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'He took out his watch and looked at it. He rested for one minute as timed on his watch. He opened the briefcase and took out a passport and a pair of spectacles. He put the spectacles on and looked at the passport, and realised he was the man in the picture.A gunshot rang out: Part thriller, part spy novel, Exchange Place is set between Belfast and Paris and tracks the individual movements of two men, John Kilfeather and John Kilpatrick, who are trying to solve a mystery concerning a lost friend, a missing notebook and a gun. But this is no ordinary mystery and the usual rules don't apply. Appearances are deceptive; identities dissolve, become slippery; and it's easy to lose track of who you are in the winding streets and passageways of the city. As the paths of Kilpatrick and Kilfeather slowly and inexorably converge, it is only the subterranean Memory Palace that can open the way to the truth.<

More than twenty years after the end of their love affair, Gabriel receives a series of cryptic postcards from his old flame. Inspired to write his own letter, Gabriel dwells in sensuous detail on perfumes, clothes, and conversations as he tries to recapture the spirit of their romance in 1980s Belfast. As Gabriel teases out the significance of the postcards, the layers of meaning in the images and messages, his reveries develop into richly textured meditations on writing, memory, spiritualism, and surveillance. The result is an elaborate and intricate web of fact and fiction, a narrative that marries sharp historical insights with imaginative exuberance, a strange and wonderful novel confirming Ciaran Carson as one of Ireland's most exciting writers.<

David Cronenberg—the celebrated Canadian film director, lauded by for creating “some of the best, most challenging, most unusual English-language films of the last twenty years,” and named a chevalier of the Order of Arts and Letters in France—turns his remarkable talent to the haunting, disturbing intersection of desire and decay in , his highly anticipated debut novel.

In the book—filled, artfully messy Paris apartment of the famous French intellectuals Celestine and Aristide Arosteguy, an astonishing discovery is made—the grisly, butchered remains of Celestine, partially eaten. Her husband, sought by police for questioning, is nowhere to be found.

Naomi Seberg, a young journalist, embarks upon a quest to uncover the truth of Celestine’s death and Aristide’s role in it. She travels to Tokyo to interview the suspected cannibal, while her boyfriend, Nathan Math, a medical journalist, seduces the cancer patient of a controversial Hungarian doctor and contracts a sexually transmitted disease. He traces the famous discoverer of the diseases to Forest Hill Village in Toronto, where he encounters the most interesting journalistic subject of all.

In energetic, inventive, and provocative prose, Cronenberg creates an extraordinary, sexually charged novel of dark impulses and appetites that reminds us that the boundaries of lover and beloved aren’t nearly as defined as we believe them to be.

In these nine mysteries the criminal backdrops vary, but each requires the touch of Simon Templar, The Saint. Templar's reputation tends to precede him. A double-cross episode triggers his latest round of specialist crime-prevention, and in the ensuing tour of Americas' iniquity, he encounters racketeering, roulette and banditry.<

“In a down-to-earth style, tells the compelling story of one man’s assignment to the famous 3rd Armored Division that spearheaded the American advance from Normandy into Germany. Cooper served as an ordnance officer with the forward elements and was responsible for coordinating the recovery and repair of damaged American tanks. This was a dangerous job that often required him to travel alone through enemy territory, and the author recalls his service with pride, downplaying his role in the vast effort that kept the American forces well equipped and supplied…. [Readers] will be left with an indelible impression of the importance of the support troops and how dependent combat forces were on them.”

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Even after his death in April 2007, Boris Yeltsin remains the most controversial figure in recent Russian history. Although Mikhail Gorbachev presided over the decline of the Communist party and the withdrawal of Soviet control over eastern Europe, it was Yeltsin—Russia’s first elected president—who buried the Soviet Union itself. Upon taking office, Yeltsin quickly embarked on a sweeping makeover of newly democratic Russia, beginning with a program of excruciatingly painful market reforms that earned him wide acclaim in the West and deep recrimination from many Russian citizens.

