The Vampire Chronicles #09 - Blackwood Farm
SUMMARY: In her new novel, perennial bestseller Anne Rice fuses her two uniquely seductive strains of narrative -- her Vampire legend and her lore of the Mayfair witches -- to give us a world of classic deep-south luxury and ancestral secrets. Welcome to Blackwood Farm: soaring white columns, spacious drawing rooms, bright, sun-drenched gardens, and a dark strip of the dense Sugar Devil Swamp. This is the world of Quinn Blackwood, a brilliant young man haunted since birth by a mysterious doppelgänger, “Goblin,” a spirit from a dream world that Quinn can’t escape and that prevents him from belonging anywhere. When Quinn is made a Vampire, losing all that is rightfully his and gaining an unwanted immortality, his doppelgänger becomes even more vampiric and terrifying than Quinn himself. As the novel moves backwards and forwards in time, from Quinn’s boyhood on Blackwood Farm to present day New Orleans, from ancient Athens to 19th-century Naples, Quinn seeks out the legendary Vampire Lestat in the hope of freeing himself from the spectre that draws him inexorably back to Sugar Devil Swamp and the explosive secrets it holds. A story of youth and promise, of loss and the search for love, of secrets and destiny, Blackwood Farm is Anne Rice at her mesmerizing best. From the Hardcover edition.
Returning to the hypnotic world she so brilliantly created in Interview with the Vampire, Anne Rice demonstrates once again her power to enthrall. With the same richness of drama, atmosphere and incident, she tells the fantastic story of the vampire Lestat, whom we first perceived as the seductive devil-vampire of Interview with the Vampire and whom we now follow through the ages as he searches for the origin and meaning of his own dark immortality. And who, more and more, engages our sympathy until he stands revealed as a questing romantic, a vampire-hero with his own strange and passionate courage and morality.As the novel opens, Lestat, having risen from the earth after a fifty-five years' sleep, and infatuated with the modern world, presents himself in all his vampire brilliance as a rock star, a superstar, a seducer of millions. And, in this blaze of adulation, daring to break the vampire oath of silence, he determines to tell his story, to rouse the generations of the living dead from their slumbers and to penetrate the riddle of his own existence.As he speaks we are plunged back into eighteenth-century France, into the castle where we meet the young Lestat: child of impoverished aristocrats, heroic hunter of wolves, at odds with his tyrannical father, running away to join a traveling troupe of actors. We see him in the licentious Paris of the day, first apprentice at a boulevard theater, then its most celebrated actor, idolized, adored by many and--night after night--watched by one . . . until, in a sleep filled with dreams of the wolves he killed as a boy, he is shocked awake by a dark figure and suddenly, horribly, eternally joined to the unholy brotherhood.We follow Lestat as he searches for others like him--in churches and brothels, in gambling houses, huts and palaces--sometimes joined by the vampire-angel Gabrielle, who is bound to him both by blood and by passion; sometimes traveling with his adored Nicolas, the violinist whose music and beauty are equally transcendent. We follow Lestat as he travels from the snowcapped mountains of the Auvergne and the primeval forest of ancient Gaul to Sicily, Istanbul, Venice and Cairo, searching for his origins, sometimes finding clues to the birth of the vampire race, knowing always that the central truth eludes him.But all the while, throughout his travels, through many lands and many times, Lestat has made enemies among his brethren--vampires who are in terror of his questions, who fear he will disturb the uneasy balance in which they exist with the mortal world, and who suspect in him a desire to rule. And when, in the caves below a craggy Greek island, in a sanctuary whose walls are covered with gold-flecked murals, the very first of the living dead awake, the truth at the heart of his quest is at last revealed. Ancient forces held immobile through the ages are irreversibly set in motion, and as the novel rushes to its stunning climax, Lestat's vampire foes converge in pursuit of him on the demonic freeways of the twentieth century.
