The God Delusion

INSPIRATION

This is a matter of taste or private judgement, which has the slightly unfortunate effect that the method of argument I must employ is rhetoric rather than logic. I've done it before, and so have many others including, to name only recent examples, Carl Sagan in Pale Blue Dot, E. O. Wilson in Biophilia, Michael Shermer in The Soul of Science and Paul Kurtz in Affirmations. In Unweaving the Rainbow I tried to convey how lucky we are to be alive, given that the vast majority of people who could potentially be thrown up by the combinatorial lottery of DNA will in fact never be born. For those of us lucky enough to be here, I pictured the relative brevity of life by imagining a laser-thin spotlight creeping along a gigantic ruler of time. Everything before or after the spotlight is shrouded in the darkness of the dead past, or the darkness of the unknown future. We are staggeringly lucky to find ourselves in the spotlight. However brief our time in the sun, if we waste a second of it, or complain that it is dull or barren or (like a child) boring, couldn't this be seen as a callous insult to those unborn trillions who will never even be offered life in the first place? As many atheists have said better than me, the knowledge that we have only one life should make it all the more precious. The atheist view is correspondingly life-affirming and life-enhancing, while at the same time never being tainted with self-delusion, wishful thinking, or the whingeing self-pity of those who feel that life owes them something. Emily Dickinson said,

That it will never come again 

Is what makes life so sweet.

If the demise of God will leave a gap, different people will fill it in different ways. My way includes a good dose of science, the honest and systematic endeavour to find out the truth about the real world. I see the human effort to understand the universe as a model-building enterprise. Each of us builds, inside our head, a model of the world in which we find ourselves. The minimal model of the world is the model our ancestors needed in order to survive in it. The simulation software was constructed and debugged by natural selection, and it is most adept in the world familiar to our ancestors on the African savannah: a three-dimensional world of medium-sized material objects, moving at medium speeds relative to one another. As an unexpected bonus, our brains turn out to be powerful enough to accommodate a much richer world model than the mediocre utilitarian one that our ancestors needed in order to survive. Art and science are runaway manifestations of this bonus. Let me paint one final picture, to convey the power of science to open the mind and satisfy the psyche.