The Man Who Made Husbands Jealous
SUMMARY: Lysander Hawkley Combined Breathtaking Good Looks With The Kindest Of Hearts. He Couldn'T Pass A Stray Dog, An Ill-Treated Horse, Or A Neglected Wife Without Rushing To The Rescue. And With Neglected Wives The Rescue Invariably Led To Ecstatic Bonking, Which Didn'T Please Their Erring Husbands One Bit. Lysander'S Mid-Life Crisis Had Begun At Twenty-Two. Reeling From The Death Of His Beautiful Mother, He Was Out Of Work, Drinking Too Much And Desperately In Debt. The Solution Came From Ferdie, His Fat, Fast-Operating Friend: If Lysander Was So Good At Making Husbands Jealous, Why Shouldn'T He Get Paid For It? So Ferdie Moved Him Into The Idyllic Rutshire Village Of Paradise, Which Teemed With Underserviced Wives Whose Husbands Were Whooping It Up In London. Not Only Did Lysander Cause Absolute Havoc, But As The Husbands Came Roaring Home To Protect Their Property He Was Soon Awash With Cash, Polo Ponies, Yachts And Ferraris Given Him By Grateful Wives. But Husband Rattling Has Its Complications. The Undisputed King Rat Of Rutshire Was A Fiendishly Temperamental, World-Famous Conductor Called Rannaldini, Who Lived In A Huge Haunted Abbey Overlooking Paradise With A Rottweiler Called Tabloid And A String Of Racehorses And Glamorous Groupies. Indeed, The Only Unglamorous Woman Around Rannaldini Was The One Who Ran His Life Like Clockwork, His Plump Young Wife Kitty. Soon Lysander Was Seriously Convinced That Kitty Must Be Rescued At All Costs From Rannaldini'S Sadistic Promiscuity. Frantic To Prove He Was Not Just A Far-From-Cheap Wife-Enhancer, Lysander Enlisted The Help Of Old Blue-Eyed Havoc Maker Rupert Campbell-Black, Who As A Successful Trainer Had His Own Reasons For Wanting To Bury Rannaldini - And The Battle Of The Giants Was On.
Augustus Pirran wanted protection - protection from the brutal killer who wanted him dead. So, for an exorbitant sum of money, he hired two of the toughest men in the business to do the job - Neil Whittaker, private investigator, and Bob Gann, a top agent in the F.B.I.
But on the fourth night of a cruise from England to New York, Bob Gann was viciously murdered his skull crushed by a cruel succession of blows - while Augustus Pirran was left sleeping peacefully in his bed. It was then that Whittaker began to wonder just who needed the protection . . .
Politics, economics, greed, sex, cars—without them, matrimony wouldn’t have caused the historical revolution ensuing today, concludes social historian Stephanie Coontz, in Marriage, a History. Modern marriage is in crisis; but don’t pine for a return to "the good old days," when men earned money and women kept house. Don’t even assume the crisis is all bad. For as Coontz reveals in this ambitious, multi-century trek through wedlock, marriage has morphed into the highest expression of commitment in Western Europe and North America; and though assumptions no longer exist regarding which partner may say "I do" to work, childcare, or other shared responsibilities, a clear set of rules about saying "I don’t" (to infidelity and irresponsibility) rings loud as church bells.
