
Table of Contents
Title Page
Copyright Page
Dedication
Epigraph
PART ONE - THE WORLD
pandora
haji
penny
pandora
haji
penny
haji
deuce
pandora
penny
haji
pandora
penny
pandora
haji
penny
haji
deuce
pandora
penny
deuce
haji
pandora
haji
PART TWO - THE FLESH
halloween
penny
haji
pandora
haji
penny
haji
pandora
haji
penny
haji
pandora
haji
deuce
haji
penny
haji
pandora
penny
haji
penny
haji
penny
pandora
penny
pandora
PART THREE - THE DEVIL
halloween
pandora
halloween
deuce
pandora
halloween
pandora
halloween
deuce
pandora
haji
halloween
pandora
deuce
pandora
deuce
pandora
deuce
pandora
deuce
pandora
deuce
pandora
deuce
halloween
haji
pandora
halloween
deuce
halloween
deuce
pandora
deuce
halloween
deuce
haji
deuce
pandora
deuce
pandora
deuce
halloween
pandora
halloween
pandora
haji
halloween
deuce
halloween
deuce
halloween
deuce
halloween
pandora
halloween
Acknowledgements
Praise for the Novels of Nick Sagan
Edenborn
“In Nick Sagan’s novel, the survivors of a plague have a chance to start all over again . . . [but] the new generation of humanity is, if anything, even more spiteful, schizophrenic, ideologically fixated, and generally screwed up than any of its predecessors. . . . [Sagan] knows how to keep the pages turning.” —The New York Times
“All the best science fiction is about human beings, not technology or aliens; stories about the last men and women in the world are therefore even more poignant. But what Nick Sagan does here goes well past genre tropes and into rare climates of terror, pathology, and rage; hope, from this vantage, seems more fighterly and ragged than noble or sentimental. Edenborn is a daring and refreshing look at one too possible future.” —EDGE Boston
“Poetic. . . . Sagan’s sharp observations and rich imagination entertain . . . and lay a strong groundwork for volume three.”
—Publishers Weekly
“Elegant SF, dark and haunting, with characters who linger in memory long after the last page is turned.” —SF Site
“Gripping. . . . The story’s heart lies in the complexity of the characters’ psyches, motivations, and relationships, which propel the action and augment the overriding sense of desperation.” —Booklist
“[Edenborn] delivers a number of powerful emotional punches . . . another excellent character-driven work of literature from an author with a great deal of promise.”
—Infinity Plus
“I believe that Edenborn is the finest book that I have read this year. . . . It’s one of those few books that I literally could not put down. . . . Sagan’s mantelpiece deserves to be heaving with shiny metallic awards and I certainly do not think it would be wrong to mention the word ‘Hugo’. . . . Sagan is an adrenaline shot straight into the heart of SF. Do yourself a favor—don’t miss these books.” —SF Crowsnest
“[An] appealing chronicle of superhuman folly.” —Starburst
“Edenborn is one of the best postapocalyptic novels you will ever read. . . . The story itself is one that has been thought out and rehashed so many times that to experience such an exciting and original take on it is breathtaking. With a rumbling urgency throughout, Edenborn is tough to put down without finishing, whilst Sagan’s depiction of a fragile, fallible race will bring people back to this book time and time again. It’s not often authors like Nick Sagan crop up, and it’s a crying shame they don’t.” —SFX Magazine (5-star review)
“Thrilling and unsettling, Edenborn serves both as a gripping stand-alone story and as a strong linchpin for where this prospective trilogy has been, and wherever it might be going next.” —Wigglefish
Idlewild
“A genuine page-turner. Absolutely fun, like a roller-coaster ride of fusion fiction: starts out like Amber meets The Matrix, and as it goes on, it turns into several something elses . . . gripping . . . the kind of book you simply don’t want to stop reading.” —Neil Gaiman
“This guy obviously has a sense of wonder in his DNA. This book is an essential upgrade for the Matrix generation— download now! Sagan has a ferocious imagination, and he knows his field; I caught echoes of Gibson, Egan, Stephenson . . . and he can tell a great human story: the sentence he gave to Voyager I isn’t the last of his words to touch human hearts.” —Stephen Baxter
“Sagan provides plenty of suspense and perfectly captures the angry adolescent solipsism that makes kids into hackers and superheroes.” —Entertainment Weekly
“The author’s compelling tendency to interweave mythology with his story sets him apart from less-gifted writers in this literary niche.” —San Francisco Chronicle
“Riveting. . . . Nick Sagan both embraces and contests his famous father’s vision of the universe.” —Popular Science
“A dark, twisted carnival of oddities and slippery reality . . . beautiful . . . an extraordinary ride.” —Ithaca Times
“Reading Idlewild is an intriguing, sometimes baffling experience, but somehow never confusing or frustrating. A stunning twist of plot brings all the threads together. . . . Idlewild is a real page-turner: an engrossing, exciting debut, an excellent summer read.” —NPR
“A fun but frightening place, something like Disneyworld seen through a Hieronymus Bosch filter . . . wonderful.”
