CHAPTER II
A MATTER OF ÆSTHETICS
ON THE NIGHT WHEN Anthony had left for Camp Hooker
one year before, all that was left of the beautiful Gloria
Gilbert—her shell, her young and lovely body—moved up the broad
marble steps of the Grand Central Station with the rhythm of the
engine beating in her ears like a dream, and out onto Vanderbilt
Avenue, where the huge bulk of the Biltmore overhung the street
and, down at its low, gleaming entrance, sucked in the many-colored
opera-cloaks of gorgeously dressed girls. For a moment she paused
by the taxi-stand and watched them—wondering that but a few years
before she had been of their number, ever setting out for a radiant
Somewhere, always just about to have that ultimate passionate
adventure for which the girls’ cloaks were delicate and beautifully
furred, for which their cheeks were painted and their hearts higher
than the transitory dome of pleasure that would engulf them,
coiffure, cloak, and all.
It was growing colder and the men passing had
flipped up the collars of their overcoats. This change was kind to
her. It would have been kinder still had everything changed,
weather, streets, and people, and had she been whisked away, to
wake in some high, fresh-scented room, alone, and statuesque within
and without, as in her virginal and colorful past.
Inside the taxicab she wept impotent tears. That
she had not been happy with Anthony for over a year mattered
little. Recently his presence had been no more than what it would
awake in her of that memorable June. The Anthony of late,
irritable, weak, and poor, could do no less than make her irritable
in turn—and bored with everything except the fact that in a highly
imaginative and eloquent youth they had come together in an
ecstatic revel of emotion. Because of this mutually vivid memory
she would have done more for Anthony than for any other human—so
when she got into the taxicab she wept passionately, and wanted to
call his name aloud.
Miserable, lonesome as a forgotten child, she sat
in the quiet apartment and wrote him a letter full of confused
sentiment:
... I can almost look down the tracks and see you
going but without you, dearest, dearest, I can’t see or hear or
feel or think. Being apart—whatever has happened or will happen to
us—is like begging for mercy from a storm, Anthony; it’s like
growing old. I want to kiss you so—in the back of your neck where
your old black hair starts. Because I love you and whatever we do
or say to each other, or have done, or have said, you’ve got to
feel how much I do, how inanimate I am when you’re gone. I can’t
even hate the damnable presence of PEOPLE, those people in the
station who haven’t any right to live—I can’t resent them even
though they’re dirtying up our world, because I’m engrossed in
wanting you so.
If you hated me, if you were covered with sores
like a leper, if you ran away with another woman or starved me or
beat me—how absurd this sounds—I’d still want you, I’d still love
you. I KNOW, my darling.
It’s late—I have all the windows open and the air
outside is just as soft as spring, yet, somehow, much more young
and frail than spring. Why do they make spring a young girl, why
does that illusion dance and yodel its way for three months through
the world’s preposterous barrenness. Spring is a lean old
plough-horse with its ribs showing—it’s a pile of refuse in a
field, parched by the sun and the rain to an ominous
cleanliness.
In a few hours you’ll wake up, my darling—and
you’ll be miserable, and disgusted with life. You’ll be in Delaware
or Carolina or somewhere and so unimportant. I don’t believe
there’s any one alive who can contemplate themselves as an
impermanent institution, as a luxury or an unnecessary evil. Very
few of the people who accentuate the futility of life remark the
futility of themselves. Perhaps they think that in proclaiming the
evil of living they somehow salvage their own worth from the
ruin—but they don’t, even you and I....
... Still I can see you. There’s blue haze about
the trees where you’ll be passing, too beautiful to be predominant.
No, the fallow squares of earth will be most frequent—they’ll be
along beside the track like dirty coarse brown sheets drying in the
sun, alive, mechanical, abominable. Nature, slovenly old hag, has
been sleeping in them with every old farmer or negro or immigrant
who happened to covet her....
So you see that now you’re gone I’ve written a
letter all full of contempt and despair. And that just means that I
love you, Anthony, with all there is to love with in your
GLORIA.
When she had addressed the letter she went to her
twin bed and lay down upon it, clasping Anthony’s pillow in her
arms as though by sheer force of emotion she could metamorphize it
into his warm and living body. Two o’clock saw her dry-eyed,
staring with steady persistent grief into the darkness,
remembering, remembering unmercifully, blaming herself for a
hundred fancied unkindnesses, making a likeness of Anthony akin to
some martyred and transfigured Christ. For a time she thought of
him as he, in his more sentimental moments, probably thought of
himself.
At five she was still awake. A mysterious grinding
noise that went on every morning across the areaway told her the
hour. She heard an alarm-clock ring, and saw a light make a yellow
square on an illusory blank wall opposite. With the half-formed
resolution of following him South immediately, her sorrow grew
remote and unreal, and moved off from her as the dark moved
westward. She fell asleep.
When she awoke the sight of the empty bed beside
her brought a renewal of misery, dispelled shortly, however, by the
inevitable callousness of the bright morning. Though she was not
conscious of it, there was relief in eating breakfast without
Anthony’s tired and worried face opposite her. Now that she was
alone she lost all desire to complain about the food. She would
change her breakfasts, she thought—have a lemonade and a tomato
sandwich instead of the sempiternal bacon and eggs and toast.
Nevertheless, at noon when she had called up
several of her acquaintances, including the martial Muriel, and
found each one engaged for lunch, she gave way to a quiet pity for
herself and her loneliness. Curled on the bed with pencil and paper
she wrote Anthony another letter.
Late in the afternoon arrived a special delivery,
mailed from some small New Jersey town, and the familiarity of the
phrasing, the almost audible undertone of worry and discontent,
were so familiar that they comforted her. Who knew? Perhaps army
discipline would harden Anthony and accustom him to the idea of
work. She had immutable faith that the war would be over before he
was called upon to fight, and meanwhile the suit would be won, and
they could begin again, this time on a different basis. The first
thing different would be that she would have a child. It was
unbearable that she should be so utterly alone.
It was a week before she could stay in the
apartment with the probability of remaining dry-eyed. There seemed
little in the city that was amusing. Muriel had been shifted to a
hospital in New Jersey, from which she took a metropolitan holiday
only every other week, and with this defection Gloria grew to
realize how few were the friends she had made in all these years of
New York. The men she knew were in the army. “Men she knew”?—she
had conceded vaguely to herself that all the men who had ever been
in love with her were her friends. Each one of them had at a
certain considerable time professed to value her favor above
anything in life. But now—where were they? At least two were dead,
half a dozen or more were married, the rest scattered from France
to the Philippines. She wondered whether any of them thought of
her, and how often, and in what respect. Most of them must still
picture the little girl of seventeen or so, the adolescent siren of
nine years before.
The girls, too, were gone far afield. She had never
been popular in school. She had been too beautiful, too lazy, not
sufficiently conscious of being a Farmover girl and a “Future Wife
and Mother” in perpetual capital letters. And girls who had never
been kissed hinted, with shocked expressions on their plain but not
particularly wholesome faces, that Gloria had. Then these girls had
gone east or west or south, married and become “people,”
prophesying, if they prophesied about Gloria, that she would come
to a bad end—not knowing that no endings were bad, and that they,
like her, were by no means the mistresses of their destinies.
Gloria told over to herself the people who had
visited them in the gray house at Marietta. It had seemed at the
time that they were always having company—she had indulged in an
unspoken conviction that each guest was ever afterward slightly
indebted to her. They owed her a sort of moral ten dollars apiece,
and should she ever be in need she might, so to speak, borrow from
them this visionary currency. But they were gone, scattered like
chaff, mysteriously and subtly vanished in essence or in
fact.
By Christmas Gloria’s conviction that she should
join Anthony had returned, no longer as a sudden emotion, but as a
recurrent need. She decided to write him word of her coming, but
postponed the announcement upon the advice of Mr. Haight, who
expected almost weekly that the case was coming up for trial.
One day, early in January, as she was walking on
Fifth Avenue, bright now with uniforms and hung with the flags of
the virtuous nations, she met Rachael Barnes, whom she had not seen
for nearly a year. Even Rachael, whom she had grown to dislike, was
a relief from ennui, and together they went to the Ritz for
tea.
After a second cocktail they became enthusiastic.
