Some. There was cryptic stuff carved into the victim's chest.
  VollWiz: The same as last time?
  Supecop1: No, different symbols. Looks like the same alphabet, though.
  Vollwiz: Can you send me a copy?
  Supecop1: My keyboard doesn't have the symbols. I doubt they make a keyboard that does. 
  About half a minute went by. Then:
  Vollwiz: Do you have a text scanner available?
  I knew what Vollman was getting at, and it annoyed me that I hadn't thought of it myself.
  I pulled my notebook out and found the page where I'd copied the message found on Willbrand's corpse. Handing it to Karl, I said, "Do me a favor and run the scanner over this, will you? Put it on a thumb drive for me."
  "Right," he said, took the notebook, and headed out room. I turned back to the keyboard and typed:
  Supecop1: I should be sending that to you shortly.
  VollWiz: Very well. Now, as to cause of death: I have heard it was a gunshot. Can you confirm that?
  Supecop1: Where do you get your information, anyway?
  Vollwiz: Please, Sergeant – let us not waste each other's time.
  I stared at the screen while trying hard to keep control of myself. I didn't have to take shit like that from some bloodsucker, even if he was also a wizard.
  By the same token, telling Vollman to go fuck himself wasn't going to get these cases cleared.
  It would sure be fun, though.
  I took in a deep breath, and let it out slow.
  Supecop1: Yeah, he died of a gunshot wound. If you know that, I guess you know he was one of you... people.
  Vollwiz: If you mean he was undead, yes, I was aware of that. May I assume that the bullet that killed him was silver?
  Supecop1: No, you may not. Lab report says the slug was made of charcoal. It's like he was trying to barbecue the guy from inside. You ever hear of that?
  Vollwiz: In fact, I believe I have.
  Supecop1: I thought I was pretty well up on the ways to kill a vampire.
  At the last second, I'd added "ire" to that last word. Some vamps don't like being called vamps.
  Vollwiz: I'm sure you are, Sergeant. And this method of murder is not inconsistent with the knowledge you possess. Consider: what IS charcoal, anyway?
  I figured out what he was getting at in about three seconds, then spent another ten feeling stupid.
  Supecop1: Charcoal's super-compressed wood, isn't it? Wood – as in wooden stakes.
  Vollwiz: Exactly. It is an uncommon method to kill one of my kind, but effective. As you have seen yourself.
  Supecop1: Yeah, I guess I have.
  Vollwiz: Have there been any other developments in the case?
  Supecop1: Yeah. I may have a name for the perp. I guess you could call that a new development. It's hard to be sarcastic online. Unfortunately.
  Vollwiz: Indeed? That is most interesting. Congratulations.
  Supecop1: Don't pop any corks just yet. There's no way to know for sure whether it's our guy, but I like him for it. From what I hear, he's: 1. a wizard. 2. new in town. 3. acting secretive – pretending to be somebody else, etc.
  Vollwiz: I agree, he sounds like a promising candidate. What is his name?
  Supecop1: Calls himself Sligo.
  No response. I watched the empty screen for a while, then typed:
  Supecop1: You still there?
  Still no answer. I was starting to wonder whether the connection had been broken, when this appeared:
  Vollwiz: Are you absolutely certain?
  Supecop1: Certain that's the guy? Hell, no. Certain that's what my informant told me? Yeah, I'm sure, since I don't have wax in my ears, oranything.
  Karl appeared over my shoulder, holding a thumb drive. I attached it to the computer, downloaded the file, then sent it to Vollman's email address as an attachment.
  Supecop1: I just sent the file with the symbols I copied from our latest vic. It's pretty accurate, I think.
  I waited. Nothing, for maybe two minutes, then this appeared:
  VollWiz: I will be in touch with you later. 
  Then the chat connection was broken.
 
"Motherfucker," I heard Karl mutter from behind me.
  "Yeah, I know," I said. "But at least he's given us a way to find out where he hangs his cloak, and that's something we've been wanting to know."
  I looked up the customer service number for AOL and called them. It took the better part of an hour to find a supervisor with the authority to look up a customer's mailing address, and to convince her that I had the authority to ask for it.
  Finally, I heard her say, "Very well, Sergeant. What is the email address you have?"
  "It's V-o-l-l-m-a-n-e-x at aol.com."
  I heard her keyboard clacking in the background. Then silence. Then more clacking, followed by another stretch of silence.
  "I'm sorry, Sergeant," the supervisor said, "but we have no account listed under that address."
  "Has it been cancelled recently? Say, within the last hour or so?"
  "No, sir. We have never had an account under that name. It simply doesn't exist."
 