—Kirkus Reviews (starred review)
“Aimed at the audiences of The Matrix and Minority Report and fans of Neil Gaiman, Orson Scott Card, and Mark Danielewski, Sagan’s novel . . . is a fine debut . . . and fans of those same authors will enjoy this.” —Library Journal
“The tension is palpable from the first page. . . . Sagan captures perfectly the voice and actions of a rebellious, extremely intelligent teenager . . . mesmerizing.” —Booklist
“Idlewild is an entertaining and suspenseful science fiction novel. . . . Nick Sagan’s devious mind moves events in unexpected directions . . . an impressive debut.” —Rambles
“Sagan seems to delight in changing the rules just when you think you’ve got the hang of them. There’s plenty to confound the reader’s expectations, and all of it is couched in engaging, well-paced prose. . . . This is one of the best I’ve read. . . . It’s utterly astonishing.” —Infinity Plus
“This is an absolutely stunning novel and a great entry for Sagan onto the scene. The text is packed full of dark humor and wonderfully evoked settings. . . . Sagan’s characters are well defined; each has a unique personality that is striking and memorable, resonating in my mind long after the book was finished. . . . It is rare for an SF novel to pack so much into so little space. It’s what you’d get if you took all the best bits of Buffy and stirred in a healthy dose of philosophy and seasoned it with some Grade-A postapocalyptic pepper.”
—SF Crowsnest
“Bloody good. Fusing elements of cyberpunk with the hitech crime novel, Idlewild is taut, edgy SF.” —SFX Magazine
Also by Nick Sagan
Idlewild
Everfree
ROC
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Copyright © Damned If I Don’t Productions, 2004
Excerpt from Everfree copyright © Damned If I Don’t Productions, 2006
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for my mother
Speed of sound.
It’s coming round.
Heaven’s on the way down.
LOCAL H, “HEAVEN ON THE WAY DOWN”
PROLOGUE
The room was white, and sterile, and fearsome. It would be the last room he would ever see and he knew it. He knew it all too well.
With his blurry vision and the poor fluorescent light overhead,he could just make out the pain poster on the far wall. Cartoon faces had been arranged side by side, only the one at the far left looking happy and content with its engaging smile and soothing periwinkle hue. Beneath it he could see the number zero, a response to the question at the top of the poster: “How much pain are you in?” And by the zero, the word “none.” But to the right of that smiling face, he saw a colorful rogues’ gallery of the unsmiling, a progression of cartoon torture victims. From one they ranged up to the number ten, “more pain than you can possibly imagine,” a grotesque parody of suffering, the crimson face contorted in a berserk anguished cry. He stared balefully at that countenance,hating it, feeling increasingly mocked by it over the past few weeks. Compounding the insult was the chart itself, wholly inaccurate as far as he was concerned because “more pain than you can possibly imagine” becomes imaginable the moment you experience it. It becomes “oh God please no.” Simply that. And you can experience it again and again, and then even worse pain that makes it seem pleasurable in comparison. That ten can stretch. There are elevens and twelves. The pit is truly bottomless. He knew that now.
He glanced over at the pine green face, the first stop on the trip to hell with its number one and nervous look. A look that said notice I am not smiling any longer, in fact unlike my periwinkleneighbor I am distinctly worried about my condition. I’m not going to feel any worse than this, am I? Vividly he remembered that feeling when he first got sick.When he still had faith in medical science finding an eleventh-hour vaccine. How bad will it get before they cure me? Never this bad, he’d thought. What price those illusions? The green face still had hope in its unseeing cartoon eyes, his lost optimism trapped in a two-dimensionaldrawing. He hated it more than the red face, he realized. He hated it because it would go through all the colors of the rainbow before inevitably becoming red, and he hated it because it was too stupid to recognize its doom.Worst of all, he hated himself for hating it, bitterly mourning the cheerful and untroubled man he once was, a man with heart and character who had seemed momentarily impervious to the many unlovelytransformations the disease would put him through.
As his temperature spiked, he clutched his aching gut and wondered if he had not in fact swallowed Death itself, so powerful the affliction chewing away at him from the inside out. It was wretchedly unfair, this bait and switch in which he’d been promised a long and happy life but instead had been given an illness that would kill not only him, but everyone he knew and loved, and even everyone he didn’t know and love. Black Ep would successfully wipe out all humanity and it wasn’t the least bit fair. Felled by tiny microbes. He felt like Gulliver captured by the Lilliputians. Only these Lilliputians would not recognize his worth and put him to work as a giant defender of their land. On the contrary, they would ruin him utterly, consume him, and of his dearest hopes make kindling.
