Disclaimer

Becca Healy always believed she understood the shameful circumstances of her mother’s death — until the night her mother’s spirit whispers a simple message out of the static of a radio: “Not true.” Becca turns to the terse Dr. Joanne Call, an expert in Electronic Voice Phenomenon — ghost voices — to unravel the mystery of this decades-old tragedy. Joanne can coax messages out of the silence of the grave, but coping with this feisty, emotional Healy person might be completely beyond her. Together, Becca and Jo must tackle childhood grief, a serial killer, Xena withdrawal, and a growing attraction between the two most mismatched women in Seattle.<

The official novelization of the much-anticipated brand-new  movie — a rebirth for the major international franchise! Gareth Edwards'  will be released on May 16, 2014!

An epic rebirth of Toho's iconic  this spectacular adventure pits the world's most famous monster against malevolent creatures who, bolstered by humanity's scientific arrogance, threaten our very existence

Lying in the sand dunes of Baritone Bay are the bodies of a middle-aged couple. Celice and Joseph, in their mid-50s and married for more than 30 years, are returning to the seacoast where they met as students. Instead, they are battered to death by a thief with a chunk of granite. Their corpses lie undiscovered and rotting for a week, prey to sand crabs, flies, and gulls. Yet there remains something touching about the scene, with Joseph's hand curving lightly around his wife's leg, "quietly resting; flesh on flesh; dead, but not departed yet."

""Their bodies had expired, but anyone could tell-just look at them-that Joseph and Celice were still devoted. For while his hand was touching her, curved round her shin, the couple seemed to have achieved that peace the world denies, a period of grace, defying even murder. Anyone who found them there, so wickedly disfigured, would nevertheless be bound to see that something of their love had survived the death of cells. The corpses were surrendered to the weather and the earth, but they were still a man and wife, quietly resting; flesh on flesh; dead, but not departed yet.""

From that moment forward, "Being Dead" becomes less about murder and more about death. Alternating chapters move back in time from the murder in hourly and two-hourly increments. As the narrative moves backward, we see Celice and Joseph make the small decisions about their day that will lead them inexorably towards their own deaths. In other chapters the narrative moves forward. Celice and Joseph are on vacation and nobody misses them until they do not return. Thus, it is six days before their bodies are found. Crace describes in minute detail their gradual return to the land with the help of crabs, birds, and the numerous insects that attack the body and gently and not so gently prepare it for the dust-to-dust phase of death.

Victor, an eighty-year-old multimillionaire, surveys his empire from the remoteness of his cloud-capped penthouse. Expensively insulated from the outside world, he nonetheless finds that memories of his impoverished childhood will not be kept so easily at bay. Focusing on the one area of vitality and chaos that remains in the streets below him, he formulates a plan to leave a mark on the city — one as indelible and disruptive as the mark the city left on him.

'A deeply satisfying read, in which each well-turned phrase resounds in every finely tuned sentence' "Mail on Sunday"

'Presents his heavily politicised vision at its most ambitious and also at its most Ballard-like' "Irish Times"

'One of the most beautifully written books in years' " Sunday Telegraph"

The land of Terre d’Ange is a place of unsurpassing beauty and grace. It is said that angels found the land and saw it was good… and the ensuing race that rose from the seed of angels and men live by one simple rule: Love as thou wilt.

Phèdre nó Delaunay is a young woman who was born with a scarlet mote in her left eye. Sold into indentured servitude as a child, her bond is purchased by Anafiel Delaunay, a nobleman with very a special mission…and the first one to recognize who and what she is: one pricked by Kushiel’s Dart, chosen to forever experience pain and pleasure as one.

Phèdre is trained equally in the courtly arts and the talents of the bedchamber, but, above all, the ability to observe, remember, and analyze. Almost as talented a spy as she is courtesan, Phèdre stumbles upon a plot that threatens the very foundations of her homeland. Treachery sets her on her path; love and honor goad her further. And in the doing, it will take her to the edge of despair…and beyond. Hateful friend, loving enemy, beloved assassin; they can all wear the same glittering mask in this world, and Phèdre will get but one chance to save all that she holds dear.

Set in a world of cunning poets, deadly courtiers, heroic traitors, and a truly Machiavellian villainess, this is a novel of grandeur, luxuriance, sacrifice, betrayal, and deeply laid conspiracies. Not since Dune has there been an epic on the scale of Kushiel’s Dart-a massive tale about the violent death of an old age, and the birth of a new.

Cecilia and Claudio are doctors at the same hospital. They eat lunch together, sharing conversation and confidences. Each is recovering from a relationship that has ended but is not yet over: she is a vulnerable young woman with a complicated family situation and two small children; he continues to live in the same building with his senile mother and his ex-wife and her new family. Though they are drawn together magnetically, life has taught them to treat that attraction with suspicion.

But a chance encounter with Cecilia’s sister, Silvia, shifts the precarious balance of the relationship between the two doctors. Claudio begins to see the difficulties inherent in his approach toward life — his weary “Why not?” rather than indicating a hunger for life and experiences, is simply a default setting; saying no would require an energy and focus he lacks. And just when Cecilia comes to the realization that she loves Claudio and is ready to commit to a genuine relationship, fate steps in once again.

In lucid, melancholy prose, supplely rendered into English by Anne Milano Appel, Andrea Canobbio sketches a fable of love poisoned by indecision and ambivalence in Three Light-Years, laying bare the dangers of playing it safe when it comes to matters of the heart.

