SPIRIT RAPPING

IN UPSTATE NEW YORK in 1848 there lived two little girls, Margaret and Kate Fox, about whom marvelous stories were told. In their presence could be heard mysterious rapping noises, later understood to be coded messages from the spirit world: Ask the spirits anything—one rap signifies no, three raps signify yes. The Fox sisters became a sensation, embarked on nationwide tours organized by their elder sister, and became the focus of rapt attention from European intellectuals and literati such as Elizabeth Barrett Browning. The “manifestations” brought about by the Fox sisters are the origins of modern spiritualism, the belief that by some special effort of will a few gifted people are able to communicate with the spirits of the dead. Keene’s associates owe a substantial debt to the Fox sisters.

Forty years after the first “manifestations,” provoked by an uneasy conscience, Margaret Fox produced a signed confession. The raps were made—in a standing position with no apparent effort or movement—by cracking the toe and ankle joints, very much like cracking knuckles. “And that is the way we began. First, as a mere trick to frighten mother, and then, when so many people came to see us children, we were ourselves frightened, and for self-preservation forced to keep it up. No one suspected us of any trick because we were such young children. We were led on by my sister purposely and by mother unintentionally.” The eldest sister, who organized their tours, seems to have been fully conscious of the fraud. Her motive was money.

The most instructive aspect of the Fox case is not that so many people were bamboozled; but rather that after the hoax was confessed, after Margaret Fox made a public demonstration, on the stage of a New York theater, of her “preternatural big toe,” many who had been taken in still refused to acknowledge the fraud. They pretended that Margaret had been coerced into the confession by some rationalist Inquisition. People are rarely grateful for a demonstration of their credulity.