I hung up the phone and said to Karl, "Fuck Vollman and the hearse he rode in on. I'm getting tired of that old bastard and the way he keeps jerking us around. It's time we started acting like goddamn detectives, for a change."
  "Sounds good to me," Karl said. "You got any particular kind of detecting in mind?"
  "Yeah, I do. Sligo, or whoever the perp is, has offed two guys so far, right? Why those two? Were they picked at random, or–"
  "Or is there a common factor?" Karl said. "Some pattern he's following."
  "Exactly. Why don't you get on that, see if you can find anything about the vics that stands out."
  "Okay. What are you gonna be doing?"
  "See if I can find out more about this forbidden book," I told him. "Vollman said there were only four copies in existence. Let's see if he was right."
  Karl went over to his own desk, and I turned back to my computer and brought up Google. I typed in Opus and Mago and clicked "Search."
  A few seconds later I was looking at the first hundred of my 28,343 hits. A lot of them involved classical music, although several seemed to refer to some penguin in a comic strip.
  Realizing where I went wrong, I went back to the search screen. This time, I put quotation marks around Opus Mago so the search engine would read it as a phrase.
  Eight hits. That was more like it.
  Seven of the references were duds. Five of them lumped the Opus Mago in with fictional works like the Necronomicon, the Lemegeton of Solomon, and the Grimorium Verum. Shows what they know. Two other hits brought me to bogus black magic sites, constructed by obvious wannabees who'd probably run screaming for their mothers if they ever got close to the real thing. It didn't take me long to figure out that these morons didn't know the Opus Mago from the Kama Sutra.
  The one hit left was a news item saying that a prossor at Georgetown University had translated some fragments of the Opus Mago, which the article said was one of the oldest and most obscure works in the black arts. Dr Benjamin Prescott was described as "one of the foremost authorities on the ancient grimoires." Then I read that Prescott had refused to allow his translation to be published. Anywhere. Ever.
 
Georgetown University, I found out, is a big place – especially if you're trying to find your way around by using their website. I finally learned that Professor Prescott's office was located in the Department of Theosophy, and even persuaded a campus operator to connect me to his direct line.
  That's where my luck ran out. I'd been hoping against hope that I'd find Prescott working late in his office, but all I got was an answering machine.
  I left a message saying who I was, but not what I wanted. I asked him to call me back the next night, anytime after 9:00. Then I got his email address from the campus directory, and sent him the same message that way.
  The professor could read the email at any time – whenever he felt like checking his account. And if he was one of those people who didn't do that regularly, he'd probably get my phone message tomorrow. Assuming he wasn't off on a research trip to Transylvania, or someplace.
 
The rest of the evening was typical of a night shift for the Supe Squad, if you'd want to call anything we deal with "typical."
  A ghost was haunting one of the girls' dorms at Marywood University. Marywood's coed now, but it used to bill itself as the Largest Catholic Women's College in America. Some guys at the U (a Jesuit school that used to be all-male, back in the day) used to say "Mary would if Mary could, but Mary goes to Marywood."
  I hear that Marywood girls are a little different, these days.
  A haunting isn't necessarily a big deal, but the pesky spirit was hanging around the bathrooms and ogling the young lovelies as they stepped out of the shower. Some of the girls were terrified; others were downright offended, since the ghost liked to make comments about their attributes. Not all of his observations were kindly.
  Turned out the spook was the spirit of an old guy who'd been a janitor at the school for years. He'd come back to live out some of his fantasies.
  We sent for an exorcist. Several Jesuits at the U are qualified and on call. Father Martino compelled the old guy's ghost to depart the premises, and imposed a geas on him against returning. Before he was expelled, I suggested he start haunting one of the city's strip clubs, where nobody would much care how much skin he looked at. He seemed to think that was an idea with some merit.
 
Then we got a call that a female vamp was using Influence on some of the customers at Susie B's, our local lesbian bar. A lot of vampires have powers of fascination. That "Look into my eyes" stuff you see on TV is real, although it's exaggerated – like everything else on TV. Despite what you hear, Influence can't take away somebody's free will – but a proficient vamp can weaken it quite a bit. And sometimes, that's all they need.
  Karl and I dropped in at the bar and talked to the owner, Barbara Ann, who'd called in the complaint. She wasted no time pointing out the bloodsucker among her clientele. "She's the one at the corner table sitting by herself – but she won't be alone for long," Barbara Ann said.
  We went to have a word with the young lady (who was probably neither very young nor much of a lady), ignoring the hostile glances from some of the other customers. Men aren't popular in Susie B's, and cops even less so.
  The vamp said her name entsucretia. It might even have been true – she had an old-country Italian look about her: midnight black hair, with eyes to match, pale skin, and red, red lips. Nice tits, too – for a vamp.
  I was surprised that she found it necessary to use Influence in order to get laid – here, or anyplace else. Of course, she was probably in the habit of using her beautiful mouth for more than cunnilingus. Most ladies who'll happily spend a few hours trading orgasms with another woman will draw the line when it comes to giving up a few pints of the red stuff.
  Karl and I took turns explaining to Lucretia that the law prohibits the use of Influence to secure consent for any kind of transaction, whether sexual, commercial, or vampiric.
  "I really don't know what you're talking about, officers," she said, all wide-eyed innocence. "I wouldn't do a thing like that. Now I think you should both leave." Her words seemed to echo inside my head, and Lucretia looked right at me as she said them, those coal black eyes burning into mine irresistibly...
  She must have been pretty old. Her Influence was strong. I actually felt my feet begin to move under my chair, before my will reasserted itself and made them stop. If I'd had any doubts that Miss Lucretia been using her power improperly, they'd just been staked, but good.
  I smiled at her and shook my head. "Nice try, Vampirella, but no sale."
  Our police training includes the use of deep hypnosis to make us pretty much immune to that kind of stuff, and we get boosters twice a year.
  Then, mostly to see what would happen, I said, "You know, I don't think Vollman would approve of you taking advantage of people this way. It doesn't exactly reflect well on your kind, does it?"
  Her heart-breaker's face grew very still. "You know Mr Vollman?" Lucretia asked, in a tight, quiet voice she hadn't used before.
  "Sure," Karl said, with a shrug. He'd picked up on what I was doing. "We do favors for him sometimes – and vice versa."
  "You don't want us to ask him for a favor that has your name on it, do you, honey?" I said gently.
  Lucretia shook her head stiffly. In a quick rush of words she said, "No, I'm sorry, I won't do it anymore, I have to go now, g'night."
  She stood up and quickly walked out of the place, without once glancing back in our direction.
  "Guess Vollman wasn't shitting us," Karl said, as he watched the beautiful vamp's departure. Maybe he was checking her ass for clues.
  "Nope," I said, and pushed my chair back. "Looks like he really is The Man."
• • • •
I'd been on duty less than half an hour the next night when my desk phone rang.
  "Supernatural Crimes. Sergeant Markowski."
  "Yes, Sergeant. This is Dr Benjamin Prescott from Georgetown University. I believe you've been trying to get in touch with me."
  So the professor wasn't one of those Hey-call-meBen types. Well, he had lots of company.
  "Yes, sir, I have. Thanks for getting back to me."
  "Quite all right. So, what can I do for the Scranton Police Department? I assume this has something to do with my visit. I hope there isn't a security issue that's arisen."
  There was a wheeze in Prescott's voice, as if he suffered from asthma. Maybe he was just a heavy smoker.
  "Visit?" I said. "Sorry, I don't get what you mean."
  There was a pause, then he said, "I'm speaking at the University of Scranton the day after tomorrow. It's part of the Thomas Aquina lecture series that most of the Jesuit colleges participate in." Another pause. "I gather all this is news to you?"
  "Yes, sir, it is. But I'm glad to hear you're going to be in town. It'll be easier than trying to do this over the phone."
  "Easier to do what, Sergeant?" He was starting to sound impatient.
  "To ask you some questions about the Opus Mago."
 