A Libertus Mystery of Roman Britain - The marriage of a former vestal virgin is always an important event, so the anticipated arrival of such a bride in Glevum is the excuse for an even more lavish banquet than usual on the Emperor's birthday feast. However, when Audelia's covered carriage finally arrives, the lady in question is nowhere to be found. Libertus investigates and makes a gruesome discovery, suggesting that Druid rebels may have been involved. But when another lady disappears, Libertus finds himself in a race against time to ensure the safety of the 'vanishing vestals'.
IN THE SMALL TOWN OF DUIVEL, MISOURI, DARKNESS AWAITS . . .Cassandra Archer is the Huntress. She has faithfully served the Earth Mother for years, rescuing kidnapped children from monsters-both human and supernatural-dwelling in the abandoned ruins of the Barrows district of Duivel, Missouri.When Detective Flynn's twelve-year-old sister goes missing, he suspects she was taken to the Barrows, and he goes to Cass for help. The two clash, but Cass still finds herself irresistibly drawn to the tough, no-nonsense cop.After another child goes missing, all clues point to a cataclysmic event during the next dark moon. Cass and Flynn must race against the clock to save the children and prevent a sacrifice that could destroy the entire town . . .'DEFINITELY AN AUTHOR TO WATCH.'- NEW YORK TIMES BESTSELLING AUTHOR ALYSSA DAY
Tory Brennan, transplanted from New England to South Carolina after her mother’s death, is getting used to life with her hitherto-unknown marine-biologist father when life throws her a curve in the form of an odd virus. Along with her friends—a multiethnic group of science nerds all living, like her, on a remote barrier island—Tory finds a set of military ID tags linked to a missing-person’s case. The subsequent sleuthing exposes the gang to a disease, leaving them with heightened senses that flare when they’re in danger. They get plenty of opportunities to exercise their powers of intense sight, smell, and hearing in this suspenseful, if a bit exaggerated, plot-driven novel by the creator of the Bones TV drama.
Reeman (a.k.a. Alexander Kent) has penned a seeming multitude of nautical yarns. The Volunteers concerns a group of men and women who work in the Special Forces, Navy, during the period 1943-45. Using motor torpedo boats, on which Reeman himself served, as their conveyance, the men are in action in Sicily, the Mediterranean, and in the Channel. When not shooting up Germans or Italians, our two main characters, Lt. Richard Allenby of the Royal Navy reserve and Lt. Keith Fraser of the Royal Canadian Navy, a mines disposal expert and a first-rate skipper, respectively, interact with the R.N. women and their families back home. This particular tale has a great deal of tragedy, a somber mood splendidly conveyed by David Rintoul. His deep voice and deceptively nuanced narration very much befit this dark story; his performance of the dialog is marvelous. Lt. Fraser's Canadian accent will stand out from all the others but is in no way distracting. Public libraries and libraries where there is an interest in action/adventure, military, or sea tales will want to purchase. Michael T. Fein, Central Virginia Community Coll., Lynchburg
Copyright 2002 Reed Business Information, Inc.
The first bang is heard as Allenby, a WWII London bomb defuser, suffers a failure by blowing up his assistant, Sgt. Hazel. We follow the hero through dangerous operations, punctuated by hot tea at four and a low-key infatuation with Hazel's sister. David Rintoul adds welcome color to a black and white 1943 romance by producing different voices for each character. He imbues expletives with excitement by shouting them and foreigners with authenticity by giving them accents, even barking like an English aristocrat. The reader's imaginative theatrical treatment makes the audiobook exceed the novel as entertainment. J.A.H. © AudioFile 2002, Portland, Maine-- Copyright © AudioFile, Portland, Maine
Starred Review. Reddy uses as the source for his long-awaited second collection the controversial memoir of Kurt Waldheim, the U.N. secretary general who was found to have been a Nazi SS officer. All the language in Reddy's book comes from Waldheim's; Reddy's three sections comprise three erasures (in which all but a few words are deleted from the source text) of Waldheim's book by different methods. In the first, a series of clipped poetic lines is as much a hazy expression of an everyman's guilty conscience ("He knew the topography of injustice./ It had neither inside nor outside") as it is a specific indictment of global political life since WWII: "One would not wish this account to become a catalogue of the disappeared." Part two is a virtuosic and surprising prose narrative told by someone obsessed with the golden records sent up with the two Voyager space shuttles in 1977, "full of popular tunes and beautiful technological problems." In the third and longest section, a sequence of mostly first-person lyrics in Waldheim's voice beautifully mixes the personal and political concerns of the book: "He complained/ that I did not believe/ in his extraordinary world." The book closes with a series of epilogues that reveal something of the process by which it was composed. Taken together, these recastings form a highly ambitious book of political poetry that speaks hauntingly of our world. (Feb.)