"This is not the book I thought I was going to write," Coontz admits. She intended to show that marriage was not in crisis; merely changing in expected ways. But her exhaustive research suggested the opposite was true. Tracing matrimony’s path from ancient times (when some cultures lacked a word for "love" and the majority of pairings were attempts to seize land or family names) through present day, she closely examines the many external forces at play in shaping modern marriage. Coontz details how society’s attempts to toughen this institution, have actually made it more fragile. Her rich talent for analyzing events, statistics, and theories from a myriad of sources—and enabling the reader to put them all in perspective—make this provocative history book an essential resource.--Liane Thomas
Starred Review. When considered in the light of history, "traditional marriage"—the purportedly time-honored institution some argue is in crisis thanks to rising rates of divorce and out-of-wedlock births, not to mention gay marriage—is not so traditional at all. Indeed, Coontz (The Way We Never Were) argues, marriage has always been in flux, and "almost every marital and sexual arrangement we have seen in recent years, however startling it may appear, has been tried somewhere before." Based on extensive research (hers and others'), Coontz's fascinating study places current concepts of marriage in broad historical context, revealing that there is much more to "I do" than meets the eye. In ancient Rome, no distinction was made between cohabitation and marriage; during the Middle Ages, marriage was regarded less as a bond of love than as a " 'career' decision"; in the Victorian era, the increasingly important idea of true love "undermined the gender hierarchy of the home" (in the past, men—rulers of the household—were encouraged to punish insufficiently obedient wives). Coontz explains marriage as a way of ensuring a domestic labor force, as a political tool and as a flexible reflection of changing social standards and desires. She presents her arguments clearly, offering an excellent balance between the scholarly and the readable in this timely, important book. Agent, Susan Rabiner. (May)
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.
SUMMARY: In 1869, Dostoevsky was summoned from Germany to St. Petersburg by the sudden death of his stepson. Coetzee dares to imagine the life of Dostoevsky, whom we watch as he obsessively follows his stepson’s ghost, trying to ascertain whether he was a suicide or a murder victim, and whether he loved or despised his stepfather. The novel is at once a compelling mystery steeped in the atmosphere of pre-revolutionary Russia, and a brilliant and courageous meditation on authority and rebellion, art and imagination.
SUMMARY: The New York Times bestselling author of Bet Me, Tell Me Lies and Welcome to Temptation delivers her long-awaited novel Andie Miller is ready to move on in life. She wants to marry her fiancé and leave behind everything in her past, especially her ex-husband, North Archer. But when Andie tries to gain closure with him, he asks one final favor of her before they go their separate ways forever. A very distant cousin of his has died and left North as the guardian of two orphans who have driven out three nannies already, and things are getting worse. He needs a very special person to take care of the situation and he knows Andie can handle anything. When Andie meets the two children she quickly realizes things are much worse than she feared. The place is a mess, the children, Carter and Alice, aren’t your average delinquents, and the creepy old house where they live is being run by the worst housekeeper since Mrs. Danvers. What’s worse, Andie’s fiancé thinks this is all a plan by North to get Andie back, and he may be right. Andie’s dreams have been haunted by North since she arrived at the old house. And that’s not the only haunting. What follows is a hilarious adventure in exorcism, including a self-doubting parapsychologist, an annoyed medium, her Tarot-card reading mother, an avenging ex-mother-inlaw, and, of course, her jealous fiancé. And just when she thinks things couldn’t get more complicated, North shows up on the doorstep making her wonder if maybe this time things could be different between them. If Andie can just get rid of all the guests and ghosts, she’s pretty sure she can save the kids, and herself, from the past. But fate might just have another thing in mind…
Master crime fiction writer John Creasey's near 600 titles have sold more than 80 million copies in over 25 languages under both his own name and ten other pseudonyms. His style varied with each identity and led to him being regarded as a literary phenomena. Amongst the many series written were 'Gideon of Scotland Yard', 'The Toff', 'The Baron', 'Dr. Palfrey' and 'Inspector West', as JJ Marric, Michael Halliday, Patrick Dawlish and others. During his lifetime Creasey enjoyed an ever increasing reputation both in the UK and overseas, especially the USA. This was further enhanced by constant revision of his works in order to assure the best possible be presented to his readers and also by many awards, not least of which was being honoured twice by the Mystery Writer's of America, latterly as Grand Master. He also found time to found the Crime Writers Association and become heavily involved in British politics - standing for Parliament and founding a movement based on finding the best professionals in each sphere to run things.'He leads a field in which Agatha Christie is also a runner.' - Sunday Times.