The silence that followed had me wondering if we'd lost the connection. Then Prescott said, "Okay, cut the bullshit. Who are you, really?"
  "I'm who I said I was, Professor."
  "Really? Seems to me that anybody can answer the phone by saying 'Supernatural Crimes.' I bet you've been doing it all day, haven't you, waiting for me to call."
  "Professor, I–"
  "What are you, a reporter? I don't talk to you people, not about that subject. Why can't you get that through your thick skulls and stop bothering me?"
  I sighed, loud enough so that he could hear it on the line. "Professor Prescott, I left my direct number on your answering machine because I figured it would be easier than making you work your way through the system. But, okay, I tell you what: let's hang up, and you get the number for the Scranton Police Department from Directory Assistance, or the city's web page. I could give it to you myself, but you'd probably think it was a trick. So, get the number, call it, then tell the switchboard you want Supernatural Crimes. That'll get you this office, and our P.A.'ll transfer your call to me when you give her my name. Think that'll ease your mind?"
  More silence. Finally, Prescott said, "I suppose that won't be necessary. But I hope you understand that I have to be careful about discussing certain aspects of my work."
  "I understand completely, sir. The Opus Mago is a pretty scary book, from what I hear. That's why I wanted to talk to you about it."
  "I assume your interest isn't… academic?"
  "No, it's not. We've had three murders that appear to be tied to the book in some way. And I'm afraid we might be due for more if I don't figure out what's going on."
  "On what basis did you conclude that the homicides you refer to have anything to do with… the book we're talking about?"
  He doesn't want to say the name out loud. Interesting.
  "The first victim had a copy of the Opus Mago in his possession. He was tortured to make him tell where the book was hidden, then killed after he gave it up."
  "My God." The wheezing in Prescott's voice was worse now.
  "The other two victims are apparently part of some kind of sacrifice connected to a spell from the book," I said. "At least, that's the theory we're working from right now."
  "And how on earth did you reach that unlikely conclusion, Sergeant?"
  "Each victim had occult symbols carved on their bodies, symbols that aren't part of any recognized system of magic. I've been told that the symbols may have been taken from the Opus Mago."
  "Told? By whom?"
  "A local guy who's acting as a... consultant on this case. His name's Vollman, Ernst Vollman."
  There was no long pause this time. The name was barely out of my mouth before Prescott said, "I'm afraid I can't help you."
  "Professor, listen, if there's–"
  "I really doubt there's any real assistance I could offer," he said. "I've only translated fragments of the book in question, and I can't see how my very limited knowdge on the subject could be of any use to you. It would just be a waste of your time – and mine."
  "Professor Prescott, I–"
  "I'm sorry, Sergeant. Goodbye."
  A second later, I was listening to a dial tone.
  I hung up and said several nasty things about Prescott under my breath. Once that was out of my system, I grabbed my Rolodex and looked up the phone number of a guy I know who's a professor at the U.
  If he didn't know the time and place of Prescott's guest lecture, he'd sure as hell know how to find out.
 
