2.
I start at the camps. The biggest one’s Central Park. At first the rich at the rim of the park hired private guards to chase them out, tear down their tents, send them scurrying, by any means necessary. Then there was a couple of incidents, a few headlines, then a skinning. Private guards got creative. Peeled a kid and hung him upside-down from a tree. That didn’t play well, even in the Post.
All that’s over now. The rich never come out to the park anymore, could give a shit about Strawberry Fields, the camps have been here three, four years, long past anyone caring.
Dozens of pup tents, like rows of overturned egg cartons. Dirty faces. Drum circles and dreadlocks.
I ask around.
The first person who knows her has a forehead full of fresh stitches.
Bitch cut my face.
Band of white peeks up over his waistband. Not boxers. Bandages.
Looks like she didn’t stop there.
He picks at a stitch.
Hardy-har-har.
Kid nearby pipes up.
I knew her. Cute girl. Quiet. Pink knapsack. Wouldn’t let anyone near it.
You know what was in it?
Drugs, be my guess. That’s what most people hold on to tightly around here.
He’s a skinny kid with a shaved head, sprawled out on a ratty towel. Sleeveless t-shirt and sweatpants and thousand-dollar sneakers, barely smudged. The kind of kid who’s used to having other people run his errands for him.
I ask him the last time he left the park.
Me? Why? Truce with the cops seems cherry enough.
You have everything you need right here?
More like I don’t have anything I don’t need, you feel me?
Pretty girl peeks her head out of his tent before he shoos her back inside. Then he shoots me a look like, What can you do? Duty calls. I ignore it.
How well did you know her?
Persephone? Not as well as I would have liked. Common theme among the dudes living here, by the way.
You make a move?
Ask my friend with the stitches how that would have worked out.
So where did she go?
Just left in the night, far as I know. I woke up and all her stuff was gone. Most of my stuff too.
Any clue where she was headed?
No. But if you find her, tell her I want my blanket and my stash of beef jerky back.
You mind if I talk to your friend in the tent?
Smiles. Shrugs.
She’s all yours.
Pretty girl. Young. Far from home. Overalls and a red bandana tied over hair she cut herself. Seems sisterly. Figure she’s more the type Persephone might have opened up to.
I tap on the tent, then we walk out of earshot.
—we weren’t close. Talked a few times. Then I heard she left.
Why?
Made too many enemies. Or rather, unmade too many friends. Headed to Brooklyn, was what I heard. Maybe towards family.
That helps.
By the way, you’re not the only one come asking around for her.
Do tell.
Southern guy. Buzz cut. Those mirrored glasses, what do you call them—
Aviators.
That’s it.
How long ago?
Maybe a day. Maybe yesterday.
I say thanks. Then ask her a few things I shouldn’t.
How long you been here?
Me? A year, give or take.
Where’s home?
Here.
Before that?
Don’t matter.
And how old are you?
Look, you can’t fuck me, if that’s what you’re asking.
That’s not what I’m asking.
Well, maybe you can. Don’t give up too easy.
Thanks for your time.
Viva la revolución.
So it turns out my Persephone has a reputation. Everyone knows someone who knows someone who knows. The people who got too close to her usually have some memento. Something permanent, in the process of healing.