Amun

(GREECE CONTINGENT)

Demon: Secrets

 

Height: 6'6''

 

Hair: Brown

 

Eyes: Brown

 

Butterfly tattoo: Right calf

 

Other distinguishing marks: Dark skin

 

Preferred weapon: Things of an exotic nature.

 

Demon culpability: The demon of Secrets fosters a lack of communication that contributes to individual issues such as the breakdown of marriages and global problems such as breaches of national security and the inability to achieve world peace.

 

Notable background: Subject is unable to speak without the secrets of the world pouring out of his mouth—as I regrettably experienced first-hand at our Chicago facility. Also of note, when he speaks, you hear the voice of the person whose secret he is revealing.

 

Achilles heel: Subject’s fear of speaking might be utilized to our advantage.

 

Objectives: Capture and interrogate subject in the hopes of discerning the secrets he keeps and using them against the Lords.

Into the Dark
intothedark_cov.html
intothedark_rev01.html
intothedark_tp01.html
intothedark_con01.html
intothedark_fm01.html
intothedark_pt01.html
intothedark_dm01.html
intothedark_dm011.html
intothedark_ch01.html
intothedark_ch02.html
intothedark_ch03.html
intothedark_ch04.html
intothedark_ch05.html
intothedark_ch06.html
intothedark_ch07.html
intothedark_ch08.html
intothedark_ch09.html
intothedark_ch10.html
intothedark_ch11.html
intothedark_ch12.html
intothedark_ch13.html
intothedark_ch14.html
intothedark_ch15.html
intothedark_ch16.html
intothedark_ch17.html
intothedark_ch18.html
intothedark_ch19.html
intothedark_ch20.html
intothedark_pt02.html
intothedark_ch21.html
intothedark_ch22.html
intothedark_ch23.html
intothedark_ch24.html
intothedark_ch25.html
intothedark_ch26.html
intothedark_ch27.html
intothedark_ch28.html
intothedark_pt03.html
intothedark_dm02.html
intothedark_ch29.html
intothedark_ch30.html
intothedark_ch31.html
intothedark_ch32.html
intothedark_ch33.html
intothedark_ch34.html
intothedark_ch35.html
intothedark_ch36.html
intothedark_ch37.html
intothedark_ch38.html
intothedark_pt04.html
intothedark_dm03.html
intothedark_pt05.html
intothedark_dm04.html
intothedark_pt06.html
intothedark_dm06.html
intothedark_ch39.html
intothedark_ch40.html
intothedark_ch41.html
intothedark_ch42.html
intothedark_ch43.html
intothedark_ch44.html
intothedark_ch45.html
intothedark_ch46.html
intothedark_ch47.html
intothedark_ch48.html
intothedark_ch49.html
intothedark_ch50.html
intothedark_pt07.html
intothedark_dm07.html
intothedark_dm08.html
intothedark_ch51.html
intothedark_ch52.html
intothedark_ch53.html
intothedark_pt08.html
intothedark_dm09.html
intothedark_ch54.html
intothedark_ch55.html
intothedark_ch56.html
intothedark_ch57.html
intothedark_ch58.html
intothedark_ch59.html
intothedark_ch60.html
intothedark_ch61.html
intothedark_ch62.html
intothedark_ch63.html
intothedark_ch64.html
intothedark_ch65.html
intothedark_pt09.html
intothedark_dm10.html
intothedark_pt10.html
intothedark_dm11.html
intothedark_pt11.html
intothedark_dm12.html
intothedark_ch66.html
intothedark_pt12.html
intothedark_dm13.html
intothedark_ch67.html
intothedark_bm01.html
intothedark_bm02.html
intothedark_cop01.html