I was hoping to hear from Vollman before my shift was over. Instead, I got a call from Lacey Brennan.
  Lacey works the Supe Squad over in Wilkes-Barre, which is twelve miles away and the biggest city in the Wyoming Valley, after us. We've done a little business over the years when a case crossed jurisdictional lines – like the time when a werewolf serial killer was going around tearing up people in both her county and mine.
  Lacey's a good cop. A fine-looking woman, too, but I wasn't hot for her or anything.
  Besides, she was married.
  The first thing I heard when I picked up the phone was, "Hey, Stan, how many vamps does it take to change a light bulb?"
  "I'm fine, Lace, thanks for asking," I said. I'm used to her supe jokes by now, although they never seem to get any better. "I don't know, how many?"
  "Trick question – they can't do it. Because when it comes to changing light bulbs, vampires suck."
  "That one's a hoot, it really is. I'm cracking up, but deep inside, where it doesn't show." If I ever actually laughed at one of her jokes, I think Lacey'd be offended. "So, to what do I owe the pleasure?" I asked.
  "I hear you've got murder vics turning up with weird shit engraved on the bodies."
  "Where'd you hear that?" There's no reason to hide stuff like that from Lacey, but in this job caution becomes a habit after a while.
  "Ah, you know how the rumor mill is. Cops gossip worse than old ladies at a bake sale."
  "Well, you heard right. Two corpses, so far. We're still working on what the symbols mean."
  "Anything unusual about the CODs?"
  "Cause of death for the first one was a slit throat. The second guy was shot."
  "That doesn't exactly sound out of the ordinary, Stan," Lacey said.
  "No, but get this: the knife was apparently coated with silver, and the bullet we dug out of the other vic seems to be made of pure charcoal. Oh, and there's one thing I forgot to mention: both victims were vamps."
  "Holy fuck," she said softly. I never figured out whether Lacey swears because she wants to be considered one of the boys, or if she's just a natural guttermouth.
  "My feelings exactly," I said.
  "What about the perp – you got any leads that aren't totally worth shit?"
  "Bits and pieces, but nothing solid yet. Why?"
  "Because it looks like your perp's broadening his range. I'm pretty sure last night the motherfucker did one over here."
 
I got authorization from the lieutenant to put in some overtime the next day in the cause of inter-departmental cooperation. The chief always loves to hear about stuff like that. When my shift was over, I headed home to grab a few hours' sleep. After lunch, I'd head down the line to Wilkes-Barre, to see whether Lacey Brennan had turned up the third victim of our serial killer.
 
My headlights illuminated her for a second as I made the slow turn into the driveway, a young woman with dark hair who looked like early twenties, wearing blue jeans and a long-sleeved sweatshirt. As the lights passed over, her eyes reflected back a red glow.
  Far as I know, there's only one creature with eyes that show red in response to light. Not cat or deer or raccoon or fox – nothing in the natural world.
  Vampire.
  But even without the red reflection, I'd have known what she was.
  I parked in the right half of the two-car garage. It had come with the house – a big, weathered Cape that had been just about the right size when my family and I had lived there. But I live alone now, and the place has more space than I need. A lot more. I've thought about selling, but I've lived there a long time, and I'm used to the house and its ghosts.
  The front porch has three concrete steps leading up to it, and the vampire was sitting on the bottom one. I eased myself down next to her.
  We sat there in silence for a while, until she asked, "Aren't you going to invite me in?"
  "I... you know I can't do that."
  Her shoulders twitched in what I assumed was a shrug. "Just checking."
  We sat there some more, letting the silence grow between us. Then she said, "Damn, I wish I still smoked. It would give me something to do at times like this."
  "Guess there's no reason why you can't take it up again, if you want to."
  She made a sound that in a human might have been laughter. "Yeah, lung cancer isn't much of an issue any more, is it?" She shook her head gently. "No, no more tobacco for me. There's only one thing that I crave now."
  There was nothing for me to say about that. The quiet settled back down over us, like a shroud. Finally, I said, "So, to what do I owe the–"
  "Pleasure? Is that what it is?"
  "Sure. You know I'm always glad to see you."
  "And yet you won't invite me inside."
  I decided to let that go. We'd covered this ground before, and it led exactly nowhere.
  After a while, she said, "There's somebody new in town, killing vampires."
  I didn't bother to ask how she knew. "Yeah, two so far. That we know of. And maybe one in Wilkes-Barre. I'm checking that out tomorrow – later today, I mean."
  Her voice was bitter when she said, "Have you given him a medal yet?"
  "I do my fucking job!" I snapped. "I'm a professional. If somebody's committing murders, he's breaking the law. And when I find him, and I will find him, he's going down. Period."
  She nodded slowly. In a normal tone she said, "Yeah, that's what I told them."
  "Told who?"
  "Some people I know. There's been a lot of talk in the local community–"
  "You mean the vamp, uh, vampire community."
  "That's the only one I hang with, these days. Some of them are saying that you're giving this guy, the killer, a free pass because he's hunting vamps. Your feelings about us aren't exactly a secret."
  "Listen, I just told you–"
  "I know you did." She placed her hand on my wrist for a moment, and I made myself not pull away. But her touch was cold, so cold. "And I said the same thin, myself."
  "Thanks for the endorsement," I said. "And you're telling me about this because..."
  "Because some of them are saying they should deal with this themselves. Find the killer themselves. And dispense justice themselves."
  "That would be about the worst thing they could do, for a whole bunch of reasons. Vigilante is just another word for murderer, as far as the law's concerned."
  "I know." It must be hard to sigh when you don't need to breathe, but she managed it. "I said that, too."
  "And did they listen?"
  "I think so. For now. But if these murders continue, with no arrest, people are going to start paying attention to the hotheads."
  "I don't think Vollman would like that too much."
  She didn't react to the name the way the vamp in Susie B's had, but I'm pretty sure I saw her back straighten a little.
  "You know Mr Vollman?"
  "He's helping us with the case. And, far as I know, he doesn't think I'm slacking off."
  "I'll be sure to pass that along."
  I noticed her shoulders were shaking slightly. "What?"
  "You and Mr Vollman – working together. You must love that!" She sounded genuinely amused. I guess it was kind of funny, at that.
  "Well, since you know so much already, you might as well know this: I don't think the killer's a Van Helsing."
  "Really? What, then?"
  "Some kind of wizard, looks like. He's got his hands on a copy of something called the Opus Mago, which is supposed to be the Holy Grail of grimoires."
  "I think I sense an oxymoron in there someplace."
  "You know what I mean."
  "Yeah, I do. So this book is supposed to be highoctane evil."
  "Exactly. And it looks like the two dead vamps, uh, vampires are the first couple of ingredients for some kind of spell he's working."
  "Holy fuck."
  "I think I sense some kind of oxymoron in there."
  "Yeah, and fuck you, too," she said, but without any heat behind it. "Must be one hell of a conjuring he's got going – and that's not a fucking oxymoron."
  "No," I said, as a ball of ice formed in my stomach – the same one that showed up every time I thought about what this wizard might have in mind. "No, it's not."
  "Two dead, so far – and vampires, at that."
  "Two, maybe three. I'll know that later today, probably."
  "Maybe three." She nodded slowly. "What do you figure his magic number is, so to speak?"
  "That's something Vollman is trying to find out," I said. "I hope he does it pretty damn soon."
  I checked my watch. "Not to rush you, or anything, but the sun'll be up in–"
  "Seventeen minutes. Plenty of time."
  But she stood up anyway, stretching a little.
  "Where are you crashing these days? Someplace close by?"
  She turned to look at me. "I'll tell you that," she said, "the first time you invite me inside."
  I nodded, letting nothing of what I was feeling show on my face. Or so I hoped.
  I stood up, too. I wanted to put my arms around her and hold her close, just for a couple of seconds. Instead, I just nodded and said, "'Night, Christine."
  "Goodnight, Daddy."
  And she was gone.
 
