LECTURAS RECOMENDADAS

Capítulo uno

Campbell, Joseph, The Hero with a Thousand Faces, New World Library, 2008 [hay trad. cast.: El héroe de las mil caras: psicoanálisis del mito, Madrid, Fondo de Cultura Económica, 2005].

Lomax, Alan, Folk Song Style and Culture, Transaction Publishers, 1978.

Lomax, Alan; Paulay, Forrestine, directores, Rhythms of Earth: The Choreometrics Films of Alan Lomax and Forrestine Paulay, NTSC, Media-Generation, 2008.

Capítulo dos

Tanizaki, Junichiro, In Praise of Shadows, Leete’s Island Books, 1977 [hay trad. cast.: El elogio de la sombra, Madrid, Siruela, 2013].

Rouget, Gilbert, Music and Trance: A Theory of the Relations Between Music and Possession, University of Chicago Press, 1985.

PAJ: A journal of Performance and Art, originalmente llamado Performing Arts Journal, solía publicar entrevistas con artistas de teatro «experimental», tales como Mabou Mines y Bob Wilson.

Artaud, Antonin, The Theater and Its Double, Grove Press, 1938 [hay trad. cast.: El teatro y su doble, Barcelona, Edhasa, 2001].

Thompson, Robert Farris, African Art in Motion, University of California Press, 1979.

Canetti, Elias, Crowds and Power, Farrar, Straus and Giroux, 1984 [hay trad. cast.: Masa y poder, Barcelona, Debolsillo, 2005].

Goodman, Felicitas D., Speaking in Tongues: A Cross Cultural Study in Glossolalia, University of Chicago Press, 1972.

Young, Neil; Crazy Horse, Rust Never Sleeps, LP, Reprise Records 1979.

Country Legends, VHS, Hallway Entertainment Inc., 2000

Capítulo tres

Eisenberg, Evan, The Recording Angel, Yale University Press, 2005.

Erlmann, Veit, ed., Hearing Cultures: Essays on Sound, Listening and Modernity, Berg Publishers, 2004.

Emmerson, Simon; Wishart, Trevor, ed., On Sonic Art, Hardwood Academic Publishers, 1996.

Katz, Mark, Capturing Sound: How Technology Has Changed Music, University of California Press, 2010.

Milner, Greg, Perfecting Sound Forever: An Aural History of Recorded Music, Faber & Faber, 2010.

Jones, George, Anniversary: Ten Years of Hits, CD, Sony, 1982.

Capítulo cinco

Emerick, Geoff; Massey, Howard, Here There and Everywhere: My Life Recording the Music of the Beatles, Gotham, 2007 [hay trad. cast.: El sonido de los Beatles: memorias de su ingeniero de grabación, Barcelona, Urano, 2011].

Davis, Miles; Troupe, Quincy, Miles: The Autobiography, Simon & Schuster, 1990 [hay trad. cast.: Miles: la autobiografía, Barcelona, Alba, 2009].

Chernoff, John Miller, African Rhythm and African Sensibility, University of Chicago Press, 1981.

33 i/3 (Thirty-Three and a Third) es una serie de libros sobre álbumes de música, con uno o dos autores por álbum, publicado por Bloomsbury Publishing.

Godard, Jean-Luc, director, Sympathy for the Devil, film, 1968.

Capítulo seis

Jacobs, Jane, The Death and Life of Great American Cities, Modern Library, 2011 [hay trad. cast.: Muerte y vida de las grandes ciudades, Madrid, Capitán Swing, 2011].

Eggers, Dave, What Is the What, Vintage, 2007 [hay trad. cast.: Qué es el qué, Barcelona, Debolsillo, 2011].

Mercado, Monina Allarye, People Power: The Philippine Revolution of 1986: An Eyewitness History, Writers & Readers, 1987.

Solnit, Rebecca, A Paradise Built In Hell: The Extraordinary Communities That Arise in Disaster, Viking, 2010.

Veloso, Caetano, Tropical Truth: A Story of Music and Revolution in Brazil, Da Capo Press, 2003 [hay trad. cast.: Verdad tropical, Barcelona, Salamandra, 2004].

Capítulo siete

Krasilovsky, M. William; Shemel, Sidney; y Gross, John M., This Business of Music, Billboard Books, 2007.

Dannen, Fredric, Hit Men: Power Brokers and Fast Money Inside the Music Business, Vintage, 1991.

Stokes, Geoffrey, Starmaking Machinery: The Odyssey of an Album, Bobbs-Merrill, 1976.