They liked each other. They talked about their husbands, Rachael in
that tone of public vainglory, with private reservations, in which
wives are wont to speak.
“Rodman’s abroad in the Quartermaster Corps. He’s a
captain. He was bound he would go, and he didn’t think he could get
into anything else.”
“Anthony’s in the Infantry.” The words in their
relation to the cocktail gave Gloria a sort of glow. With each sip
she approached a warm and comforting patriotism.
“By the way,” said Rachael half an hour later, as
they were leaving, “can’t you come up to dinner to-morrow night?
I’m having two awfully sweet officers who are just going overseas.
I think we ought to do all we can to make it attractive for
them.”
Gloria accepted gladly. She took down the
address—recognizing by its number a fashionable apartment building
on Park Avenue.
“It’s been awfully good to have seen you,
Rachael.”
“It’s been wonderful. I’ve wanted to.”
With these three sentences a certain night in
Marietta two summers before, when Anthony and Rachael had been
unnecessarily attentive to each other, was forgiven—Gloria forgave
Rachael, Rachael forgave Gloria. Also it was forgiven that Rachael
had been witness to the greatest disaster in the lives of Mr. and
Mrs. Anthony Patch
Compromising with events time moves along.
The Wiles of Captain Collins
The two officers were captains of the popular
craft, machine gunnery. At dinner they referred to themselves with
conscious boredom as members of the “Suicide Club”—in those days
every recondite branch of the service referred to itself as the
Suicide Club. One of the captains—Rachaels captain, Gloria
observed—was a tall horsy man of thirty with a pleasant mustache
and ugly teeth. The other, Captain Collins, was chubby, pink-faced,
and inclined to laugh with abandon every time he caught Gloria’s
eye. He took an immediate fancy to her, and throughout dinner
showered her with inane compliments. With her second glass of
champagne Gloria decided that for the first time in months she was
thoroughly enjoying herself.
After dinner it was suggested that they all go
somewhere and dance. The two officers supplied themselves with
bottles of liquor from Rachael’s sideboard—a law forbade service to
the military—and so equipped they went through innumerable
fox-trots in several glittering caravanseries along Broadway,
faithfully alternating partners—while Gloria became more and more
uproarious and more and more amusing to the pink-faced captain, who
seldom bothered to remove his genial smile at all.
At eleven o’clock to her great surprise, she was in
the minority for staying out. The others wanted to return to
Rachael’s apartment—to get some more liquor, they said. Gloria
argued persistently that Captain Collins’s flask was half full—she
had just seen it—then catching Rachael’s eye she received an
unmistakable wink. She deduced, confusedly, that her hostess wanted
to get rid of the officers and assented to being bundled into a
taxicab outside.
Captain Wolf sat on the left with Rachael on his
knees. Captain Collins sat in the middle, and as he settled himself
he slipped his arm about Gloria’s shoulder. It rested there
lifelessly for a moment and then tightened like a vise. He leaned
over her.
“You’re awfully pretty,” he whispered.
“Thank you kindly, sir.” She was neither pleased
nor annoyed. Before Anthony came so many arms had done likewise
that it had become little more than a gesture, sentimental but
without significance.
Up in Rachael’s long front room a low fire and two
lamps shaded with orange silk gave all the light, so that the
corners were full of deep and somnolent shadows. The hostess,
moving about in a dark-figured gown of loose chiffon, seemed to
accentuate the already sensuous atmosphere. For a while they were
all four together, tasting the sandwiches that waited on the
tea-table—then Gloria found herself alone with Captain Collins on
the fireside lounge; Rachael and Captain Wolf had withdrawn to the
other side of the room, where they were conversing in subdued
voices.
“I wish you weren’t married,” said Collins, his
face a ludicrous travesty of “in all seriousness.”
“Why?” She held out her glass to be filled with a
high-ball.
“Don’t drink any more,” he urged her,
frowning.
“Why not?”
“You’d be nicer—if you didn’t.”
Gloria caught suddenly the intended suggestion of
the remark, the atmosphere he was attempting to create. She wanted
to laugh—yet she realized that there was nothing to laugh at. She
had been enjoying the evening, and she had no desire to go home—at
the same time it hurt her pride to be flirted with on just that
level.
“Pour me another drink,” she insisted.
“Please—”
“Oh, don’t be ridiculous!” she cried in
exasperation.
“Very well.” He yielded with ill grace.
Then his arm was about her again, and again she
made no protest. But when his pink cheek came close she leaned
away.
“You’re awfully sweet,” he said with an aimless
air.
She began to sing softly, wishing now that he would
take down his arm. Suddenly her eye fell on an intimate scene
across the room—Rachael and Captain Wolf were engrossed in a long
kiss. Gloria shivered slightly—she knew not why.... Pink face
approached again.
“You shouldn’t look at them,” he whispered. Almost
immediately his other arm was around her... his breath was on her
cheek. Again absurdity triumphed over disgust, and her laugh was a
weapon that needed no edge of words.
“Oh, I thought you were a sport,” he was
saying.
“What’s a sport?”
“Why, a person that likes to—to enjoy life.”
“Is kissing you generally considered a joyful
affair?”
They were interrupted as Rachael and Captain Wolf
appeared suddenly before them.
“It’s late, Gloria,” said Rachael—she was flushed
and her hair was dishevelled. “You’d better stay here all
night.”
For an instant Gloria thought the officers were
being dismissed. Then she understood, and, understanding, got to
her feet as casually as she was able.
Uncomprehendingly Rachael continued:
“You can have the room just off this one. I can
lend you everything you need.”
Collins’s eyes implored her like a dog’s; Captain
Wolf’s arm had settled familiarly around Rachael’s waist; they were
waiting.
But the lure of promiscuity, colorful, various,
labyrinthine, and ever a little odorous and stale, had no call or
promise for Gloria. Had she so desired she would have remained,
without hesitation, without regret; as it was she could face coolly
the six hostile and offended eyes that followed her out into the
hail with forced politeness and hollow words.
“He wasn’t even sport enough to try to take me
home,” she thought in the taxi, and then with a quick surge of
resentment: “How utterly common!”
Gallantry
In February she had an experience of quite a
different sort. Tudor Baird, an ancient flame, a young man whom at
one time she had fully intended to marry, came to New York by way
of the Aviation Corps, and called upon her. They went several times
to the theatre, and within a week, to her great enjoyment, he was
as much in love with her as ever. Quite deliberately she brought it
about, realizing too late that she had done a mischief. He reached
the point of sitting with her in miserable silence whenever they
went out together.
A Scroll and Keysu man at
Yale he possessed the correct reticences of a “good egg,” the
correct notions of chivalry and noblesse oblige—and, of
course but unfortunately, the correct biases and the correct lack
of ideas—all those traits which Anthony had taught her to despise,
but which, nevertheless, she rather admired. Unlike the majority of
his type, she found that he was not a bore. He was handsome, witty
in a light way, and when she was with him she felt that because of
some quality he possessed—call it stupidity, loyalty,
sentimentality, or something not quite as definite as any of the
three—he would have done anything in his power to please her.
He told her this among other things, very correctly
and with a ponderous manliness that masked a real suffering. Loving
him not at all she grew sorry for him and kissed him sentimentally
one night because he was so charming, a relic of a vanishing
generation which lived a priggish and graceful illusion and was
being replaced by less gallant fools. Afterward she was glad she
had kissed him, for next day when his plane fell fifteen hundred
feet at Mineola a piece of a gasolene engine smashed through his
heart.
Gloria Alone
When Mr. Haight told her that the trial would not
take place until autumn she decided that without telling Anthony
she would go into the movies. When he saw her successful, both
histrionically and financially, when he saw that she could have her
will of Joseph Bloeckman, yielding nothing in return, he would lose
his silly prejudices. She lay awake half one night planning her
career and enjoying her successes in anticipation, and the next
morning she called up “Films Par Excellence.” Mr. Bloeckman was in
Europe.
But the idea had gripped her so strongly this time
that she decided to go the rounds of the moving-picture employment
agencies. As so often had been the case, her sense of smell worked
against her good intentions. The employment agency smelt as though
it had been dead a very long time. She waited five minutes
inspecting her unprepossessing competitors—then she walked briskly
out into the farthest recesses of Central Park and remained so long
that she caught a cold. She was trying to air the employment agency
out of her walking suit.