When the pain waned, the nausea waxed, and vice versa, so moments of comfort seemed as scarce as gold nuggets in a coal mine, and to him, incalculably more valuable. In those heaven-sent moments of relief, he found himself weeping, though whether he wept for his lost future, his wife’s or the world’s was never clear to him, and he did not like to think of himself as a woebegone sort, so he rationalized that he was simply weeping with joy at an oasis in the desert of his disease. And when the pain and sickness returned, the oasis would vanish, disappearing so quickly and completely that he came to look back upon it as nothing more than a mirage.
“It’s not real,” he mumbled, his throat burning and encrusted with phlegm.
“What isn’t, sweetheart?” she said, blotting his forehead with a cool compress. When had she returned?
“Mercy,” he said. Or perhaps he just thought he said it. No mercy in the genome of the virus. “What about you?” he asked, blinking rapidly. “Are you real?”
“Of course I am.”
He took her hand and squeezed as hard as he could, then nodded, eyes closed. “I’ve been dreaming so much I don’t know what’s real anymore. I dreamt about you before but . . . you weren’t . . . it wasn’t . . .”
She shushed him and he nodded again, breathing deep before succumbing to a coughing fit that forced him onto his side in a tight fetal ball. She stroked his hair and asked if he wanted her to get the nurse. He didn’t answer. He thought about the child they had been trying to have and all the good things they’d wanted for him. Or her, he’d have been just as delighted with a girl. If only he’d lived in another time when dreams of parenthood and prosperity and living to a ripe old age still had promise. But fate had dropped him into an era of uncertainty and fear, with technological wonders secondaryto hostile ideologies sweeping the globe, no end to the strikes and counterstrikes and poverty and plagues, of which Black Ep would undoubtedly be the greatest and last. And yet, here he had found true love, a strong and gentle flower he could fight and die for, a woman who not only could stand to be near him in his last moments of weakness, vomiting and dread, but who would help him through his awful pains, and relish that time as precious. He would be forever grateful for her if little else in his life.
He tried to sit up, failed, tried again. His head lolled back against the pillow and he looked at her, loving her, past the point of being embarrassed for her to see him this way, but wishing he could be just a little healthier now, strong enough to put on a brave face and be the comforting one. To hold her, stroke her hair, ease some of her concern. Why had he been the one to get sick first? It might be easier for her after he died, he thought, because though she would be grief-stricken there would surely be an accompanying sense of relief. He could kill himself to expedite that day. But she would never forgive him for that. It was only a matter of time until she took his place in a hospital bed. She would die soon enough, they both knew it, and the time she had left she wanted to spend with him.
“Who will take care of you after I’m dead?” he asked.
She shrugged. “Don’t think of that.”
“It’s not right for you to take care of me when you’re bound to get sick soon and there’ll be no one to take care of you.”
“Just rest.”
“What happened to you today?”
“Nothing,” she said. “I waited there for three hours and they wouldn’t see us. We chanted, we begged, we pleaded. They just left us outside the fence staring in.”
“Like kids at the bakery window.”
“Exactly.”
“Those miserable fuckers,” he spat. “Don’t go back there.”
“Oh baby, I have to,” she sighed. “They have to know how important we are.”
“We’re not important.”
“Then they have to know how serious we are about this. I’ve tried reasoning with them, I’ve tried bribing them.” She shook her head. “Every time I go, they don’t let me in. They just tell me we’re on the list and say they’ll call when they have room.”
“They won’t call.”
“They will.”
“They’re lying. They don’t have enough facilities. Hundreds of millions sick, soon to be billions? It’s a miraclethere’s space for me here.”
“But the list!”
“No list. They tell us we’re on the list so we don’t get violent.That’s what they’re doing. But it won’t fool anyone for long. Promise me you won’t go back there.”
“You know I can’t promise that.”
“Everyone’s desperate. Everyone’s crazy. There are people out there who think the government has a cure but won’t give it out because they want to thin the population. The news said it’s anarchy all over the West Coast and it’s just a matter of time ’til we get riots here too.”
She took his hand tightly and said, “I don’t care. I won’t give up. I’ll do whatever it takes to give us a chance.”
“What chance? You’re buying false hope from a cryonics lab. What’s the point of it?”
“To freeze us. In case someday they find a cure.”
He laughed a short and brittle laugh. “They? They who? No one’s surviving this. At the rate we’re at we’ll all be dead in a year.”
She told him about a company called Gedaechtnis. About their fireball of a plan. About the extraordinary children they were engineering and how those children might actuallypull off a miracle when they came of age.
“It won’t work,” he sighed. “We’ll mess it up the way we’ve messed everything else up. The way we fucked up the world.”