Driving through downtown Wilkes-Barre, you'd never know the place had been practically underwater for several days, back in 1972. That's when Hurricane Agnes passed through the Wyoming Valley. Worst storm we've ever seen, and it sent the Susquehanna River over its banks and into the city. I was just a kid then, and Scranton wasn't affected by the flood, but I remember the TV and newspaper pictures of the huge mess it made.
  One of the grisliest forms of damage occurred when the flood reached the local cemeteries. It washed some of the dead out of their graves and then deposited them all over town, once the water receded. Corpses, some long dead and others more recent, were found on people's lawns, in the middle of streets, just everywhere.
  I understand the local ghoul community still talks about those days among themselves. They refer to it as the Great Smorgasbord.
  Thinking about stuff like that helped keep my mind off the fact that we might have a third murder in this spell cycle, or whatever it was, with no real leads and no way to know how many more deaths had to occur before the shit really hit the fan. We didn't even know what form the shit would take.
  But it was going to be some seriously bad shit, I was pretty sure of that.
 
The taxpayers of Wilkes-Barre must be pretty generous, because their police department is located in a nice new building that always made me a little envious whenever I visited – not that I'd ever admit that to Lacey. Anyway, there's a downside to working there. It is in Wilkes-Barre.
  Even if I hadn't been in the building before, I wouldn't need to ask where to find Lacey. Along with the rest of her unit, she was in the basement. The Supe Squad is always in the basement.
  Their P.A. was a young black woman named Sandra Gaffney, who was getting her PhD in Criminal Justice from Penn State. She took this gig to support herself while writing her dissertation. You can tell right off she's not a typical civil servant – not only is she intelligent, she's actually pleasant most of the time.
  "Hey, Sandy," I said. "How's it going?"
  She looked up from her computer and gave me a smile. "Hey yourself, Sergeant. You drop by to see how some real police work is done?"
  "You got it," I said. "Detective Brennan said she'd give me some pointers. She's expecting me."
  "I'll give her a buzz."
  Sarah picked up her phone, punched in three numbers, and muttered something I couldn't hear into the receiver. I noticed that next to her computer she kept a small stuffed toy bear with a dirty face, who looked like he'd seen better days.
  Hanging up the phone, Sandra said to me, "She'll be right out."
  "Thanks. How's the research going?"
  "Pretty good. This place gives me more data every damn day."
 