In the spring she began to gather from Anthony’s s
letters—not from any one in particular but from their culminative
effect—that he did not want her to come South. Curiously repeated
excuses that seemed to haunt him by their very insufficiency
occurred with Freudian regularity. He set them down in each letter
as though he feared he had forgotten them the last time, as though
it were desperately necessary to impress her with them. And the
dilutions of his letters with affectionate diminutives began to be
mechanical and unspontaneous—almost as though, having completed the
letter, he had looked it over and literally stuck them in, like
epigrams in an Oscar Wilde play. She jumped to the solution,
rejected it, was angry and depressed by turns—finally she shut her
mind to it proudly, and allowed an increasing coolness to creep
into her end of the correspondence.
Of late she had found a good deal to occupy her
attention. Several aviators whom she had met through Tudor Baird
came into New York to see her and two other ancient beaux turned
up, stationed at Camp Dix. As these men were ordered overseas,
they, so to speak, handed her down to their friends. But after
another rather disagreeable experience with a potential Captain
Collins she made it plain that when any one was introduced to her
he should be under no misapprehensions as to her status and
personal intentions.
When summer came she learned, like Anthony, to
watch the officers’ casualty list, taking a sort of melancholy
pleasure in hearing of the death of some one with whom she had once
danced a german and in identifying by name the younger brothers of
former suitors—thinking, as the drive toward Paris progressed, that
here at length went the world to inevitable and well-merited
destruction.
She was twenty-seven. Her birthday fled by scarcely
noticed. Years before it had frightened her when she became twenty,
to some extent when she reached twenty-six—but now she looked in
the glass with calm self-approval seeing the British freshness of
her complexion and her figure boyish and slim as of old.
She tried not to think of Anthony. It was as though
she were writing to a stranger. She told her friends that he had
been made a corporal and was annoyed when they were politely
unimpressed. One night she wept because she was sorry for him—had
he been even slightly responsive she would have gone to him without
hesitation on the first train—whatever he was doing he needed to be
taken care of spiritually, and she felt that now she would be able
to do even that. Recently, without his continual drain upon her
moral strength she found herself wonderfully revived. Before he
left she had been inclined through sheer association to brood on
her wasted opportunities—now she returned to her normal state of
mind, strong, disdainful, existing each day for each day’s worth.
She bought a doll and dressed it; one week she wept over “Ethan
Frome”; the next she revelled in some novels of Galsworthy’s, whom
she liked for his power of recreating, by spring in darkness, that
illusion of young romantic love to which women look forever forward
and forever back.
In October Anthony’s letters multiplied, became
almost frantic—then suddenly ceased. For a worried month it needed
all her powers of control to refrain from leaving immediately for
Mississippi. Then a telegram told her that he had been in the
hospital and that she could expect him in New York within ten days.
Like a figure in a dream he came back into her life across the
ballroom on that November evening—and all through long hours that
held familiar gladness she took him close to her breast, nursing an
illusion of happiness and security she had not thought that she
would know again.
Discomfiture of the Generals
After a week Anthony’s regiment went back to the
Mississippi camp to be discharged. The officers shut themselves up
in the compartments on the Pullman cars and drank the whiskey they
had bought in New York, and in the coaches the soldiers got as
drunk as possible also—and pretended whenever the train stopped at
a village that they were just returned from France, where they had
practically put an end to the German army. As they all wore
overseas caps and claimed that they had not had time to have their
gold service stripes sewed on, the yokelry of the seaboard were
much impressed and asked them how they liked the trenches—to which
they replied “Oh, boy!” with great smacking of tongues and
shaking of heads. Some one took a piece of chalk and scrawled on
the side of the train, “We won the war—now we’re going home,” and
the officers laughed and let it stay. They were all getting what
swagger they could out of this ignominious return.
As they rumbled on toward camp, Anthony was uneasy
lest he should find Dot awaiting him patiently at the station. To
his relief he neither saw nor heard anything of her and thinking
that were she still in town she would certainly attempt to
communicate with him, he concluded that she had gone—whither he
neither knew nor cared. He wanted only to return to Gloria—Gloria
reborn and wonderfully alive. When eventually he was discharged he
left his company on the rear of a great truck with a crowd who had
given tolerant, almost sentimental, cheers for their officers,
especially for Captain Dunning. The captain, on his part, had
addressed them with tears in his eyes as to the pleasure, etc., and
the work, etc., and time not wasted, etc., and duty, etc. It was
very dull and human; having given ear to it Anthony, whose mind was
freshened by his week in New York, renewed his deep loathing for
the military profession and all it connoted. In their childish
hearts two out of every three professional officers considered that
wars were made for armies and not armies for wars. He rejoiced to
see general and field-officers riding desolately about the barren
camp deprived of their commands. He rejoiced to hear the men in his
company laugh scornfully at the inducements tendered them to remain
in the army. They were to attend “schools.” He knew what these
“schools” were.
Two days later he was with Gloria in New
York.
Another Winter
Late one February afternoon Anthony came into the
apartment and groping through the little hall, pitch-dark in the
winter dusk, found Gloria sitting by the window. She turned as he
came in.
“What did Mr. Haight have to say?” she asked
listlessly.
“Nothing,” he answered, “usual thing. Next month,
perhaps.”
She looked at him closely; her ear attuned to his
voice caught the slightest thickness in the dissyllable.
“You’ve been drinking,” she remarked
dispassionately.
“Couple glasses.”
“Oh.”
He yawned in the armchair and there was a moment’s
silence between them. Then she demanded suddenly:
“Did you go to Mr. Haight? Tell me the
truth.”
“No.” He smiled weakly. “As a matter of fact I
didn’t have time.”
“I thought you didn’t go.... He sent for
you.”
“I don’t give a damn. I’m sick of waiting around
his office. You’d think he was doing me a favor.” He glanced at
Gloria as though expecting moral support, but she had turned back
to her contemplation of the dubious and unprepossessing
out-of-doors.
“I feel rather weary of life to-day,” he offered
tentatively. Still she was silent. “I met a fellow and we talked in
the Biltmore bar.”
The dusk had suddenly deepened but neither of them
made any move to turn on the lights. Lost in heaven knew what
contemplation, they sat there until a flurry of snow drew a languid
sigh from Gloria.
“What’ve you been doing?” he asked, finding the
silence oppressive.
“Reading a magazine—all full of idiotic articles by
prosperous authors about how terrible it is for poor people to buy
silk shirts. And while I was reading it I could think of nothing
except how I wanted a gray squirrel coat—and how we can’t afford
one.”
“Yes, we can.”
“Oh, no.”
“Oh, yes! If you want a fur coat you can have
one.”
Her voice coming through the dark held an
implication of scorn.
“You mean we can sell another bond?”
“If necessary. I don’t want you to go without
things. We have spent a lot, though, since I’ve been back.”
“Oh, shut up!” she said in irritation.
“Why?”
“Because I’m sick and tired of hearing you talk
about what we’ve spent or what we’ve done. You came back two months
ago and we’ve been on some sort of a party practically every night
since. We’ve both wanted to go out, and we’ve gone. Well, you
haven’t heard me complain, have you? But all you do is whine,
whine, whine. I don’t care any more what we do or what becomes of
us and at least I’m consistent. But I will not tolerate your
complaining and calamity-howling—”
“You’re not very pleasant yourself sometimes, you
know.”
“I’m under no obligations to be. You’re not making
any attempt to make things different.”
“But I am—”
“Huh! Seems to me I’ve heard that before. This
morning you weren’t going to touch another thing to drink until
you’d gotten a position. And you didn’t even have the spunk to go
to Mr. Haight when he sent for you about the suit.”
Anthony got to his feet and switched on the
lights.
“See here!” he cried, blinking, “I’m getting sick
of that sharp tongue of yours.”
“Well, what are you going to do about it?”
“Do you think I’m particularly happy?” he
continued, ignoring her question. “Do you think I don’t know we’re
not living as we ought to?”
In an instant Gloria stood trembling beside
him.
“I won’t stand it!” she burst out. “I won’t be
lectured to. You and your suffering! You’re just a pitiful weakling
and you always have been!”
They faced one another idiotically, each of them
unable to impress the other, each of them tremendously, achingly,
bored. Then she went into the bedroom and shut the door behind
her.