In this, the first biography of Yeltsin’s entire life, Soviet scholar Timothy Colton traces Yeltsin’s development from a peasant boy in the Urals to a Communist party , and then ultimately to a nemesis of the Soviet order. Based on unprecedented interviews with Yeltsin himself as well as scores of other Soviet officials, journalists, and businessmen, Colton explains how and why Yeltsin broke with single-party rule and launched his drive to replace it with democracy.

Yeltsin’s colossal attempt to bring democracy to Russia remains one of the great, unfinished stories of our time. As anti-Western policies and rhetoric resurface in Putin’s increasingly bellicose Russia, Yeltsin offers essential insights into the past, present, and future of this vast and troubled nation.

Ha-Joon Chang is a heterodox economist and institutional economist specializing in development economics. Currently a Reader in the Political Economy of Development at the University of Cambridge, Chang is the author of several widely-discussed policy books, most notably Kicking Away the Ladder: Development Strategy in Historical Perspective Chang was ranked by Prospect Magazine as one of the top 20 World Thinkers in 2013.

The acclaimed Ha-Joon Chang is a voice of sanity-and wit-in this lighthearted book with a serious purpose: to question the assumptions behind the dogma and sheer hype that the dominant school of neoliberal economists have spun since the Age of Reagan. uses twenty-three short essays (a few great examples: ) to equip readers with an understanding of how global capitalism works, and doesn't, while offering a vision of how we can shape capitalism to humane ends, instead of becoming slaves of the market.

Praise for :

"A lively, accessible and provocative book."- (UK )

"Chang, befitting his position as an economics professor at Cambridge University, is engagingly thoughtful and opinionated at a much lower decibel level. 'The "truths" peddled by free-market ideologues are based on lazy assumptions and blinkered visions,' he charges."-

In his bestselling , Cambridge economist Ha-Joon Chang brilliantly debunked many of the predominant myths of neoclassical economics. Now, in an entertaining and accessible primer, he explains how the global economy actually works—in real-world terms. Writing with irreverent wit, a deep knowledge of history, and a disregard for conventional economic pieties, Chang offers insights that will never be found in the textbooks.

Unlike many economists, who present only one view of their discipline, Chang introduces a wide range of economic theories, from classical to Keynesian, revealing how each has its strengths and weaknesses, and why  there is no one way to explain economic behavior. Instead, by ignoring the received wisdom and exposing the myriad forces that shape our financial world, Chang gives us the tools we need to understand our increasingly global and interconnected world often driven by economics. From the future of the Euro, inequality in China, or the condition of the American manufacturing industry here in the United States— is a concise and expertly crafted guide to economic fundamentals that offers a clear and accurate picture of the global economy and how and why it affects our daily lives.

Ecstasy is the story of young widow roused out of the torpor of her solitude by a dalliance with a courtly womanizer. It is written in a dreamily impressionistic style whose primary concern is to capture its heroine's eternally shifting moods at their most ineffable and ephemeral. This title is not just glibly rhetorical. The heroine and her suitor never consummate their passion never even exchange so much as a kiss; ecstasy is all. Louis Couperus was a prolific and cosmopolitan writer whose work has been compared to that of Thomas Hardy.<

Louis Couperus was catapulted to prominence in 1889 with Eline Vere, a psychological masterpiece inspired by Flaubert and Tolstoy. Eline Vere is a young heiress: dreamy, impulsive, and subject to bleak moods. Though beloved among her large coterie of friends and relations, there are whispers that she is an eccentric: she has been known to wander alone in the park as well indulge in long, lazy philosophical conversations with her vagabond cousin. When she accepts the marriage proposal of a family friend, she is thrust into a life that looks beyond the confines of The Hague, and her overpowering, ever-fluctuating desires grow increasingly blurred and desperate. Only Couperus — as much a member of the elite socialite circle of fin-de-siècle The Hague as he was a virulent critic of its oppressive confines — could have filled this "Novel of The Hague" with so many superbly rendered and vividly imagined characters from a milieu now long forgotten. Award-winning translator Ina Rilke’s new translation of this Madame Bovary of The Netherlands will reintroduce to the English-speaking world the greatest Dutch novelist of his generation.<