Detective Lacey Brennan came around the corner. A little taller than average. Blonde hair, worn short. Blue eyes. Killer body – not that I ever paid much attention.
  "Guy walks into a bar," she said. "Orders a cocktail, sips it for a while. But it turns out that he's a werewolf, and while he's sitting there drinking, the full moon comes out. So the guy transforms, right? Fur, fangs, the whole nine yards. Then he trots over to the window and sits there, on the floor, howling at the moon. Well, there's a couple of tourists from East Podunk sitting a few stools away. They take all this in, you know, then one of them turns to the bartender and says, 'Fuck – we'll have what he's having!'"
  Behind Lacey, Sandy justder and sak her head. I looked at Lacey, kept my face impassive, and asked, "Yeah? Then what happened?"
  She gave me a knuckle punch on the arm. Being a real he-man, I didn't show how much it hurt.
  "Come on," Lacey said. "The file's on my desk."
  I followed her into the squad room, which looked in most ways like every other detectives' bull pen I've ever seen, except with fresh paint and newer carpeting.
  Of course Supe Squads tend to have some features you don't find in, say, a Homicide unit. I passed a wall rack containing several sizes and varieties of wooden stakes, and next to that was a glass-fronted case full of magically charged amulets. A poster on the opposite wall listed the six known defenses against ogre attack. Then there was a big bulletin board full of wanted posters showing renegade vamps, bail-jumping werewolves, a child-killing troll, and one I recognized from our own squad room: an artist's rendering of a wimpy-looking dwarf with a severe widow's peak. His name was Keyser something-or-other, and he was supposed to be the kingpin of a shadowy gang of fairy-dust smugglers. Some crooked supes call him the devil incarnate, but others say he doesn't even exist.
 
Lacey's area was at the back of the room. Sitting at a desk near hers, scowling at a computer printout, was her partner. Johnny Cedric lost an eye a few years back, during a raid on an illegal coven that had gone very wrong. Could've taken a disability pension and moved to Florida, but he chose to stay on the job. I kind of admired that, even if he was always bragging about how the sinister-looking eye patch got him laid a lot.
  "Hey, look what the bat dragged in," Cedric said.
  "How's it going, Cyclops?" Cops aren't known for their sensitivity.
  "Not bad," he said. "Still trackin' it down and tryin' it out. You over here about our dead guy?"
  I nodded. "The M.O. sounds like a couple of corpses we've had turn up in our neck of the woods."
  "Oh, yeah, Lace was telling me about those. How recent?"
  "Both in the last week, and we're pretty sure they're related to a torture-murder we had the week before."
  "Christ. I hope the bastard hasn't relocated here permanently. Not that I'd blame him, of course. Anyplace is better than Scranton, even if you're a serial killer." He squinted at me with his good eye. "You guys got anything?"
  "Not a lot," I told him. "One name that's come up is a wizard named Sligo. Supposed to be a big deal black magic practitioner. Ever hear of him?"
  Cedric thought a moment before shaking his head. "Uh-uh, doesn't jingle. He's not in the database?"
  "Not under that name, anyway. He's supposed to be from Ireland, so I sent a query to Interpol. Haven't heard back yet."
  "You wanna finish up the incident reports, Johnny?" Lacey said. "I'll entertain our visitor." Then she turned to me. "Come on, pull up a chair. I'll show you what I've got."
  I was sure the double entendre was unintentional. Well, pretty sure.
 
I grabbed an empty chair and dragged it over next to Lacey's desk, as she pulled a file folder from one of the drawers, placed it on the blotter, and flipped it open. When she did, I noticed that the ring finger of her left hand was missing the wedding band she'd worn as long as I've known her.
  Trained detectives notice stuff like that. And sometimes, we're even smart enough to keep our mouths shut about it.
  The file contained the usual paperwork you find in any police report, and a set of crime scene photos. The pictures showed a young-looking guy lyng on a concrete floor, surrounded by a pool of blood. Something long and thin was wrapped around his neck, looked like a ligature of some kind. In the background, I could see metal bookshelves full of thick bound volumes.
  "Where'd you find him?" I asked.
  "Basement of the Osterhout Free Library," Lacey said.
  I looked at her. "The killer comes in, offs somebody in a library, and still gets away clean? I would've thought they'd get him for violating the noise policy, if nothing else."
  "The basement doesn't see a lot of use these days, apparently," she said. "What's down there is mostly bound collections of old magazines. With all the stuff that's available online these days, why bother? Although I've always had a warm spot for the place in my heart, or maybe lower."
  "Why's that?"
  "I gave my first blowjob down there – to my high school boyfriend, when I was fifteen."
  I decided that was someplace I didn't want to go. "So who's the vic?"
  She checked the paperwork. "Ronald Casimir, twenty-five. Graduate student at Wilkes University."
  "That might explain what he was doing in the library basement," I said. "Research of some kind, maybe." Or he could have been in the market for a good blowjob. I looked closer at a couple of the photos. "Is that a garrote?"
  "Bingo – you got it in one. Haven't seen one of those used around here before."
  "You sure this isn't some Mafia thing? They use wire sometimes, don't they?"
  "Not any more," Lacey said. "I talked to a guy I know, works the State Police Organized Crime Task Force. He said the wise guys mostly stopped using garrotes back in the Fifties, once reliable silencers were available. Tradition usually gives way before technology, except maybe in Scranton. And besides, there's this."
  She flipped through the photos and pulled one out of the pile. It was a close-up of a man's naked abdomen.
  Three esoteric symbols had been carved in the corpse's flesh.
  "That look like Guido's work to you?" Lacey asked.
  After a long moment, I replied, "No, but it looks a lot like the kind of stuff I've been seeing on corpses in Scranton, recently."
  I pulled out my notepad and began to copy down the symbols that were in the photograph.
  "What's it say?" Lacey asked. "Do you know?"
  "No, I don't," I told her. "But tomorrow night I've got a shot at talking to a guy who might just be able to tell me."
  "And you'll let me know anything you find out, of course," she said. "And send copies of the two case files of yours."
  "Sure, no problem. In the meantime, there's something you can do for me."
  Lacey gave me a wicked grin. "What, right here in the squad room? In front of all the guys?"
  "That's not what I meant," I said, and hoped that I wasn't blushing. "See if your lab guys can find out what material that garrote was made of."
  "Okay, I can do that," she said. "You think it matters?"
  "It might," I told her. "It might matter a hell of a lot."
  I thanked Lacey for the heads-up, and got out of there before she noticed the bulge that had developed in the front of my pants. God only knows what she'd have said about that.
 