His return had brought into the foreground all
their prebellum exasperations. Prices had risen alarmingly and in
perverse ratio their income had shrunk to a little over half of its
original size. There had been the large retainer’s fee to Mr.
Haight; there were stocks bought at one hundred, now down to thirty
and forty and other investments that were not paying at all. During
the previous spring Gloria had been given the alternative of
leaving the apartment or of signing a year’s lease at two hundred
and twenty-five a month. She had signed it. Inevitably as the
necessity for economy had increased they found themselves as a pair
quite unable to save. The old policy of prevarication was resorted
to. Weary of their incapabilities they chattered of what they would
do—oh—to-morrow, of how they would “stop going on parties” and of
how Anthony would go to work. But when dark came down Gloria,
accustomed to an engagement every night, would feel the ancient
restlessness creeping over her. She would stand in the doorway of
the bedroom, chewing furiously at her fingers and sometimes meeting
Anthony’s eyes as he glanced up from his book. Then the telephone,
and her nerves would relax, she would answer it with ill-concealed
eagerness. Some one was coming up “for just a few minutes”—and oh,
the weariness of pretense, the appearance of the wine-table, the
revival of their jaded spirits—and the awakening, like the
mid-point of a sleepless night in which they moved.
As the winter passed with the march of the
returning troops along Fifth Avenue they became more and more aware
that since Anthony’s return their relations had entirely changed.
After that re-flowering of tenderness and passion each of them had
returned into some solitary dream unshared by the other and what
endearments passed between them passed, it seemed, from empty heart
to empty heart, echoing hollowly the departure of what they knew at
last was gone.
Anthony had again made the rounds of the
metropolitan newspapers and had again been refused encouragement by
a motley of office boys, telephone girls, and city editors. The
word was: “We’re keeping any vacancies open for our own men who are
still in France.” Then, late in March, his eye fell on an
advertisement in the morning paper and in consequence he found at
last the semblance of an occupation.
YOU CAN SELL!!!
Why not earn while you learn?
Our salesmen make $50—$200 weekly.
Our salesmen make $50—$200 weekly.
There followed an address on Madison Avenue, and
instructions to appear at one o’clock that afternoon. Gloria,
glancing over his shoulder after one of their usual late
breakfasts, saw him regarding it idly.
“Why don’t you try it?” she suggested.
“Oh—it’s one of these crazy schemes.”
“It might not be. At least it’d be
experience.”
At her urging he went at one o’clock to the
appointed address, where he found himself one of a dense miscellany
of men waiting in front of the door. They ranged from a
messenger-boy evidently misusing his company’s time to an
immemorial individual with a gnarled body and a gnarled cane. Some
of the men were seedy, with sunken cheeks and puffy pink
eyes—others were young, possibly still in high school. After a
jostled fifteen minutes during which they all eyed one another with
apathetic suspicion there appeared a smart young shepherd clad in a
“waist-line” suit and wearing the manner of an assistant rector who
herded them up-stairs into a large room, which resembled a
schoolroom and contained innumerable desks. Here the prospective
salesmen sat down—and again waited. After an interval a platform at
the end of the hall was clouded with half a dozen sober but
sprightly men who, with one exception, took seats in a semi-circle
facing the audience.
The exception was the man who seemed the soberest,
the most sprightly and the youngest of the lot, and who advanced to
the front of the platform. The audience scrutinized him hopefully.
He was rather small and rather pretty, with the commercial rather
than the thespian sort of prettiness. He had straight blond bushy
brows and eyes that were almost preposterously honest, and as he
reached the edge of his rostrum he seemed to throw these eyes out
into the audience, simultaneously extending his arm with two
fingers outstretched. Then while he rocked himself to a state of
balance an expectant silence settled over the hall. With perfect
assurance the young man had taken his listeners in hand and his
words when they came were steady and confident and of the school of
“straight from the shoulder.”
“Men!”—he began, and paused. The word died with a
prolonged echo at the end of the hall, the faces regarding him,
hopefully, cynically, wearily, were alike arrested, engrossed. Six
hundred eyes were turned slightly upward. With an even graceless
flow that reminded Anthony of the rolling of bowling-balls he
launched himself into the sea of exposition.
“This bright and sunny morning you picked up your
favorite newspaper and you found an advertisement which made the
plain, unadorned statement that you could sell. That was all
it said—it didn’t say ‘what,’ it didn’t say ‘how,’ it didn’t say
‘why.’ It just made one single solitary assertion that you
and you and you”—business of pointing—”could sell. Now my
job isn’t to make a success of you, because every man is born a
success, he makes himself a failure; it’s not to teach you how to
talk, because each man is a natural orator and only makes himself a
clam; my business is to tell you one thing in a way that will make
you know it—it’s to tell you that you and you and you have the
heritage of money and prosperity waiting for you to come and claim
it.”
At this point an Irishman of saturnine appearance
rose from his desk near the rear of the hall and went out.
“That man thinks he’ll go look for it in the beer
parlor around the corner. (Laughter.) He won’t find it there. Once
upon a time I looked for it there myself (laughter), but that was
before I did what every one of you men no matter how young or how
old, how poor or how rich (a faint ripple of satirical laughter),
can do. It was before I found—myself!
“Now I wonder if any of you men know what a ‘Heart
Talk’ is. A ‘Heart Talk’ is a little book in which I started, about
five years ago, to write down what I had discovered were the
principal reasons for a man’s failure and the principal reasons for
a man’s success—from John D. Rockerfeller back to John D. Napoleon
(laughter), and before that, back in the days when Abel sold his
birthright for a mess of pottage. There are now one hundred of
these ‘Heart Talks.’Those of you who are sincere, who are
interested in our proposition, above all who are dissatisfied with
the way things are breaking for you at present will be handed one
to take home with you as you go out yonder door this
afternoon.
“Now in my own pocket I have four letters just
received concerning ‘Heart Talks.’ These letters have names signed
to them that are familiar in every household in the U.S.A. Listen
to this one from Detroit:
DEAR MR. CARLETON:
I want to order three thousand more copies of
“Heart Talks” for distribution among my salesmen. They have done
more for getting work out of the men than any bonus proposition
ever considered. I read them myself constantly, and I desire to
heartily congratulate you on getting at the roots of the biggest
problem that faces our generation to-day—the problem of
salesmanship. The rock bottom on which the country is founded is
the problem of salesmanship. With many felicitations I am
Yours very cordially,
HENRY W. TERRAL.
HENRY W. TERRAL.
He brought the name out in three long booming
triumphancies—pausing for it to produce its magical effect. Then he
read two more letters, one from a manufacturer of vacuum cleaners
and one from the president of the Great Northern Doily
Company.
“And now,” he continued, “I’m going to tell you in
a few words what the proposition is that’s going to make those of
you who go into it in the right spirit. Simply put, it’s this:
‘Heart Talks’ have been incorporated as a company. We’re going to
put these little pamphlets into the hands of every big business
organization, every salesman, and every man who knows—I
don’t say ‘thinks,’ I say ‘knows’—that he can sell! We are
offering some of the stock of the ‘Heart Talks’ concern upon the
market, and in order that the distribution may be as wide as
possible, and in order also that we can furnish a living, concrete,
flesh-and-blood example of what salesmanship is, or rather what it
may be, we’re going to give those of you who are the real thing a
chance to sell that stock. Now, I don’t care what you’ve tried to
sell before or how you’ve tried to sell it. It don’t matter how old
you are or how young you are. I only want to know two things—first,
do you want success, and, second, will you work for it?
“My name is Sammy Carleton. Not‘Mr.’ Carleton, but
just plain Sammy. I’m a regular no-nonsense man with no fancy
frills about me. I want you to call me Sammy.
“Now this is all I’m going to say to you to-day.
To-morrow I want those of you who have thought it over and have
read the copy of ‘Heart Talks’ which will be given to you at the
door, to come back to this same room at this same time, then we’ll
go into the proposition further and I’ll explain to you what I’ve
found the principles of success to be. I’m going to make you feel
that you and you and you can sell!”
Mr. Carleton’s voice echoed for a moment through
the hall and then died away. To the stamping of many feet Anthony
was pushed and jostled with the crowd out of the room.