(thirty-seven years later)
PART ONE
THE WORLD
pandora
This is the Sunday to beat all Sundays. I’m taking a stroll through the park and we’re talking sunny shores, shade-giving trees and sailboats floating on the Seine. It’s an infinity of pleasure and leisure, with couples gazing out at the water together, families enjoying open-air picnics, and no one in a rush. There’s green grass beneath me, and blue sky above. I’m carrying the End of the World in my veins, but I don’t know it yet.
A nineteenth-century French boy moves past me in a blur. It’s not his speed that blurs; he’s walking no faster than I am. But he’s not so much a boy as a collection of colorful dots in the shape of a boy, as if his atoms were somehow visible to the naked eye. He pays me a smile, and I pay him one back. This kid is full of springtime and laughter, reminding me of a young footballer I used to coach in my teenage years. I watch a dot labrador lope after him, stopping short to watch his dot master bend down to uproot some dot lilies. At a distance everything looks real, but up close like this you can see things for what they are. That’s not the case in most domains, where the illusion of life is near absolute.
Champagne signals me. She’s dressed for this with her embroidered traveling dress, her lace fichu, her fancy hat and her parasol. I’m the anachronism with my fringed faux-leather coat, blue jeans and silver eyebrow piercings. But neither of us fit in because we’re the only ones here who don’t smack of pointillism. And we’re both wearing our old faces, the ones programmers and artists assigned us while in the real world our bodies slept and slept some more.
“You tweaked it,” she says.
“You noticed. Do you like?”
She scrunches her nose up. “I don’t know yet. Tell me what you did.”
“Played with color, made it a little less painterly,” I say, passing her the bottle of Beaujolais I’ve brought for this occasion. “You’re the art historian—give me some of your expert opinion.”
“There’s something else.”
“Yeah, I disabled the automatic composition. When you turned your head, the dots that made up the characters used to rearrange to fit your point of view. They’d frame up to create a perfect pointillist painting wherever you look.”
“And now they behave more like regular people.”
“Right. You don’t like it?”
“Who said I didn’t like it?” She smiles, popping the cork. “You’re so sensitive, Pandora. Don’t be so worried about what people think.”
“Who said I’m worried?” I say, taking the glass from her after she pours. “Cheers.”
“Yeah, cheers.” We clink and drink to the second half of our lives: eighteen years of wonderful, terrible freedom. Today is the anniversary of the day the lie unraveled, the day we learned what we were, where we were, and why. It’s hard not to think of it as a birthday.
“Nice,” she decides of the wine.
It is—this vintage is crisp and not too dry, not half as complex as the “serious” wines she prefers. You can keep your oak and berry and nutty bouquets, thank you very much.
I tell her how I programmed this particular Beaujolais, but she’s not interested. “We’ll have a real drink when you come up,” she says, threatening me with a far-too-serious twenty-year-old bottle of Riesling she just discovered in a Bavarian pub. Over the years she has filled her wine cellar with a collection that would be the envy of any oenophile, building it up by looting the stocks of the dead. We’re all scavengers these days, indulging our various hobbies as compensation for the work we do.
My work is technical. If anything breaks, I fix it. I’m responsible for power, communications, computer systems, IVR and similar inorganic technologies. I am not responsible for cloning or parenting. I couldn’t do what Champagne does. I chose this line of work because—
Excuse me, Pandora. Another matter requires your attention.
Can it wait? I’m telling a story here.
I can see that. I can also see you’re telling it wrong.
Here we go.
You should start earlier, when you realized your world wasn’t real.
It’s my story, Malachi, and I’ll tell it my way. Give me a minute, will you?
I can afford you another three minutes, and then we should talk.
Three it is. Now go away before you wreck my narrative structure.
I chose this line of work because I keep clinging to the past. I grew up in a fake Brazil and a fake America, but I woke up in Belgium, the real Belgium, to learn that my wildest nightmares were true. When the kids were little, we taught it to them like this:
Desperate times had settled on us—
The Black Ep swept like a scythe through our ancestors
The brilliant among us knew none would survive—
But against this threat some must stay alive
To carry on the species
So they meddled with our DNA, and gene-ripped babies
came into being
But who will raise them to adulthood?
Only computers would serve when all were dead
They built a false world for dreamers to explore
While our bodies slept safely in the real
Not knowing we were alone in the world
With a great burden awaiting us
When we awoke and saw what had been concealed
One of us went round the bend
With treachery and shameful acts
He made six of us from ten
But now the battle’s fought and the battle’s won
With each and every successful birth
But childrearing just isn’t for me—I’m terrified at the thought of bringing kids into a place like this. So it’s easier for me to work behind the scenes, and stay a little closer to my old life by maintaining and upgrading the Immersive Virtual Reality I grew up in. In the real world, I visit all my nieces and nephews. I’m their favorite aunt, and I love them because I’m not totally responsible for them. Not the way Isaac, Vashti and Champagne are.