According to my buddy Ned, who taught something called Communications at the U, the guest lecture by esteemed Georgetown scholar Benjamin Prescott, PhD, was scheduled for 8 o'clock at the HoulihanMcLean Center. A reception would follow.
  It took some work, convincing McGuire to let Karl and me attend this thing on company time. But I told him that Prescott was our best chance for getting a translation of the runes, sigils, or whatever they were that were being left on the corpses. Hell, he might even know what ritual they were part of.
  As for what we were going to do with that information – well, I'd worry about that when we got it. Or, rather, if we got it.
  The program they gave us at the door said Prescott's talk was called "The Devil Made Me Do It: Demonic Possession as a Defense in European Witch Trials, 1530-1605."
  Ned once explained to me that academic papers usually have a colon in the title, because so many of them are written by assholes.
  Before things started, I spotted a couple of witches I knew in the audience. They looked just like anybody else – which is the trouble with a lot of supes, if you ask me.
  I wondered if the witches viewed this lecture kind of like "old home week."
  The university's president, a tall, skinny Jesuit named Monroe, made some introductory remarks. He surprised me by being both witty and brief.
  Then Prescott came to the podium.
 
I saw right away where the wheezing in the guy's voice came from – and it wasn't asthma or smoking. Benjamin Prescott must have weighed over four hundred pounds. Put that much pressure on your lungs and ribcage, and breathing problems are almost guaranteed.
  That's not to say that Prescott was a slob. His brown hair was carefully cut and brushed straight back. The gray suit he was wearing didn't exactly make him look slim, but it fit his bulk well, and the material looked expensive. I can't afford pricey clothing, but I still torture myself with an issue of GQ every once in a while.
  A guy that size, you'd expect him to sound like James Earl Jones. But Prescott's voice, as I knew from the phone, was closer to a tenor. I listened to it for the next forty-seven minutes.
  I can't say that I paid real close attention to the lecture. The guy wasn't bad – at least he seemed to be talking to us, rather than just reading his damn paper. But I wasn't too interested in what witches and demons were doing back in the seventeenth century. The ones running around today give me enough problems.
  After Prescott finished his presentation, he took questions from the audience for about twenty minutes. The ones coming from students were usually polite and to the point. But you could always tell when professors were called on: they usually preceded the question with a mini-lecture designed to show off how much they already knew about the subject. And their questions seemed designed to trip Prescott up, although they didn't succeed, far as I could tell.
  I thought about sticking my hand up to ask something like "Professor, what's your opinion of the power of the spells contained in the Opus Mago?" But he'd probably just shut me down and move on to the next question. My cousin Tim used to be a stand-up comic. He once told me, "Never take on the guy who controls the microphone. You'll always lose."
  Better I should talk to Prescott one-on-one, in a situation he couldn't control. I hoped the reception would give me the chance I wanted.
  It did. Sort of.
• • • •
The post-lecture gathering was held in a big room with hardwood floors and lots of paintings on the walls depicting big deal Jesuits of the past. Karl and I stood in a corner at first, munching some pretty good hors d'ouevres while we watched people coming ell.
o pay homage to the great man. Finally, the traffic in Prescott's direction slowed down.
  "Come on," I said to Karl. "It's our turn to welcome our guest to the big city. Try not to look like a thug for the next five minutes."
  "Five whole minutes? Gonna be hard."
  We made our way over to Prescott, who was standing next to a table on which somebody had put a big bowl of iced shrimp. The professor was scarfing them down, one after another, as if seafood was going to be illegal tomorrow. I stopped in front of him, put a suck-up smile on my face, and stuck my hand out. "Professor, I just wanted to say how much I enjoyed your talk tonight." I was hoping he wouldn't recognize my voice from the phone.
  Apparently, he didn't. Prescott squeezed my hand for about a second before dropping it. "Thank you," he said with a little smile. "I'm pleased you enjoyed it, Mr…"
  I was tempted, for Karl's sake, to say "Bond – James Bond," but common sense prevailed.
  "My colleague and I," I said, gesturing at Karl, "were so impressed by the depth of your knowledge that we wondered if you could give us your opinion on something we've been working on." Ned had helped me work out some stuff I could say to impersonate a guy with too much education.
  Prescott's smile went out like a candle in a hurricane. "Well, I hardly think this is the appropriate place for me to read any–"
  "Oh, this isn't a paper, or anything like that," I said. "Just a few images that we'd been puzzling over. Can't make head or tail of them, to tell you the truth, and we figured that if anyone could help us out, it was you."
  The smile I had plastered on was starting to make my face hurt.
  Prescott grabbed another shrimp out of the bowl. "Well, if we can do this quickly, I suppose it might be–"
  "Hey, that's terrific," I said, and pulled from my pocket a sheet of paper where I had copied the three sets of symbols we'd found on the murder victims.
  Prescott popped the shrimp into his mouth and took the paper from me. I signaled Karl with my eyes, and he took a slow step to the side, blocking Prescott from a quick exit in case he tried to walk away once he realized we'd conned him.
  Prescott's eyes narrowed as he stared at the symbols on the paper. After a few seconds, I said quietly, "Those were found carved into the bodies of three recent murder victims. Rumor has it they were taken from a spell that's part of the Opus Mago. You remember the Opus Mago, don't you, Professor?"
  His eyes wide open now, Prescott looked up from the paper and stared at me in shock and anger. He drew in breath to speak, but I'll never know what he intended to say.
• • • •
Prescott's mouth was open, but instead of angry words, what came out were a series of hoarse grunts. His fleshy face began to turn a deep shade of red.
  "Christ, he's choking on the shrimp!" I said to Karl. "Your arms are longer – quick, Heimlich him!"
  Karl immediately slipped behind Prescott and threw his arms around the big man's midsection, clasping his hands together in front. He gave the quick, hard squeeze that was supposed to constrict Prescott's diaphragm with enough pressure to send the shrimp back out of his windpipe.
  Nothing happened. Other guests were starting to converge on us now, asking urgent questions that I paid no attention to. I whipped out my badge and held it up. "Police officer, get back!" I yelled. "Somebody call 911!"
  Karl shifted his grip a couple of inches and tried again. Still nothing.
  Karl moved his hands again, took a deep breath, and squeezed hard.
  Nothing came out. Prescott's knees were starting to sag now. There was no way Karl could keep him on his feet and work the Heimlich maneuver at the same time, so I moved in, directly in front of Prescott, so close that our chests were touching. I grabbed a handful of his belt on each side and braced my elbows against my hips, trying to hold up what was quickly becoming four hundred-some pounds of dead weight.
  "Go on!" I grunted. "Do it! Quick!"
  Karl adjusted his grip once more and I heard him grunt as he gave another desperate squeeze.
  And a piece of half-chewed shrimp popped out of Prescott's gaping mouth and hit me right in the face.
  A moment later, it was followed by the remains of his dinner.
  Must have been a hell of a big meal. Spicy, too.
 