Furtber Adventures with “Heart Talks”
With an accompaniment of ironic laughter Anthony
told Gloria the story of his commercial adventure. But she listened
without amusement.
“You’re going to give up again?” she demanded
coldly.
“Why—you don’t expect me to—”
“I never expected anything of you.”
He hesitated.
“Well—I can’t see the slightest benefit in laughing
myself sick over this sort of affair. If there’s anything older
than the old story, it’s the new twist.”
It required an astonishing amount of moral energy
on Gloria’s part to intimidate him into returning, and when he
reported next day, somewhat depressed from his perusal of the
senile bromides skittishly set forth in “Heart Talks on Ambition,”
he found only fifty of the original three hundred awaiting the
appearance of the vital and compelling Sammy Carleton. Mr.
Carleton’s powers of vitality and compulsion were this time
exercised in elucidating that magnificent piece of speculation—how
to sell. It seemed that the approved method was to state one’s
proposition and then to say not “And now, will you buy?”—this was
not the way—oh, no!—the way was to state one’s proposition and
then, having reduced one’s adversary to a state of exhaustion, to
deliver oneself of the categorical imperative: “Now see here!
You’ve taken up my time explaining this matter to you. You’ve
admitted my points—all I want to ask is how many do you
want?”
As Mr. Carleton piled assertion upon assertion
Anthony began to feel a sort of disgusted confidence in him. The
man appeared to know what he was talking about. Obviously
prosperous, he had risen to the position of instructing others. It
did not occur to Anthony that the type of man who attains
commercial success seldom knows how or why, and, as in his
grandfather’s case, when he ascribes reasons, the reasons are
generally inaccurate and absurd.
Anthony noted that of the numerous old men who had
answered the original advertisement, only two had returned, and
that among the thirty odd who assembled on the third day to get
actual selling instructions from Mr. Carleton, only one gray head
was in evidence. These thirty were eager converts; with their
mouths they followed the working of Mr. Carleton’s mouth; they
swayed in their seats with enthusiasm, and in the intervals of his
talk they spoke to each other in tense approving whispers. Yet of
the chosen few who, in the words of Mr. Carleton, “were determined
to get those deserts that rightly and truly belonged to them,” less
than half a dozen combined even a modicum of personal appearance
with that great gift of being a “pusher.” But they were told that
they were all natural pushers—it was merely necessary that they
should believe with a sort of savage passion in what they were
selling. He even urged each one to buy some stock himself, if
possible, in order to increase his own sincerity.
On the fifth day then, Anthony sallied into the
street with all the sensations of a man wanted by the police.
Acting according to instructions he selected a tall office-building
in order that he might ride to the top story and work downward,
stopping in every office that had a name on the door. But at the
last minute he hesitated. Perhaps it would be more practicable to
acclimate himself to the chilly atmosphere which he felt was
awaiting him by trying a few offices on, say, Madison Avenue. He
went into an arcade that seemed only semi-prosperous, and seeing a
sign which read Percy B. Weatherbee, Architect, he opened the door
heroically and entered. A starchy young woman looked up
questioningly.
“Can I see Mr. Weatherbee?” He wondered if his
voice sounded tremulous.
She laid her hand tentatively on the
telephone-receiver.
“What’s the name, please?”
“He wouldn’t—ah—know me. He wouldn’t know my
name.”
“What’s your business with him? You an insurance
agent?”
“Oh, no, nothing like that!” denied Anthony
hurriedly. “Oh, no. It’s a—it’s a personal matter.” He wondered if
he should have said this. It had all sounded so simple when Mr.
Carleton had enjoined his flock: “Don’t allow yourself to be kept
out! Show them you’ve made up your mind to talk to them, and
they’ll listen.”
The girl succumbed to Anthony’s pleasant,
melancholy face, and in a moment the door to the inner room opened
and admitted a tall, splay-footed man with slicked hair. He
approached Anthony with ill-concealed impatience.
“You wanted to see me on a personal matter?”
Anthony quailed.
“I wanted to talk to you,” he said defiantly.
“About what?”
“It’ll take some time to explain.”
“Well, what’s it about?” Mr. Weatherbee’s voice
indicated rising irritation.
Then Anthony, straining at each word, each
syllable, began:
“I don’t know whether or not you’ve ever heard of a
series of pamphlets called ‘Heart Talks’—”
“Good grief?” cried Percy B. Weatherbee, Architect,
“are you trying to touch my heart?”
“No, it’s business. ‘Heart Talks’ have been
incorporated and we’re putting some shares on the market—”
His voice faded slowly off, harassed by a fixed and
contemptuous stare from his unwilling prey. For another minute he
struggled on, increasingly sensitive, entangled in his own words.
His confidence oozed from him in great retching emanations that
seemed to be sections of his own body. Almost mercifully Percy B.
Weatherbee, Architect, terminated the interview:
“Good grief!” he exploded in disgust, “and you call
that a personal matter!” He whipped about and strode into his
private office, banging the door behind him. Not daring to look at
the stenographer, Anthony in some shameful and mysterious way got
himself from the room. Perspiring profusely he stood in the hall
wondering why they didn’t come and arrest him; in every hurried
look he discerned infallibly a glance of scorn.
After an hour and with the help of two strong
whiskies he brought himself up to another attempt. He walked into a
plumber’s shop, but when he mentioned his business the plumber
began pulling on his coat in a great hurry, gruffly announcing that
he had to go to lunch. Anthony remarked politely that it was futile
to try to sell a man anything when he was hungry, and the plumber
heartily agreed.
This episode encouraged Anthony; he tried to think
that had the plumber not been bound for lunch he would at least
have listened.
Passing by a few glittering and formidable bazaars
he entered a grocery-store. A talkative proprietor told him that
before buying any stocks he was going to see how the armistice
affected the market. To Anthony this seemed almost unfair. In Mr.
Carleton’s salesman’s Utopia the only reason prospective buyers
ever gave for not purchasing stock was that they doubted it to be a
promising investment. Obviously a man in that state was almost
ludicrously easy game, to be brought down merely by the judicious
application of the correct selling points. But these men—why,
actually they weren’t considering buying anything at all.
Anthony took several more drinks before he
approached his fourth man, a real-estate agent; nevertheless, he
was floored with a coup as decisive as a syllogism. The real-estate
agent said that he had three brothers in the investment business.
Viewing himself as a breaker-up of homes Anthony apologized and
went out.
After another drink he conceived the brilliant plan
of selling the stock to the bartenders along Lexington Avenue. This
occupied several hours, for it was necessary to take a few drinks
in each place in order to get the proprietor in the proper frame of
mind to talk business. But the bartenders one and all contended
that if they had any money to buy bonds they would not be
bartenders. It was as though they had all convened and decided upon
that rejoinder. As he approached a dark and soggy five o’clock he
found that they were developing a still more annoying tendency to
turn him off with a jest.
At five, then, with a tremendous effort at
concentration he decided that he must put more variety into his
canvassing. He selected a medium-sized delicatessen store, and went
in. He felt, illuminatingly, that the thing to do was to cast a
spell not only over the store-keeper but over all the customers as
well—and perhaps through the psychology of the herd instinct they
would buy as an astounded and immediately convinced whole.
“Af‘ernoon,” he began in a loud thick voice. “Ga
l’il prop’sition.”
If he had wanted silence he obtained it. A sort of
awe descended upon the half-dozen women marketing and upon the
gray-haired ancient who in cap and apron was slicing chicken.
Anthony pulled a batch of papers from his flapping
brief case and waved them cheerfully.
“Buy a bon‘,” he suggested, “good as liberty bon’!”
The phrase pleased him and he elaborated upon it. “Better’n liberty
bon’. Every one these bon’s worth two liberty bon’s.” His mind made
a hiatus and skipped to his peroration, which he delivered with
appropriate gestures, these being somewhat marred by the necessity
of clinging to the counter with one or both hands. “Now see here.
You taken up my time. I don’t want know why you won’t buy. I just
want you say why. Want you say how many!”
At this point they should have approached him with
checkbooks and fountain-pens in hand. Realizing that they must have
missed a cue Anthony, with the instincts of an actor, went back and
repeated his finale.
“Now see here! You taken up my time. You followed
prop‘sition. You agreed ’th reasonin’? Now, all I want from you is,
how many lib’ty bon’s?”