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The paradoxical lives of historical figures have long inspired poets, a tradition Reddy embraces and transforms in his audacious, deeply interrogative second collection. The opening section is strangely disembodied and aphoristically philosophical, even as each line oscillates between outrage and compassion. We learn the source of these rigorous distillations in a cycle of concentrated prose poems, which informs us that among the messages stowed on the Voyager spacecraft, which is now leaving the solar system, is a letter from Kurt Waldheim. Secretary general of the UN when the mission was launched in 1977, Waldheim became a painfully ironic 'spokesman for humanity' once his Nazi past was exposed. In a stunning labor of correction, Reddy crossed out 'line after line' of Waldheim's 1985 memoir, In the Eye of the Storm, and extracted words and phrases that he reassembled to create plangent poems, including a haunting soliloquy. Reddy's book of nuanced yet piercing inquiries into matters of conscience and ambition, truth and power, peace and war emulates its astonishing namesake, arcing across time and space to cast light on mysteries of cosmic significance. --Donna Seaman
A collection of seven early dark suspense stories by the author of The Grove, The Cold Kiss, and Already Gone.
Ryman's darkly imaginative, almost surreal improvisation on L. Frank Baum's Oz books combines a stunning portrayal of child abuse, Wizard of Oz film lore and a polyphonic meditation on the psychological burden of the past.
Copyright 1993 Reed Business Information, Inc.
The Scarecrow of Oz dying of AIDS in Santa Monica? Uncle Henry a child abuser? Dorothy, grown old and crazy, wearing out her last days in a Kansas nursing home? It's all here, in this magically revisionist fantasy on the themes from The Wizard of Oz. For Dorothy Gael (not a misprint), life with Uncle Henry and Aunty Em is no bed of roses: Bible-thumping Emma Gulch is as austere (though not as nasty) as Margaret Hamilton, and her foul- smelling husband's sexual assaults send his unhappy niece over the line into helpless rage at her own wickedness and sullen bullying of the other pupils in nearby Manhattan, Kansas. Despite a brush with salvation (represented by substitute teacher L. Frank Baum), she spirals down to madness courtesy of a climactic twister, only to emerge 70 years later as Dynamite Dottie, terror of her nursing home, where youthful orderly Bill Davison, pierced by her zest for making snow angels and her visions of a happiness she never lived, throws over his joyless fianc‚e and becomes a psychological therapist. Meanwhile, in intervening episodes in 1927 and 1939, Frances Gumm loses her family and her sense of self as she's transformed into The Kid, Judy Garland; and between 1956 and 1989, a little boy named Jonathan, whose imaginary childhood friends were the Oz people, grows up to have his chance to play the Scarecrow dashed by the AIDS that will draw him to Kansas--with counselor Davison in pursuit--in the hope of finding Dorothy's 1880's home and making it, however briefly, his own. This tale of homes lost and sought, potentially so sentimental, gets a powerful charge from Ryman's patient use of homely detail in establishing Dorothy's and Jonathan's childhood perspectives, and from the shocking effects of transforming cultural icons, especially in detailing Dorothy's sexual abuse. Science-fiction author Ryman (The Child Garden, 1990) takes a giant step forward with this mixture of history, fantasy, and cultural myth--all yoked together by the question of whether you can ever really go home. -- Copyright ©1992, Kirkus Associates, LP. All rights reserved.