Back at the squad, I took a long, hot shower, then put on the set of spare clothes I keep in my locker for times like this.
  I figured that some of the smell of Prescott's vomit must be still clinging to me, the way Lieutenant McGuire's nose kept wrinkling while Karl and I told him about our little adventure in academia.
  Or maybe he just thought it was our story that stank.
  "So, I assume after the professor stopped choking to death, he was in no mood to answer any of your questions," McGuire said sourly.
  "We never got the chance to find out," I told him. "He could breathe okay, but couldn't stand up or speak. Somebody called 911, and the EMTs showed up and took him to Mercy Hospital."
  "But he turned out to be okay, right?" The way McGuire said it, there was only one correct answer to that question.
  Too bad we couldn't give it to him.
  "Actually, uh, no," Karl said. "The docs think maybe he had a stroke."
  McGuire gave Karl a look that would've raised welts on some people. "A stroke."
  "They're not sure if it was brought on by the choking, or if something else caused it," I said.
  McGuire gave me some of the same look, and it's a wonder I didn't start bleeding right there.
  "So, I assume Professor Prescott is planning to sue the city over what you two morons did?" he said, finally.
  I took a deep breath and let it out. "We don't know," I said.
  McGuire blinked. "What – they wouldn't let you in to see him?"
  "No, we got into his room at the ICU for a couple of minutes," I said.
  "So what's he got to say for himself?" McGuire asked.
  "Not a lot," Karl said. "See, he's, uh, kind of in a, well–"
  "A coma," I said. "Prescott's in a coma."
  McGuire didn't say anything to that. He sat back in his chair and closed his eyes. Using the first two fingers of each hand, he began to rub his eyelids, very gently.
  "There's one thing more, boss," I said.
  "Of course there is," McGuire said dully, still massaging his eyeballs. "Who could possibly think that I've suffered enough already? What is it?"
  "You're going to be getting a couple of letters," I said. "Probably tomorrow, or the next day."
  "I don't suppose those would be your letters of resignation?" McGuire said. Without waiting for an answer he went on, "No, of course not, how silly of me. My luck never runs that good." He rubbed his eyesme more. "What letters?"
  "One's from the president of the U," Karl said. "Father, uh..."
  "Monroe," I finished for him. "Father Monroe. And the other one's from the mayor."
  McGuire still didn't take his hands away from his face. "The mayor was there," he said. "Of course, he would be. He likes that intellectual stuff, or pretends to. I assume these are letters of complaint, maybe even demands for your badges?"
  "No, sir, not exactly," I said. "They're letters of commendation."
  That got McGuire's eyes open. "Commendation?"
  "For Karl's and my, uh–"
  "Heroic efforts, they said," Karl said.
  "Right," I went on. "Our heroic efforts in saving the life of an honored guest of the University and the city, who, uh, tragically forgot to chew his food before swallowing it, and nearly died as a result. The mayor mentioned some kind of award, too. He said he'll call you tomorrow."
  McGuire looked at me, then at Karl. For a couple of seconds, I wasn't sure if he was going to kiss us right on the lips, or draw his weapon and shoot us.
  Finally, he said, "Get out of my office. And light an extra candle the next time you're in church, you stupid, lucky bastards, because somebody up there sure as shit likes you, for reasons that beat the shit out of me. Now get out."
  We got.
• • • •