“See here!” broke in a new voice. A portly man
whose face was adorned with symmetrical scrolls of yellow hair had
come out of a glass cage in the rear of the store and was bearing
down upon Anthony. “See here, you!”
“How many?” repeated the salesman sternly. “You
taken up my time—”
“Hey, you!” cried the proprietor, “I’ll have you
taken up by the police.”
“You mos’ cert‘nly won’t!” returned Anthony with
fine defiance. “All I want know is how many.”
From here and there in the store went up little
clouds of comment and expostulation.
“How terrible!”
“He’s a raving maniac.”
“He’s disgracefully drunk.”
The proprietor grasped Anthony’s arm sharply.
“Get out, or I’ll call a policeman.”
Some relics of rationality moved Anthony to nod and
replace his bonds clumsily in the case.
“How many?” he reiterated doubtfully.
“The whole force if necessary!” thundered his
adversary, his yellow mustache trembling fiercely.
“Sell ‘em all a bon’.”
With this Anthony turned, bowed gravely to his late
auditors, and wabbled from the store. He found a taxicab at the
corner and rode home to the apartment. There he fell sound asleep
on the sofa, and so Gloria found him, his breath filling the air
with an unpleasant pungency, his hand still clutching his open
brief case.
Except when Anthony was drinking, his range of
sensation had become less than that of a healthy old man and when
prohibition came in July he found that, among those who could
afford it, there was more drinking than ever before. One’s host now
brought out a bottle upon the slightest pretext. The tendency to
display liquor was a manifestation of the same instinct that led a
man to deck his wife with jewels. To have liquor was a boast,
almost a badge of respectability.
In the mornings Anthony awoke tired, nervous, and
worried. Halcyon summer twilights and the purple chill of morning
alike left him unresponsive. Only for a brief moment every day in
the warmth and renewed life of a first high-ball did his mind turn
to those opalescent dreams of future pleasure—the mutual heritage
of the happy and the damned. But this was only for a little while.
As he grew drunker the dreams faded and he became a confused
spectre, moving in odd crannies of his own mind, full of unexpected
devices, harshly contemptuous at best and reaching sodden and
dispirited depths. One night in June he had quarrelled violently
with Maury over a matter of the utmost triviality. He remembered
dimly next morning that it had been about a broken pint bottle of
champagne. Maury had told him to sober up and Anthony’s feelings
had been hurt, so with an attempted gesture of dignity he had risen
from the table and seizing Gloria’s arm half led, half shamed her
into a taxicab outside, leaving Maury with three dinners ordered
and tickets for the opera.
This sort of semi-tragic fiasco had become so
usual that when they occurred he was no longer stirred into making
amends. If Gloria protested—and of late she was more likely to sink
into a contemptuous silence—he would either engage in a bitter
defense of himself or else stalk dismally from the apartment. Never
since the incident on the station platform at Redgate had he laid
his hands on her in anger—though he was withheld often only by some
instinct that itself made him tremble with rage. Just as he still
cared more for her than for any other creature, so did he more
intensely and frequently hate her.
So far, the judges of the Appellate Division had
failed to hand down a decision, but after another postponement they
finally affirmed the decree of the lower court—two justices
dissenting. A notice of appeal was served upon Edward Shuttleworth.
The case was going to the court of last resort, and they were in
for another interminable wait. Six months, perhaps a year. It had
grown enormously unreal to them, remote and uncertain as
heaven.
Throughout the previous winter one small matter had
been a subtle and omnipresent irritant—the question of Gloria’s
gray fur coat. At that time women enveloped in long squirrel wraps
could be seen every few yards along Fifth Avenue. The women were
converted to the shape of tops. They seemed porcine and obscene;
they resembled kept women in the concealing richness, the feminine
animality of the garment. Vet—Gloria wanted a gray squirrel
coat.
Discussing the matter—or, rather, arguing it, for
even more than in the first year of their marriage did every
discussion take the form of bitter debate full of such phrases as
“most certainly,” “utterly outrageous,” “it’s so, nevertheless,”
and the ultra-emphatic “regardless” —they concluded that they could
not afford it. And so gradually it began to stand as a symbol of
their growing financial anxiety.
To Gloria the shrinkage of their income was a
remarkable phenomenon, without explanation or precedent—that it
could happen at all within the space of five years seemed almost an
intended cruelty, conceived and executed by a sardonic God. When
they were married seventy-five hundred a year had seemed ample for
a young couple, especially when augmented by the expectation of
many millions. Gloria had failed to realize that it was decreasing
not only in amount but in purchasing power until the payment of Mr.
Haight’s retaining fee of fifteen thousand dollars made the fact
suddenly and startlingly obvious. When Anthony was drafted they had
calculated their income at over four hundred a month, with the
dollar even then decreasing in value, but on his return to New York
they discovered an even more alarming condition of affairs. They
were receiving only forty-five hundred a year from their
investments. And though the suit over the will moved ahead of them
like a persistent mirage and the financial danger-mark loomed up in
the near distance they found, nevertheless, that living within
their income was impossible.
So Gloria went without the squirrel coat and every
day upon Fifth Avenue she was a little conscious of her well-worn,
half-length leopard skin, now hopelessly old-fashioned. Every other
month they sold a bond, yet when the bills were paid it left only
enough to be gulped down hungrily by their current expenses.
Anthony’s calculations showed that their capital would last about
seven years longer. So Gloria’s heart was very bitter, for in one
week, on a prolonged hysterical party during which Anthony
whimsically divested himself of coat, vest, and shirt in a theatre
and was assisted out by a posse of ushers, they spent twice what
the gray squirrel coat would have cost.
It was November, Indian summer rather, and a warm,
warm night—which was unnecessary, for the work of the summer was
done. Babe Ruth had smashed the home-run record for the first time
and Jack Dempsey had broken Jess Willard’sv
cheek-bone out in Ohio. Over in Europe the usual number of children
had swollen stomachs from starvation, and the diplomats were at
their customary business of making the world safe for new wars. In
New York City the proletariat were being “disciplined,” and the
odds on Harvard were generally quoted at five to three. Peace had
come down in earnest, the beginning of new days.
Up in the bedroom of the apartment on Fifty-seventh
Street Gloria lay upon her bed and tossed from side to side,
sitting up at intervals to throw off a superfluous cover and once
asking Anthony, who was lying awake beside her, to bring her a
glass of ice-water. “Be sure and put ice in it,” she said with
insistence; “it isn’t cold enough the way it comes from the
faucet.”
Looking through the frail curtains she could see
the rounded moon over the roofs and beyond it on the sky the yellow
glow from Times Square—and watching the two incongruous lights, her
mind worked over an emotion, or rather an interwoven complex of
emotions, that had occupied it through the day, and the day before
that and back to the last time when she could remember having
thought clearly and consecutively about anything—which must have
been while Anthony was in the army.
She would be twenty-nine in February. The month
assumed an ominous and inescapable significance—making her wonder,
through these nebulous half-fevered hours whether after all she had
not wasted her faintly tired beauty, whether there was such a thing
as use for any quality bounded by a harsh and inevitable
mortality.
Years before, when she was twenty-one, she had
written in her diary: “Beauty is only to be admired, only to be
loved—to be harvested carefully and then flung at a chosen lover
like a gift of roses. It seems to me, so far as I can judge clearly
at all, that my beauty should be used like that....”
And now, all this November day, all this desolate
day, under a sky dirty and white, Gloria had been thinking that
perhaps she had been wrong. To preserve the integrity of her first
gift she had looked no more for love. When the first flame and
ecstasy had grown dim, sunk down, departed, she had begun
preserving—what? It puzzled her that she no longer knew just what
she was preserving—a sentimental memory or some profound and
fundamental concept of honor. She was doubting now whether there
had been any moral issue involved in her way of life—to walk
unworried and unregretful along the gayest of all possible lanes
and to keep her pride by being always herself and doing what it
seemed beautiful that she should do. From the first little boy in
an Eton collar whose “girl” she had been, down to the latest casual
man whose eyes had grown alert and appreciative as they rested upon
her, there was needed only that matchless candor she could throw
into a look or clothe with an inconsequent clause—for she had
talked always in broken clauses—to weave about her immeasurable
illusions, immeasurable distances, immeasurable light. To create
souls in men, to create fine happiness and fine despair she must
remain deeply proud—proud to be inviolate, proud also to be
melting, to be passionate and possessed.