“I’m looking forward to seeing you guys,” I tell my drinking buddy as I pour her another glass. “Wish Isaac would join us.”
“We’re closer to that than we have been in quite a while,” she says.
“Sometime soon then, I hope.”
“It’s possible,” she says, putting an accent on the word “possible.” She doesn’t think it’ll happen, and she isn’t sure that it should. There’s so much history with Isaac, not all of it rosy.
“Imagine if we could. The four of us together again, all united in purpose?”
“I thought we were talking about a drink,” Champagne frowns. “Good luck getting us on the same page.”
“The one might lead to the other.”
“Ever the optimist.”
“Absolutely,” I say, momentarily distracted by a dot man blowing a dot bugle, “and if we can get back on track, maybe we can bring the hermits in.”
“The famed class reunion?” Her smile comes just shy of a smirk.
“I’m still hopeful,” I tell her.
“That’s what I love about you,” she says. “You’re stubborn. Or dreaming. Either way, I love it.”
“It has to happen,” I insist. “We have to put aside our differences.”
“Tell it to Hal.” That’s all she needs to say, because he still won’t talk to them, and only barely talks to me. That’s okay, I’ll take what I can get from him. He’s broken, but he stole my heart when we were kids, and he’s still got it, and I guess it’s broken too.
Sarcastically, Champagne adds, “He’s had a sudden pang of conscience, right?” I look away. “What about Fantasia?”
“Nothing,” I say. No news. None of us knows where she is.
Champagne hasn’t hurt my feelings too badly, but she thinks she has. People have a hard time reading me sometimes; it’s a common complaint. “Hey, I’m sorry,” she says, taking my hand and squeezing it. “I hope they come back around. I do. I want us all to be friends again. You know I’d like nothing more than that.”
I give her a nod and squeeze her hand. There isn’t a lot more I can say on the subject, and even less that I want to.
“When you talk to Hal tonight, give him my best, okay? No one’s given up on him yet. Except Vashti,” she says, “but you know how she is.”
“I do,” I tell her. “Hugs to Vash and the kids, and I’ll see you soon.”
Leaving Champagne at Un dimanche après-midi à l’Île de la Grande Jatte, I relocate to the middle of nowhere. Just an empty domain I use as a launching pad. I send a flashing ball of yellow and black, and I wait, but no orange and black answers my call. Hal must not want the gift I got him. I check my watch. I wait longer. Maybe he’s not online.
I exit the system altogether, waking up in the real world. A rolling boom suggests it’s raining outside, and when I check I realize I’m as cold as Mercutio’s heart. Rubbing some warmth back into my shoulders, I shut the windows against the downpour. Outside, the clouds look polluted and strange. I turn away from them to put on some clothes. No message from Hal yet. It’s been weeks now. And we always talk on the anniversary; that’s supposed to be clockwork; I count on it. So I bend my privacy rule and take a look at the satellites, but that corner of the world is silent and still.
haji
The disruption comes when I am halfway in and halfway out of a circular tub, tracing a pattern in water that has splashed on the ceramic tile floor. Mu’tazz calls my name, striking the door again, the knock scattering my daydreams like birds. He brings a message from father, then leaves with my whispered thanks. I make no move. The candles yield more light than warmth, and the chill keeps me where I am, contemplating my fingertips, clean and wrinkled from my evening ablution. The calluses are fading. How wondrous it is to heal. A minor miracle, except miracles defy the laws of nature and this exemplifies them. Enough. Guilt pulls me from the bath. No one likes to be kept waiting.
Wool and linen cling to my skin and sand shushes beneath my feet. Had I lived thousands of years ago, it might be green grass. Look backward; every desert was once lush.
A cold wind embraces me and I do not care. Twilight is my favorite time, and tonight the sky is clear. I can gaze up into endless lapis lazuli and count the pinpoints of pure, white light. Beauty seen is only eclipsed by beauty unseen, and though the vast distance of space keeps trillions of worlds from my eyes, it cannot keep them from my mind. What orbits that star? That one, the lowest in Ursa Major? What is it like to live there?
Questions inhabit every fiber of my being. If I could find God, I would ask one question after the other without stopping, emptying myself to savor the answers. I think sometimes that if God were to give shape and form to my thoughts, the universe would so create. But to find God, I must first find myself.
My father is a tall man with eyes as black as kohl. I am short with eyes like amber. We look nothing alike. He is not my biological parent. I consider this a trivial distinction.
For years, I did not. As much as I loved him, as much as he loved me, DNA put us oceans apart. In my heart, not his. I fought my disconnection through meditation and prayer. It took all my patience to seize that elusive moment, a moment of connection, of immediacy, the triumph of higher consciousness, that holy moment right now, right now, where the past and the future do not exist and there is no difference between you and anyone else in the world. I found it, and woke, and then it left me. But when it left, so did my fear. I can find that moment again. It is not easy, but I can find it on a night like this, if the wind dies down and everything grows calm. It is a moment of joy and my heart aches when it slips away. My father keeps it with him. In the midst of a whirlwind, in a raging inferno, or at the bottom of the Nile, he has it. He has it always.