Anyone who can get past the trite opening scenes of country singer Cash's fantasy debut will be pleasantly surprised as the stilted prose becomes the accented speech of a fluent foreigner and the sketchy characters turn into solid people. As the orphan Zianno searches the world for the mysterious Sailor, he soon meets other Basque children who share his true heritage: they are the Meq, who stay 12 years old until they meet their soul mates and choose to attain mortality together. Zianno's almost-romance with the beautiful and mortal Carolina and his friendships with other Meq are described with a deep tenderness that plays up the brutality of the Fleur-du-Mal, an ancient renegade Meq who kills Carolina's sister and kidnaps her daughter. As Zianno, Sailor and their companions hunt the Fleur-du-Mal, the vividly painted landscape of the early 20th century unfolds around them, populated by many famous people (from T.S. Eliot to Scott Joplin) and events from the 1904 World's Fair to the 1918 influenza epidemic. Those expecting a conventional tale of immortality's woes or a coming-of-age story won't find either, but as light and engaging historical fiction with a fantasy twist, the novel works well. FYI:_In the 1970s, the author was a member of the Ozark Mountain Devils band and composed the hit pop song "Jackie Blue."_
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.
Starred Review Cash's first novel is a surprisingly ingenious, lushly detailed story that turns fantasy on its head. Yes, it features a battle of good against evil, magic amulets, and a group on a quest to discover its long-forgotten heritage. But beyond that, it soars into new territory. The Meq is a race that has lived anonymously among humans throughout the centuries. But when Meq turn 12, they remain that age, in body if not in mind, until they each meet the one other Meq who is their soul mate. The day he turns 12 in 1881, Ziannio Zezen, known as Z, loses his parents in a tragic train wreck, knowing only that he must keep the baseball his father gave him and must find Umla-Meq and Sailor. As he embarks on the search, various humans as well as other Meq befriend him, and they unite in trying to stop the evil Meq known as the Fleur-du-Mal. As years pass, the plot encompasses the 1904 St. Louis World's Fair, China's Boxer Rebellion, and other turn-of-the century events with a you-are-there flavor, and also dips back into antiquity through the memories of Meq who have been alive for centuries. The drama is intense, the characterizations are fully realized, and the very cadence of the language infuses a rich sense of time, place, and historical context that draws one in. Sally Estes
Copyright © American Library Association. All rights reserved
SUMMARY:
Steve Cash created “an absorbing [and] intriguing saga” (The San Diego Union-Tribune) in his debut novel, The Meq. Outwardly indistinguishable from human beings, but with abilities no human can claim, the Meq search for their lost history and face a mysterious prophesied reckoning. . . .It has been thirty-eight years since Zianno–known as Z–turned twelve. In appearance, he has not aged a day. Like all Meq, Z has become accustomed to a near immortal existence, possessing an uncanny ability to recuperate from injury and resist disease. Like only four others of his kind, he holds one of the fabled Stones, the Stone of Dreams. These bearers believe it is their destiny to guide the Meq toward and through the Remembering, where it is said that they will recall their long-forgotten origins and purpose.But the rogue Meq assassin called the Fleur-du-Mal threatens their efforts and their lives. Pursuing rumors of a lost Sixth Stone, he is intent on finding the legendary talisman and eliminating anyone, Meq or human, who stands in the way. Z and his allies–Opari, Sailor, Geaxi, Nova, Ray, Mowsel, Carolina, Jack, and others–embark on a desperate quest spanning decades and continents to track down the stone before their lethal adversary gets to it first. Along the way, every belief they have about themselves will be challenged and shaken–and a new, even deadlier enemy will arise.