"Cornelie De Retz Van Loo, a twenty-three-year-old divorcee from an upper-class Hague milieu, tries with mixed feelings to begin a new life in Italy in 1900. After some time in Rome, she discovers that Italy itself can never bring her the consolation she seeks. She meets the Dutch painter Duco van der Staal, and they move in together, flouting convention. Almost their only acquaintances are an amorous Italian prince and the American heiress he wants to marry for her money. Duco and Cornelie are happy but poor, and as their finances go from bad to worse, Cornelie, in desperation, takes a position as a companion to an elderly American lady in Nice. There she encounters her ex-husband." Considered one of Louis Couperus' most compelling achievements in fiction, Inevitable immerses us in turn-of-the-century Rome and examines a life in which Art is an exalted form of love. The social issues Couperus addresses in Inevitable provoked waves of criticism upon its publication in spite of the author's tremendous popularity.<

A mystical Javan prince and a promiscuous wife are twin challenges to Commissioner Van Oudijck's seemingly impregnable authority. As he struggles to maintain control of his district in the Dutch East Indies, as well as of his family, ancient local traditions reassert their influence and colonial power begins to disintegrate.<

Laziness in the Fertile Valley

"The Devil's Larder" is a novel in sixty-four parts, exploring our deepest human concerns — love, hate, hopes and desires — through our relationship with food. Packed with delightful and subversive ingredients, with behaviour more suited to the bedroom than to the table, and with the most curious and idosyncratic of diners, this is a sensuous portrait of a community where meals are served with lashings of passion and recipes come spiced with unexpected challenges and hopes.

'Delicious. . the sheer quantity of inventiveness is astounding' " Mail on Sunday "

'Funny, frightening and erotic' "The Times "

Forced into a brutal concentration camp during a great war, Brodeck returns to his village at the war’s end and takes up his old job of writing reports for a governmental bureau. One day a stranger comes to live in the village. His odd manner and habits arouse suspicions: His speech is formal, he takes long, solitary walks, and although he is unfailingly friendly and polite, he reveals nothing about himself. When the stranger produces drawings of the village and its inhabitants that are both unflattering and insightful, the villagers murder him. The authorities who witnessed the killing tell Brodeck to write a report that is essentially a whitewash of the incident.

As Brodeck writes the official account, he sets down his version of the truth in a separate, parallel narrative. In measured, evocative prose, he weaves into the story of the stranger his own painful history and the dark secrets the villagers have fiercely kept hidden.

Set in an unnamed time and place, blends the familiar and unfamiliar, myth and history into a work of extraordinary power and resonance. Readers of J. M. Coetzee’s , Bernhard Schlink’s and Kafka will be captivated by .

The Investigator is a man quite like any other. He is balding, of medium build, dresses conservatively — in short, he is unremarkable in every way. He has been assigned to conduct an Investigation of a series of suicides (twenty-two in the past eighteen months) that have taken place at the Enterprise, a huge, sprawling complex located in an unnamed Town. The Investigator's train is delayed, and when he finally arrives, there's no one to pick him up at the station. It is alternating rain and snow, it's getting late, and there are no taxis to be seen. Off sets the Investigator, alone, into the night, unsure quite how to proceed.

So begins the Investigator's series of increasingly frustrating attempts to fulfill his task. In the course of hours of wandering looking for the entrance to The Enterprise, he bumps into a stranger hurrying past and spills open his luggage, soaking his clothes. When he finally reaches the Enterprise, he is told he does not posses the proper authorization documents to enter after regular hours. Asking for directions to a hotel, he is informed "We're not the Tourist Office," and must set off to find one himself. Time and time again, regulations hamstring him, street layouts befuddle him, and all the while he senses someone watching him, recording his every movement.

In a highly original work that is both absorbing and fascinating, Claudel undertakes a sweeping critique of the contemporary world through a variety of modes. Like Kafka, Beckett, and Huxley, he has crafted a dark fable that evokes the absurdity and alienation of existence with piercing intelligence and considerable humor.