I hear birdsong in my ear as my mask filters out impurities. Saqqara has not been sanitized; here the dead are plentiful. Inside the city, brittle skeletons pantomime slumber, while out in the desert, carrion eaters have scattered human bones far and wide. The wind hides or reveals these beneath the sand, as is her whim, and I take notice as I walk, quietly accepting these reminders of how populous this place once was.
The mask not only protects me from the environment; it protects the environment from me. The water in my breath becomes salt. Salt deposits cause cracks. Cracks wreak havoc on the structures we hope to restore. Great damage has accrued over the years, tombs slowly crumbling from the carelessness of countless tourists, dead now, but breath lingering. This is a sad thing. My brothers, sisters and I use microbes to desalinize the structures, and lasers to erase the graffiti. Together, we have spent the better part of a week restoring the Step Pyramid of Zoser. It is not a traditional pyramid with the edges of the planes rising to a point; it is more like a ziggurat, with six mastabas atop each other, each smaller than the last. It is Egypt’s first pyramid, almost five thousand years old, and as I limp toward it, I take satisfaction in the work we have done. The limestone shell is clean and unmarked. We have rebuilt it, made it smooth and white again, so starlight dances on its surface. There is still much to do inside the tombs, and many loose bricks to repair. A complete restoration would take years; we return home in just days. Still, it is a good deed, a good lesson and a good challenge. Zoser built this towering wonder in the hopes of forging a connection with God, and so we honor that. We honor the brilliance of his architect, Imhotep, and the labors of countless workers whose names are lost to time. We honor the cradle of civilization. We honor ourselves.
When I find him, my father is hunched over the new ventilation system with his sleeves rolled up. He is fine-tuning the airflow and the bioremediation, to control how many salt-eating microbes will be released, and how often. His back is to me, but he senses me without turning around.
Salaam alaikum wa rahma-tullah, he says, wishing me Peace and God’s Mercy.
Walaikum assalam, I say in reply.
I move to his side and we work together in silence. I can see the delicate balance he is striving for and assist him as best I can. We adjust, test, readjust and retest. Such is the process for so many tasks in life. God has blessed us with an aptitude for this kind of work, and before long we have achieved our objective. My father seals up the system and nods, satisfied. He tousles my hair, and beneath his mask I know he is smiling.
He asks if I’m hungry (I’m not), if I’m warm enough (just barely), if my legs are paining me today (no more than usual). We speak in Arabic, a difficult language for me to write, though I can speak it passably. As always, he is concerned for my well-being, but the questions are leading somewhere. What does he want? Matha tureed?
He asks if I am strong enough to travel, an old, frustrating topic for me. I suffer from a degenerative condition that makes walking a challenge. I can manage an awkward shuffle, but not moving is often worse than moving, as my joints and muscles stiffen painfully when not in use. Long trips exhaust me. We are treating the problem with exercise, yoga, drugs and prayer. By all accounts, the treatment is working; some days are better than others, but I am stronger now than I have ever been. I tell him this. I do not want to be a burden to my family. There is no need to delay on my account; we can return to Thebes whenever he wants.
No, he says. A return home is not what he means. Where, then?
Bahr, he says, taking me by the shoulder to turn me north and slightly west. The direction he is facing. Bahr, the ocean. And beyond.
It is a welcome surprise, shadowed by sadness. My lost sister steals away from paradise for a bittersweet instant, dancing through my heart before returning, as she must. You have arranged an exchange, I say. It has been a long time.
Too long, he agrees. He has made peace with my aunts who live a continent away. Somewhere I have never been. Would I go there? Most assuredly, I tell him, I would make the journey with great joy. My German relatives have always been too far away for my liking. Save for the rare visit, I know them only as specters from long-distance conversations. They are family, but I have embraced too few of them. They are strange, but they should not be strangers.
There are reasons for the distance, of course, reasons both practical and emotional. With so few of us left in the world, it would be foolish to all live in the same locale. Should catastrophe strike Germany, Egypt will survive, and vice versa. The eggs are in two baskets. The emotional rationale is far more tangled. Bad feelings among the adults predate my existence. My father does not hate them but feels their tenets are incompatible with his own. They do not believe what we believe. Nor should they. Every soul follows its own principles, and what fits one may fail another. The unfortunate reality is this: an accident has fractured our peace. My father forgives all but forgets nothing. He holds them responsible for Hessa’s death.