SUMMARY:
Steve Cash created “an absorbing [and] intriguing saga” (The San Diego Union-Tribune) in his debut novel, The Meq. Outwardly indistinguishable from human beings, but with abilities no human can claim, the Meq search for their lost history and face a mysterious prophesied reckoning. . . .It has been thirty-eight years since Zianno–known as Z–turned twelve. In appearance, he has not aged a day. Like all Meq, Z has become accustomed to a near immortal existence, possessing an uncanny ability to recuperate from injury and resist disease. Like only four others of his kind, he holds one of the fabled Stones, the Stone of Dreams. These bearers believe it is their destiny to guide the Meq toward and through the Remembering, where it is said that they will recall their long-forgotten origins and purpose.But the rogue Meq assassin called the Fleur-du-Mal threatens their efforts and their lives. Pursuing rumors of a lost Sixth Stone, he is intent on finding the legendary talisman and eliminating anyone, Meq or human, who stands in the way. Z and his allies–Opari, Sailor, Geaxi, Nova, Ray, Mowsel, Carolina, Jack, and others–embark on a desperate quest spanning decades and continents to track down the stone before their lethal adversary gets to it first. Along the way, every belief they have about themselves will be challenged and shaken–and a new, even deadlier enemy will arise.
A young adult debut from internationally bestselling author Harlan Coben
Mickey Bolitar's year can't get much worse. After witnessing his father's death and sending his mom to rehab, he's forced to live with his estranged uncle Myron and switch high schools.
A new school comes with new friends and new enemies, and lucky for Mickey, it also comes with a great new girlfriend, Ashley. For a while, it seems like Mickey's train-wreck of a life is finally improving - until Ashley vanishes without a trace. Unwilling to let another person walk out of his life, Mickey follows Ashley's trail into a seedy underworld that reveals that this seemingly sweet, shy girl isn't who she claimed to be. And neither was Mickey's father. Soon, Mickey learns about a conspiracy so shocking that it makes high school drama seem like a luxury - and leaves him questioning everything about the life he thought he knew.
First introduced to readers in Harlan Coben's latest adult novel, Live Wire, Mickey...
English heiress Chauncey Fitzhugh travels to San Francisco to take revenge on Delaney Saxton, whom she believes is responsible for her father's bankruptcy. But Saxton is far from a cold-hearted villain, and Chauncey finds herself fighting a powerful attraction.
"Trees grow," wrote the dying Edward Sterling in the frozen earth of the forest in Stargrave, England, that became his burial ground. As his grandson Ben learns, in Campbell's beautifully poetic horror novel, the elder Sterling was answering a call from a primordial species of snow that devours humans. Ben becomes a conduit for the gluttony of this creeping arctic cold, slowly losing his reason with each victim that the entity claims, as he succumbs to its promise of immortality in exchange for the lives of his neighbors. This icy menace can succeed only through manipulating Ben's consciousness, and he cooperates--until it hunts his family. Campbell's ( Ancient Images ) artful use of metaphor paints a frightening portrait of a world tilting into chaos and the price that must be paid to save it. This absorbing novel again demonstrates the author's mastery of the horror genre.
Copyright 1990 Reed Business Information, Inc.
YA--Midnight Sun is not of the slasher, gorefest variety that passes for horror in much of the genre today. Instead, Campbell has skillfully crafted an intellectual, poetic, yet very readable thriller. Children's book writer Ben Sterling has returned to his boyhood home in the remote English country town of Stargrave. It was there that his grandfather, folklorist Edward Sterling, was found frozen to death and Ben's parents died under mysterious circumstances. Ben, now married with children, is drawn back to Stargrave by an ancient, alien lifeforce that takes possession of him as a gateway to control the world. Campbell expertly uses language to create a coiled, tense atmosphere and produce a chilling tale in the tradition of John Wyndom's Midwich Cuckoos (Ballantine, 1957; o.p.) or John Christopher's Possessors (S. & S., 1964; o.p.) A welcome addition to any horror collection.
- John Larson, Fairfax County Pub . Lib . , VA
Copyright 1991 Reed Business Information, Inc.
From the #1 New York Times bestselling author—a match made in hell becomes a marriage made in heaven.
Noelle
Wilmington, North Carolina September 20I0
She sat on the top step of the front porch of her Sunset Park bungalow, leaning against the post, her eyes on the full moon. She would miss all this. The night sky. Spanish moss hanging from the live oaks. September air that felt like satin against her skin. She resisted the pull of her bedroom. The pills. Not yet. She had time. She could sit here all night if she wanted.