She knew that in her breast she had never wanted
children. The reality, the earthiness, the intolerable sentiment of
childbearing, the menace to her beauty—had appalled her. She wanted
to exist only as a conscious flower, prolonging and preserving
itself Her sentimentality could cling fiercely to her own
illusions, but her ironic soul whispered that motherhood was also
the privilege of the female baboon. So her dreams were of ghostly
children only—the early, the perfect symbols of her early and
perfect love for Anthony.
In the end then, her beauty was all that never
failed her. She had never seen beauty like her own. What it meant
ethically or æsthetically faded before the gorgeous concreteness of
her pink-and-white feet, the clean perfectness of her body, and the
baby mouth that was like the material symbol of a kiss.
She would be twenty-nine in February. As the long
night waned she grew supremely conscious that she and beauty were
going to make use of these next three months. At first she was not
sure for what, but the problem resolved itself gradually into the
old lure of the screen. She was in earnest now. No material want
could have moved her as this fear moved her. No matter for Anthony,
Anthony the poor in spirit, the weak and broken man with bloodshot
eyes, for whom she still had moments of tenderness. No matter. She
would be twenty-nine in February—a hundred days, so many days; she
would go to Bloeckman to-morrow
With the decision came relief. It cheered her that
in some manner the illusion of beauty could be sustained, or
preserved perhaps in celluloid after the reality had vanished.
Well—to-morrow.
The next day she felt weak and ill. She tried to go
out, and saved herself from collapse only by clinging to a mail-box
near the front door. The Martinique elevator boy helped her
upstairs, and she waited on the bed for Anthony’s return without
energy to unhook her brassière.
For five days she was down with influenza, which,
just as the month turned the corner into winter, ripened into
double pneumonia. In the feverish perambulations of her mind she
prowled through a house of bleak unlighted rooms hunting for her
mother. All she wanted was to be a little girl, to be efficiently
taken care of by some yielding yet superior power, stupider and
steadier than herself. It seemed that the only lover she had ever
wanted was a lover in a dream.
“Odi Profanum Vulgus”w
One day in the midst of Gloria’s illness there
occurred a curious incident that puzzled Miss McGovern, the trained
nurse, for some time afterward. It was noon, but the room in which
the patient lay was dark and quiet. Miss McGovern was standing near
the bed mixing some medicine, when Mrs. Patch, who had apparently
been sound asleep, sat up and began to speak vehemently:
“Millions of people,” she said, “swarming like
rats, chattering like apes, smelling like all hell ... monkeys! Or
lice, I suppose. For one really exquisite palace... on Long Island,
say—or even in Greenwich... for one palace full of pictures from
the Old World and exquisite things—with avenues of trees and green
lawns and a view of the blue sea, and lovely people about in slick
dresses... I’d sacrifice a hundred thousand of them, a million of
them.” She raised her hand feebly and snapped her fingers. “I care
nothing for them—understand me?”
The look she bent upon Miss McGovern at the
conclusion of this speech was curiously elfin, curiously intent.
Then she gave a short little laugh polished with scorn, and
tumbling backward fell off again to sleep.
Miss McGovern was bewildered. She wondered what
were the hundred thousand things that Mrs. Patch would sacrifice
for her palace. Dollars, she supposed—yet it had not sounded
exactly like dollars.
The Movies
It was February, seven days before her birthday,
and the great snow that had filled up the cross streets as dirt
fills the cracks in a floor had turned to slush and was being
escorted to the gutters by the hoses of the street-cleaning
department. The wind, none the less bitter for being casual,
whipped in through the open windows of the living-room bearing with
it the dismal secrets of the areaway and clearing the Patch
apartment of stale smoke in its cheerless circulation.
Gloria, wrapped in a warm kimona, came into the
chilly room and taking up the telephone-receiver called Joseph
Bloeckman.
“Do you mean Mr. Joseph Black?” demanded the
telephone girl at “Films Par Excellence.”
“Bloeckman, Joseph Bloeckman. B-1-o—”
“Mr. Joseph Bloeckman has changed his name to
Black. Do you want him?”
“Why—yes.” She remembered nervously that she had
once called him “Blockhead” to his face.
His office was reached by courtesy of two
additional female voices; the last was a secretary who took her
name. Only with the flow through the transmitter of his own
familiar but faintly impersonal tone did she realize that it had
been three years since they had met. And he had changed his name to
Black.
“Can you see me?” she suggested lightly. “It’s on a
business matter, really. I’m going into the movies at last—if I
can.”
“I’m awfully glad. I’ve always thought you’d like
it.”
“Do you think you can get me a trial?” she demanded
with the arrogance peculiar to all beautiful women, to all women
who have ever at any time considered themselves beautiful.
He assured her that it was merely a question of
when she wanted the trial. Any time? Well, he’d phone later in the
day and let her know a convenient hour. The conversation closed
with conventional padding on both sides. Then from three o’clock to
five she sat close to the telephone—with no result.
But next morning came a note that contented and
excited her:
MY DEAR GLORIA:
Just by luck a matter came to my attention that I
think will be just suited to you. I would like to see you start
with something that would bring you notice. At the same time if a
very beautiful girl of your sort is put directly into a picture
next to one of the rather shop-worn stars with which every company
is afflicted, tongues would very likely wag. But there is a
“flapper” part in a Percy B. Debris production that I think would
be just suited to you and would bring you notice. Willa Sable plays
opposite Gaston Mears in a sort of character part and your part I
believe would be her younger sister.
Anyway Percy B. Debris who is directing the picture
says if you’ll come to the studios day after to-morrow (Thursday)
he will run off a test. If ten o’clock is suited to you I will meet
you there at that time.
With all good wishes
Ever faithfully
JOSEPH BLACK.
JOSEPH BLACK.
Gloria had decided that Anthony was to know nothing
of this until she had obtained a definite position, and accordingly
she was dressed and out of the apartment next morning before he
awoke. Her mirror had given her, she thought, much the same account
as ever. She wondered if there were any lingering traces of her
sickness. She was still slightly under weight, and she had fancied,
a few days before, that her cheeks were a trifle thinner—but she
felt that those were merely transitory conditions and that on this
particular day she looked as fresh as ever. She had bought and
charged a new hat, and as the day was warm she had left the
leopard-skin coat at home.
At the “Films Par Excellence” studios she was
announced over the telephone and told that Mr. Black would be down
directly. She looked around her. Two girls were being shown about
by a little fat man in a slash-pocket coat, and one of them had
indicated a stack of thin parcels, piled breast-high against the
wall, and extending along for twenty feet.
“That’s studio mail,” explained the fat man.
“Pictures of the stars who are with ‘Films Par Excellence.’”
“Oh.”
“Each one’s autographed by Florence Kelley or
Gaston Mears or Mack Dodge—”x He
winked confidentially. “At least when Minnie McGlook out in Sauk
Center gets the picture she wrote for, she thinks it’s
autographed.”
“Just a stamp?”
“Sure. It’d take ‘em a good eight-hour day to
autograph half of ’em. They say Mary Pickford’s studio mail costs
her fifty thousand a year.”
“Say!”
“Sure. Fifty thousand. But it’s the best kinda
advertising there is—”
They drifted out of earshot and almost immediately
Bloeckman appeared—Bloeckman, a dark suave gentleman, gracefully
engaged in the middle forties, who greeted her with courteous
warmth and told her she had not changed a bit in three years. He
led the way into a great hall, as large as an armory and broken
intermittently with busy sets and blinding rows of unfamiliar
light. Each piece of scenery was marked in large white letters
“Gaston Mears Company,” “Mack Dodge Company,” or simply “Films Par
Excellence.”
“Ever been in a studio before?”
“Never have.”
She liked it. There was no heavy closeness of
grease-paint, no scent of soiled and tawdry costumes which years
before had revolted her behind the scenes of a musical comedy. This
work was done in the clean mornings; the appurtenances seemed rich
and gorgeous and new. On a set that was joyous with Manchu hangings
a perfect Chinaman was going through a scene according to megaphone
directions as the great glittering machine ground out its ancient
moral tale for the edification of the national mind.
A red-headed man approached them and spoke with
familiar deference to Bloeckman, who answered:
“Hello, Debris. Want you to meet Mrs. Patch....