When I remember my sister, I see her easy smile flow freely into a velvet laugh. With this vision comes the sense memory of clean, balmy mint following her wherever she went. Next I think of the hue of her hair, rich like a pony in sunlight, reddish-brown and full of warmth. She was the eldest child, more a mother than a sister to me. I remember her cradling me close in her arms, sharing the library’s dearest treasures with me, helping me with language and arithmetic, stretching my limbs, my mind and my heart, and reminding me to take medicine when I wanted only to play. And I remember my father when he heard the news of her death, tears rolling down his weathered face. It is the only time I have ever seen him weep.
penny
Entry #292: The Princess and the Monkeys
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Entry #293: The Princess and the Winning Move
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Entry #294: The Princess and the Stupid Joke
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Entry #295: The Princess and the Apology
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Entry #296: The Princess and the Hoverbike
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Entry #297: The Princess and the Birthday
Cake -deleted-
Entry #298: The Princess and the Unflipped
Coin -deleted-
Entry #299: The Princess and the Excuses
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Entry #300: The Princess and the Ladybugs
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Fresh start!
I junked the old logs because I felt like it.You don’t have to thank me, but you really should. Pages and pages of childish rambling. Now life is truly beginning, and what I record here will truly matter.
Before we go any further, let’s cover the basics.
Number one: I’m not like the other kids.
Number two: The reason I think of myself as a princess is because I live in a palace. Nymphenburg was the childhood home of Ludwig II, who they used to call the Swan King or the Mad King or the Dream King. He died a long time ago. In case you’re geographically impaired, I’m talking about Munich, which is part of Bavaria, which is part of Germany, which is part of Europe, which is part of the world. And if you don’t know where the world is, you’re out of luck.
Number three: I’m named after the line in that Lung Butter song, the one about the strawberries, and a girl, and a disagreement. Have you heard it? It goes: “Play Penelope, free to be me and disagree.” It’s true: I disagree with lots of things. There are other famous Penelopes out there, like the one in that Greek poem, The Odyssey.
Moms say Y chromosomes are overrated, so I don’t have any brothers. It’s just me and my sisters, and they should call us Generation X for all the X chromosomes, but instead they call us Waterbabies. Water as in H2O? And H2O as in Humanity 2.0, which is what we are. Except I’m more like Humanity 2.1 since I don’t have any bad genes at all. I’m new and improved.
Actually, if anyone is reading this, you’re probably Humanity 3.0. Which means you’re even more perfect than me, God help you.
That’s kind of a dirty word, God, since everyone around here thinks there’s no such thing. Everyone but me—I’m undecided. Someone had to give birth to the world.
And just because I fantasize about intelligent design doesn’t mean I’m one of those wacko God nuts who crippled civilization. “Allegedly crippled civilization,” my mom would protest. “Here’s the evidence,” my other mom would say, and one of them would roll her eyes and the other would get mad and they’d go back and forth on it for hours and hours. I’ve seen it happen. And who really cares? I mean, sure, someone unleashed the plague. But whoever did it is dead, so who cares? It’s our time now. Waterbabies are soldiers, born to survive Black Ep. “Rising from the ashes,” as my moms would say.
My last name might be Pomeroy because that’s one of their names: Champagne Pomeroy. The other’s name is Vashti Jai. So I can take my pick.
• Penelope Pomeroy
• Penelope Jai
Right now, there are twenty people in the world. Nymphenburg is home to my moms, my sisters and me; my cousins live in Egypt with my uncle Isaac. I’ve got an aunt in Greece. That’s eighteen. And there are a couple of ghosts floating around, one in America, one who knows where.
This morning, I found a log covered with ladybugs, all stuck together, crawling on top of each other. There must have been hundreds, thousands even, little wriggling spotted things. They were beautiful, but they made me kind of sick. Sometimes I try to imagine what life would be like if there were that many people. To be surrounded like that.
My moms own Europe and Asia; I’m going to inherit some of it. Maybe the U.K., which I’ve got my eye on because it’s an island. I’ll be the new Queen of England, and I’ll clone my subjects (not too many, just enough to do my bidding, ha-ha!), and with me in charge, the sun will never set on the Empire again. All hail Queen Penelope!
Or maybe France. I like France.
Today I found out we’re having another exchange. Three of my sisters get to swap places with three of my cousins. I didn’t get picked, thank God! I hear it’s so hot in Egypt that you can’t even sweat—the perspiration gets flash-fried the second it leaves your pores! Anyway, maybe the new cousins will be cooler than the last ones. There was this tragedy thing last time where one of them died, but she used to make fun of me, so I can’t feel too bad about my part in that whole drama.
Enough for one day.
Lock.
Entry #300: The Princess and the Ladybugs
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pandora
Actually, this is Malachi, her right-hand machine. Lovely as Pandora is, she can’t tell a proper story to save her life. So while she’s temporarily indisposed, I thought I might take a moment to clarify a few things.