Lifting her arm, she outlined the circle of the moon with her fingertip. Felt her eyes burn. "I love you, world," she whispered.
The weight of the secret pressed down on her suddenly, and she dropped her hand to her lap, heavy as a stone. When she'd awakened this morning, she'd had no idea that this would be the day she could no longer carry that weight. As recently as this evening, she'd hummed as she chopped celery and cucumbers and tomatoes for her salad, thinking of the fair-haired preemie born the day before—a fragile little life who needed her help. But when she sat down with her salad in front of the computer, it was as though two beefy, muscular arms reached out from her monitor and pressed their hands down hard on her head, her shoulders, compressing her lungs so that she couldn't pull in a full breath.
The very shape of the letters on her screen clawed at her brain and she knew it was time. She felt no fear—certainly no panic—as she turned off the computer. She left the salad, barely touched, on her desk. No need for it now. No desire for it. She got everything ready; it wasn't difficult. She'd been preparing for this night for a long time. Once all was in order, she came out to the porch to watch the moon and feel the satin air and fill her eyes and lungs and ears with the world one last time. She had no expectation of a change of heart. The relief in her decision was too great, so great that by the time she finally got to her feet, just as the moon slipped behind the trees across the street, she was very nearly smiling.
Tara Going upstairs to call Grace for dinner was becoming a habit. I knew I'd find her sitting at her computer, earbuds in her ears so she couldn't hear me when I tried to call her from the kitchen. Did she do that on purpose? I knocked on her door, then pushed it open a few inches when she didn't answer. She was typing, her attention glued to her monitor. "Dinner's almost ready, Grace," I said. "Please come set the table."
Twitter, our goldendoodle, had been stretched out beneath Grace's bare feet, but at the mention of "dinner" he was instantly at my side. Not so my daughter.
"In a minute," she said. "I have to finish this."
I couldn't see the screen from where I stood, but I was quite sure she was typing an email rather than doing her homework. I knew she was still behind. That was what happened when you taught at your child's high school; you always knew what was going on academically. Grace had been an excellent student and one of the best writers at Hunter High, but that all changed when Sam died in March. Everyone cut her slack during the spring and I was hoping she'd pull it together this fall, but then Cleve broke up with her before he left for college, sending her into a tailspin. At least, I assumed it was the breakup that had pulled her deeper into her shell. How could I really know what was going on with her? She wouldn't talk to me. My daughter had become a mystery. A closed book. I was starting to think of her as the stranger who lived upstairs.
I leaned against the doorjamb and studied my daughter. We had the same light brown hair dusted with the same salon-manufactured blond highlights, but her long, thick mane had the smooth shiny glow that came with being sixteen years old. Somewhere along the way, my chin-length hair had lost its luster.
"I'm making pasta with pesto," I said. "It'll be done in two minutes."
"Is Ian still here?" She kept typing but glanced quickly out the window, where I supposed she could see Ian's Lexus parked on the street.
"He's staying for dinner," I said.
"He might as well move in," she said. "He's here all the time, anyway."
I was shocked. She'd never said a word about Ian's visits before, and he only came over once or twice a week now that Sam's estate was settled. "No, he's not," I said. "And he's been a huge help with all the paperwork, honey. Plus, he has to take over all Daddy's cases and some of his records are here in his home office, so—"
"Whatever." Grace hunched her shoulders up to her ears as she typed as if she could block out my voice that way. She stopped typing for a second, wrinkling her nose at her screen. Then she glanced up at me. "Can you tell Noelle to leave me alone?" she asked.
"Noelle? What do you mean?"
"She's always emailing me. She wants me and Jenny to—"
"Jenny and me."
She rolled her eyes and I cringed. Stupid, stupid. I wanted her to talk to me and then I critiqued what she said. "Never mind," I said. "What does she want you and Jenny to do?"