Mrs. Patch wants to go into pictures, as I explained to you.... All
right, now, where do we go?”
Mr. Debris—the great Percy B. Debris, thought
Gloria—showed them to a set which represented the interior of an
office. Some chairs were drawn up around the camera, which stood in
front of it, and the three of them sat down.
“Ever been in a studio before?” asked Mr. Debris,
giving her a glance that was surely the quintessence of keenness.
“No? Well, I’ll explain exactly what’s going to happen. We’re going
to take what we call a test in order to see how your features
photograph and whether you’ve got natural stage presence and how
you respond to coaching. There’s no need to be nervous over it.
I’ll just have the camera-man take a few hundred feet in an episode
I’ve got marked here in the scenario. We can tell pretty much what
we want to from that.”
He produced a typewritten continuity and explained
to her the episode she was to enact. It developed that one Barbara
Wainwright had been secretly married to the junior partner of the
firm whose office was there represented. Entering the deserted
office one day by accident she was naturally interested in seeing
where her husband worked. The telephone rang and after some
hesitation she answered it. She learned that her husband had been
struck by an automobile and instantly killed. She was overcome. At
first she was unable to realize the truth, but finally she
succeeded in comprehending it, and went into a dead faint on the
floor.
“Now that’s all we want,” concluded Mr. Debris.
“I’m going to stand here and tell you approximately what to do, and
you’re to act as though I wasn’t here, and just go on do it your
own way. You needn’t be afraid we’re going to judge this too
severely. We simply want to get a general idea of your screen
personality.”
“I see.”
“You’ll find make-up in the room in back of the
set. Go light on it. Very little red.”
“I see,” repeated Gloria, nodding. She touched her
lips nervously with the tip of her tongue.
The Test
As she came into the set through the real wooden
door and closed it carefully behind her, she found herself
inconveniently dissatisfied with her clothes. She should have
bought a “misses’” dress for the occasion—she could still wear
them, and it might have been a good investment if it had
accentuated her airy youth.
Her mind snapped sharply into the momentous present
as Mr. Debris’s voice came from the glare of the white lights in
front.
“You look around for your husband.... Now—you don’t
see him... you’re curious about the office....”
She became conscious of the regular sound of the
camera. It worried her. She glanced toward it involuntarily and
wondered if she had made up her face correctly. Then, with a
definite effort she forced herself to act—and she had never felt
that the gestures of her body were so banal, so awkward, so bereft
of grace or distinction. She strolled around the office, picking up
articles here and there and looking at them inanely. Then she
scrutinized the ceiling, the floor, and thoroughly inspected an
inconsequential lead-pencil on the desk. Finally, because she could
think of nothing else to do, and less than nothing to express, she
forced a smile.
“All right. Now the phone rings.
Ting-a-ling-a-ling! Hesitate, and then answer it.”
She hesitated—and then, too quickly, she thought,
picked up the receiver.
“Hello.”
Her voice was hollow and unreal. The words rang in
the empty set like the ineffectualities of a ghost. The absurdities
of their requirements appalled her—Did they expect that on an
instant’s notice she could put herself in the place of this
preposterous and unexplained character?
“... No ... no.... Not yet! Now listen: ‘John
Sumner has just been knocked over by an automobile and instantly
killed!”’
Gloria let her baby mouth drop slowly open.
Then:
“Now hang up! With a bang!”
She obeyed, clung to the table with her eyes wide
and staring. At length she was feeling slightly encouraged and her
confidence increased.
“My God!” she cried. Her voice was good, she
thought. “Oh, my God!”
“Now faint.”
She collapsed forward to her knees and throwing her
body outward on the ground lay without breathing.
“All right!” called Mr. Debris. “That’s enough,
thank you. That’s plenty. Get up—that’s enough.”
Gloria arose, mustering her dignity and brushing
off her skirt.
“Awful!” she remarked with a cool laugh, though her
heart was bumping tumultuously. “Terrible, wasn’t it?”
“Did you mind it?” said Mr. Debris, smiling
blandly. “Did it seem hard? I can’t tell anything about it until I
have it run off.”
“Of course not,” she agreed, trying to attach some
sort of meaning to his remark—and failing. It was just the sort of
thing he would have said had he been trying not to encourage
her.
A few moments later she left the studio. Bloeckman
had promised that she should hear the result of the test within the
next few days. Too proud to force any definite comment she felt a
baffling uncertainty and only now when the step had at last been
taken did she realize how the possibility of a successful screen
career had played in the back of her mind for the past three years.
That night she tried to tell over to herself the elements that
might decide for or against her. Whether or not she had used enough
make-up worried her, and as the part was that of a girl of twenty,
she wondered if she had not been just a little too grave. About her
acting she was least of all satisfied. Her entrance had been
abominable—in fact not until she reached the phone had she
displayed a shred of poise—and then the test had been over. If they
had only realized! She wished that she could try it again. A mad
plan to call up in the morning and ask for a new trial took
possession of her, and as suddenly faded. It seemed neither politic
nor polite to ask another favor of Bloeckman.
The third day of waiting found her in a highly
nervous condition. She had bitten the insides of her mouth until
they were raw and smarting, and burnt unbearably when she washed
them with listerine. She had quarrelled so persistently with
Anthony that he had left the apartment in a cold fury. But because
he was intimidated by her exceptional frigidity, he called up an
hour afterward, apologized and said he was having dinner at the
Amsterdam Club, the only one in which he still retained
membership.
It was after one o’clock and she had breakfasted at
eleven, so, deciding to forego luncheon, she started for a walk in
the Park. At three there would be a mail. She would be back by
three.
It was an afternoon of premature spring. Water was
drying on the walks and in the Park little girls were gravely
wheeling white doll-buggies up and down under the thin trees while
behind them followed bored nursery-maids in two’s, discussing with
each other those tremendous secrets that are peculiar to
nursery-maids.
Two o’clock by her little gold watch. She should
have a new watch, one made in a platinum oblong and incrusted with
diamonds—but those cost even more than squirrel coats and of course
they were out of her reach now, like everything else—unless perhaps
the right letter was awaiting her... in about an hour...
fifty-eight minutes exactly. Ten to get there left forty-eight ...
forty-seven now...
Little girls soberly wheeling their buggies along
the damp sunny walks. The nursery-maids chattering in pairs about
their inscrutable secrets. Here and there a raggedy man seated upon
newspapers spread on a drying bench, related not to the radiant and
delightful afternoon but to the dirty snow that slept exhausted in
obscure corners, waiting for extermination....
Ages later, coming into the dim hall she saw the
Martinique elevator boy standing incongruously in the light of the
stained-glass window.
“Is there any mail for us?” she asked.
“Up-stays, madame.”
The switchboard squawked abominably and Gloria
waited while he ministered to the telephone. She sickened as the
elevator groaned its way up—the floors passed like the slow lapse
of centuries, each one ominous, accusing, significant. The letter,
a white leprous spot, lay upon the dirty tiles of the
hall....
MY DEAR GLORIA:
We had the test run off yesterday afternoon, and
Mr. Debris seemed to think that for the part he had in mind he
needed a younger woman. He said that the acting was not bad, and
that there was a small character part supposed to be a very haughty
rich widow that he thought you might—
Desolately Gloria raised her glance until it fell
out across the areaway. But she found she could not see the
opposite wall, for her gray eyes were full of tears. She walked
into the bedroom, the letter crinkled tightly in her hand, and sank
down upon her knees before the long mirror on the wardrobe floor.
This was her twenty-ninth birthday, and the world was melting away
before her eyes. She tried to think that it had been the make-up,
but her emotions were too profound, too overwhelming for any
consolation that the thought conveyed.
She strained to see until she could feel the flesh
on her temples pull forward. Yes—the cheeks were ever so faintly
thin, the corners of the eyes were lined with tiny wrinkles. The
eyes were different. Why, they were different! ... And then
suddenly she knew how tired her eyes were.
“Oh, my pretty face,” she whispered, passionately
grieving. “Oh, my pretty face! Oh, I don’t want to live without my
pretty face! Oh, what’s happened?”
Then she slid toward the mirror and, as in the
test, sprawled face downward upon the floor—and lay there sobbing.
It was the first awkward movement she had ever made.