An increasingly crippled Hank struggles to keep the various factions of Belvaille in check after the collapse of the Colmarian Confederation.

Hank, as Supreme Kommilaire and Secretary of City, has several hundred police to try and maintain order among the millions of inhabitants on the space station while simultaneously preparing for Belvaille’s first ever election.

He thinks it is an impossible task. Every year the city, and even the galaxy, falls further into chaos as he himself succumbs to the debilitating effects of his mutation.

With economic turmoil everywhere, a dirty election in the works, and the galaxy’s foremost assassin hunting him, Hank has to decide if he can save Belvaille. Or if it’s even worth saving.

NOTE: Sequel to and

In this revelatory volume, Roberto Calasso, whom has called “a literary institution,” explores the ancient texts known as the Vedas. Little is known about the Vedic people who lived more than three thousand years ago in northern India: they left behind almost no objects, images, or ruins. They created no empires. Even the hallucinogenic plant the , which appears at the center of some of their rituals, has not been identified with any certainty. Only a “Parthenon of words” remains: verses and formulations suggesting a daring understanding of life.

“If the Vedic people had been asked why they did not build cities,” writes Calasso, “they could have replied: we did not seek power, but rapture.” This is the ardor of the Vedic world, a burning intensity that is always present, both in the mind and in the cosmos.

With his signature erudition and profound sense of the past, Calasso explores the enigmatic web of ritual and myth that defines the Vedas. Often at odds with modern thought, these texts illuminate the nature of consciousness more than today’s neuroscientists have been able to do. Following the “hundred paths” of the , an impressive exegesis of Vedic ritual, indicates that it may be possible to reach what is closest by passing through that which is most remote, as “the whole of Vedic India was an attempt to .”

The Saint is a traditionalist — he knows what a good pirate story needs. Gold, hidden treasure, smugglers, dastardly villains and damsels in distress. From Bimini to Nassau, via Jamaica and Haiti, the Saint travels the Caribbean — interrupting his holidays to settle disputes, solve murders, overthrow governments, and hunt for treasure. Wherever he lands, you can be sure that the Ungodly will get what's coming to them.<

Bermuda, England, France, the Middle East, Malaya and Vancouver are stopping places for adventures to catch up with the Saint. They include a missing bridegroom, a lady and a gentleman Bluebeard, murder in a nudist colony, dowsing for oil for a Sheik, and putting a dent into dope smuggling. The trademarks of impudence and extravagant odds make this a lightfingered collection.<

A satirical fable of small-town America centers on a builder's wife and the erotic power she exerts over her neighbors, transforming before their eyes and changing forever their notions of right and wrong.<

A wealthy Israeli family is at a precipice in their lives in this nuanced, contemporary novel. As Amanda Gruber, the matriarch of the family, undergoes an invasive cosmetic procedure, Lirit, her rebellious daughter, takes over operations at the family's pajama factory. Her brother Dael serves in the Israeli army as a sniper, while Irad, their neglectful father, a genius scientist, travels to the United States to conduct research on flak jackets. Each family member is pulled in conflicting directions, forced to examine their contentious relationships to one another. With surprising humor, "Textile" details the gradual disintegration of a family strained by distance and the corrosive effects of consumerism and militarism.

Orly Castel-Bloom is considered a leading voice in Hebrew literature today. Her postmodern classic "Dolly City" has been included in UNESCO's Collection of Representative Works, and was nominated in 2007 as one of the ten most important books since the creation of the state of Israel. She has received the Tel Aviv Foundation Award, the Alterman Prize for Innovation, the Prime Minister's Prize three times (1994, 2001, 2011), the Newman Prize, the French WIZO Prize for "Human Parts," and the Leah Goldberg Prize. Her books have been translated into eleven languages.

After crossing oceans, a man and a boy arrive in a new land. Here they are each assigned a name and an age, and held in a camp in the desert while they learn Spanish, the language of their new country. As Simón and David they make their way to the relocation centre in the city of Novilla, where officialdom treats them politely but not necessarily helpfully.

Simón finds a job in a grain wharf. The work is unfamiliar and backbreaking, but he soon warms to his stevedore comrades, who during breaks conduct philosophical dialogues on the dignity of labour, and generally take him to their hearts.

Now he must set about his task of locating the boy’s mother. Though like everyone else who arrives in this new country he seems to be washed clean of all traces of memory, he is convinced he will know her when he sees her. And indeed, while walking with the boy in the countryside Simón catches sight of a woman he is certain is the mother, and persuades her to assume the role.

David's new mother comes to realise that he is an exceptional child, a bright, dreamy boy with highly unusual ideas about the world. But the school authorities detect a rebellious streak in him and insist he be sent to a special school far away. His mother refuses to yield him up, and it is Simón who must drive the car as the trio flees across the mountains.

THE CHILDHOOD OF JESUS is a profound, beautiful and continually surprising novel from a very great writer.

A romance of the times of St. Bernard and of Queen Eleanor, both of whom figure in the story, the hero's fortune being interwoven with those of the gay young queen. The book brings out the enormous contrasts of the Middle Ages, the splendor of the great French and German barons with the abject misery of the poor of that age, besides being a vivid representation of a picturesque period.<

So the Saint pledged himself to a vendetta which took him to Sicily, a land particularly suited to that ancient bloody custom.

From then on, except for an interlude with a luscious Italian pasta named Gina, it was all-out, heel-stomping war, with the Robin Hood of Modern Crime pitted against the arch-evil, centuries-old traditions of the Mafia!