Capítulo ocho

Wilson, E.O., On Human Nature, Harvard University Press, 2004 [hay trad. cast.: Sobre la naturaleza humana, Barcelona, Círculo de Lectores, 1997].

Guillermoprieto, Alma, Samba, Vintage, 1991.

Tiger, Lionel, Men in Groups, Transaction Publishers, 2004.

Capítulo nueve

Carey, John, What Good Are the Arts?, Oxford University Press, 2010 [hay trad. cast.: ¿Para qué sirve el arte?, Barcelona, Debate, 2007].

Robinson, Ken, Out of Our Minds: Learning to be Creative, Captone, 2011.

The Trips Festival, DVD, dirigido por Eric Christensen (2008; Trips Festival).

Ross, Alex, Listen to This, Farrar, Straus and Giroux, 2011 [hay trad. cast.: Escucha esto, Barcelona, Seix Barral, 2012].

Friedman, B.H., ed., Give My Regards to Eighth Street: Collected Writings of Morton Feldman, Exact Change, 2004.

Roberts, John Storm, The Latin Tinge: The Impact of Latin Music on the United States, Oxford University Press, 1999.

Krich, John, Why Is This Country Dancing?: A One-Man Samba to the Beat of Brazil, Cooper Square Press, 2003.

Schafer, R. Murray, The Thinking Ear: Complete Writing on Music Education, Arcana Editions, 1986.

Dissanayake, Ellen, Homo Aestheticus: Where Art Comes From and Why, University of Washington Press, 1995.

Kuh, George D.; Tepper, Steven J., «Let’s Get Serious About Cultivating Creativity».

The Chronicle of Higher Education, 4 de septiembre de 2011, http://chronicle.com/article/Lets-GetSerious-About/128843.

Capítulo diez

Walter Murch entrevistado por Geoff Manaugh, «The Heliocentric Pantheon: An Interview with Walter Murch», BLDG Blog, abril de 2007, http://bldgblog.blogspot.com/2007/o4/heliocentric-pantheoninterview-with.html.

Wittkower, Rudolf, Architectural Principles in the Age of Humanism, W.W. Norton & Company, 1971 [hay trad. cast.: Los fundamentos de la arquitectura en la edad del humanismo, Madrid, Alianza, 1971].

Blesser, Barry, Spaces Speak, Are You Listening?: Experiencing Aural Architecture, The MIT Press, 2009.

Mitrovic, Branko, Learning From Palladio, W.W. Norton & Company, 2004.

Pontynen, Arthur, For the Love Of Beauty: Art History and the Moral Foundations of Aesthetic Judgement, Transactions Publishers, 2006.

Cage, John, «Experimental Music», declaración pronunciada como discurso en la convención de la Asociación Nacional de Profesores de Música en Chicago, en 1957, http://www.kim-cohen.com/seth_texts/artmusictheorytexts/Cage%zo Experimental%zoMusic.pdf.

Gill, Kamraan Z.; Purves, Dale, «A Biological Rationale for Musical Scales», Duke University Center for Cognitive Neuroscience and Department of Neurobiology, publicado en plosone.org, 3 de diciembre de 2009, http://www.plosone.org/article/info:doi%2F10.1371%2Fjournal.pone.0008144

Molnar-Skazaks, Istvan; Overy, Katie, Social Cognitive and Affective Neuroscience, «Music and Mirror Neurons: From Motion to “e” motion», Oxford University Press, 2006.

Balkwill, Laura-Lee; Thompson, William Forde, «A Cross Cultural Investigation of the Perception of Emotion in Music: Psychophysical and Cultural Cues», Music Perception: An Interdisciplinary Journal, vol. 17, otoño de 1999.

Bowling, Daniel L.; Choi, Jonathan D.; Gill, Kamraan; Prinz, Joseph; y Purves, Dale, «Major and Minor Compared to Excited and Subdued Speech», Journal of the Acoustical Society of America, vol. 127, n.° 1, 2010.

Levitin, Dan, This is Your Brain on Music: The Science of a Human Obsession, Plume/ Penguin, 2007 [hay trad. cast.: Tu cerebro y la música, Barcelona, RBA, 2008].

Sacks, Oliver, Musicophilia, Knopf, 2007 [hay trad. cast.: Musicofilia, Barcelona, Anagrama, 2013].

Cardew, Cornelius, Stockhausen Serves Imperialism, Latimer New Dimensions, 1974.

Zimmermann, Walter, Desert Plants: Conversations with Twenty-three American Musicians, A.R.C. Publications, 1976.

Coitt, Jonathan, Stockhausen: Conversations with the Composer, Pan Books, 1974.