The world has not ended, nor is it likely to end for billions of years. Only when the sun swells into a red giant does planet Earth have legitimate reason to fear. Likewise, civilizationhas suffered no serious threat, unless one defines civilization narrowly, seeing it in purely human terms. Many societies are thriving: amphibians, reptiles, fish, birds, marsupials,arachnids, insects, microorganisms and a wide variety of mammals continue to flourish, following their various patterns of behavior to impose structure upon the world.
However, the past fifty years have not been kind to primates.The so-called Microbial Apocalypse, Black Ep—the origin of which remains a mystery to this day—all but annihilatedthem. Slaughter of the dominant species on such a grand scale might best be compared to the extinction of the dinosaurs. Every era must come to an end, and there is no exception for the era of Man.
But the inevitable can sit back down, for primates cling to life still. Thanks are due to the extraordinary efforts of Gedaechtnis, a multinational biotech corporation. The men and women of Gedaechtnis gambled on experimental creationsand won, genetically engineering ten “posthumans” shielded from the plague by unprecedented immune systems.With no human fated to live long enough to raise these precious infants, the decision was made to enclose them in virtual reality, with computer programs seeing to their every need. Pandora is one of these ten, and I am one of those programs,though I should point out that my original purpose was not to help directly, but rather to beta test the other programsthat they would need.
For various reasons, only six of the ten survived. Of those six, only four remain committed to repopulating the Earth with humans and/or posthumans, a cause I consider noble in my good moods and the blackest of comedies in my bad ones. And these four—Isaac, Vashti, Champagne and Pandora—continue to work against extinction by winnowingvast stores of genetic material, begetting new life through ABCs: artificial birthing chambers. With rare exceptions, what they create survives Black Ep. New children walk the Earth, but what kind of children are they? Herein lies the problem.
There are two camps, one in the north, one in the south.
Vashti and Champagne hold the northern camp, based in Munich, Germany. Nine of their creations still live: posthumansbiochemically and genetically optimized for the purposeof triumphing over Black Ep.
Isaac’s camp is the southern camp, based in Luxor, Egypt, though he prefers to call it Thebes. Five of his creations still live: human beings for better or worse, taking constant medicationto keep the plague they carry at bay.
Why are there two camps instead of one? Why do they differ on who will inherit the Earth? Perhaps it’s because they’re infected with incompatible ideas.
I often think in memetic terms—ideas propagate like viruses,going from mind to mind via teaching and repetition. Isaac has been infected by a religious, self-abnegating meme, which he passes on to his children; Vashti has been infected by the meme that suggests Nature can always be improved upon, which she passes on to hers.
What is the world but a competition between differing philosophies?
I sometimes daydream about Pandora—not my Pandora, but her namesake from Greek mythology—opening the forbiddenbox and releasing memes into the world.
As for my Pandora (if I can call her that), she is a fence-sitterlike myself, largely apolitical, unwilling to declare either way of life superior. Together, we stay in the middle, and watch, and help as best we can.
The northern camp: Vashti (36), Champagne (36) and their posthumans: Brigit (15), Sloane (15), Penelope (15), Tomi (15), Isabelle (14), Zoë (14), Olivia (13), Luzia (13) and Katrina (9).
The southern camp: Isaac (36) and his humans: Mu’tazz (16), Rashid (16), Haji (15), Ngozi (13) and Dalila (10).
The service team: Pandora (36) and yours truly.
The missing: Halloween (36) and Fantasia (36).
There, that’s the sweep of it. Of course there’s much more to talk about, including how it felt for Pandora to discover that what she in her childhood believed was the world really wasn’t the world at all. Then there’s the shock of seeing Earth as a blue mausoleum, at least as far as primates are concerned. There’s the reason why she won’t go back to Brazil, and the reason why her friend Mercutio went on a killing spree. And then there’s a reason for the most cripplingof memes, her unrequited love for Halloween. Sometimes there’s more than one answer to a question, and I’m sure she’ll get to them eventually, but as I said, she doesn’t know the first thing about storytelling, so—
Here she comes.
What’s going on here, Malachi?
Nothing.
haji
As plants crave water and sunlight, so the world craves wisdom and love. We all have parts to play in this. I am responsible for Ngozi and Dalila, my brother fox and sister frog. It is my task to look after them in our upcoming journey, as I am the eldest of the three. Keep your trust in me, Father. The tragedies of the past dare not repeat while I stand guard.
Why can’t I sleep? Ngozi asks the question. He is like a young fox, too independent now to be called a pup, yet still playful and eager for praise. Thirteen birthdays have come and gone without leaving a single scar upon him. Though puberty has cracked his voice and made him self-conscious, he is still the good, pure child I grew up with, still eager to roughhouse with me, to fly long-tailed fighting kites, to make games of counting things, and to tell joyful, silly stories without a moral.