"Make things for her babies-in-need program." She waved her hand toward her monitor. "Now she's on this 'community work will look great on your college applications' kick."
"Well, it will."
"She's such a total whack job." She started typing again, fingers flying. "If you could compare her brain with a normal brain on an MRI, I'm sure they'd look completely different."
I had to smile. Grace might be right. "Well, she brought you into the world and I'll always be grateful for that," I said.
"She never lets me forget it, either."
I heard the timer ringing downstairs. "Dinner's ready," I said. "Come on."
"Two seconds." She got to her feet, bending over the desk, still typing furiously. Suddenly she let out a yelp, hands to her face. She took a step back from the keyboard. "Oh, no," she said. "Oh, no!"
"What's the matter?"
"Oh, no," she said again, whispering the words this time as she dropped back into her chair, eyes closed.
"What is it, sweetie?" I started toward her as if I might somehow be able to fix whatever was wrong, but she waved me away.
"It's nothing." She stared at her monitor. "And I'm not hungry."
"You have to eat," I said. "You hardly ever eat dinner with me anymore."
"I'll get some cereal later," she said. "Just…right now, I have to fix something. Okay?" She gave me a look that said our conversation was over, and I backed away, nodding.
"Okay," I said, then added helplessly, "Let me know if there's anything I can do."
"She's having a meltdown," I said to Ian as I walked into the kitchen. "And she's not hungry."
Ian was chopping tomatoes for the salad but he turned to look at me. "Maybe I should go," he said.
"No way." I spooned the pesto-coated rigatoni into my big white pasta bowls. "Someone needs to help me eat all this food. Anyway, it's not you that's keeping her away. It's me. She avoids me all she can." I didn't want Ian to leave. There was comfort in his company. He'd been Sam's law partner and close friend for more than fifteen years and I wanted to be with someone who'd known my husband well and had loved him. Ian had been my rock since Sam's death, handling everything from the cremation to the living trust to managing our investments. How did people survive a devastating loss without an Ian in their lives?
Ian set the bowls of pasta on the kitchen table, then poured himself a glass of wine. "I think she worries I'm trying to take Sam's place," he said. He ran a hand over his thinning blond hair. He was one of those men who would look good bald, but I knew he wasn't happy about that prospect.
"Oh, I don't think so," I said, but I remembered Grace mentioning that he might as well move in. Should I have asked her why she said that? Not that she would have answered me.
I sat down across the table from Ian and slipped the tines of my fork into a tube of rigatoni I didn't really feel like eating. I'd lost twenty pounds since Sam died. "I miss my little Gracie." I bit my lip, looking into Ian's dark eyes behind his glasses. "When she was younger, she'd follow me everywhere around the house. She'd crawl into my lap to cuddle and I'd sing to her and read to her and…" I shrugged. I'd known how to be a good mother to that little girl, but she was long gone.
"I imagine everyone feels that way when their kids become teenagers," Ian said. He had no kids of his own. Forty-five and he'd never even been married, which would be suspect in another man but we'd all just accepted it in Ian. He'd come close long ago—with Noelle—and I didn't think he'd ever quite recovered from the sudden ending of that relationship.
"Sam would have known what to say to her." I heard the frustration in my voice. "I love her so much, but she was Sam's daughter. He was our…our translator. Our intermediary." It was true. Sam and Grace had been two quiet souls with no need to speak to each other to communicate. "You could feel the connection between them when you'd walk into a room where they were sitting, even if one of them was on the computer and the other reading. You could feel it."
"You're such a perfectionist, Tara," Ian said. "You have this expectation of yourself that you can be a perfect parent, but there's no such thing."
"You know what they loved to do?" I smiled to myself, stuck in my memory, which was where I was spending a lot of my time lately. "Sometimes I'd have a late meeting and I'd come home and find them sitting in the family room, watching a movie together, drinking some coffee concoction they'd invented."
"Sam and his coffee." Ian laughed. "All day long. He had a cast-iron gut."
"He turned Grace into a caffeine...