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After My Fashion has an unusual publishing history. Although it was John Cowper Powys third novel written in 1920, it wasn't published until 1980. It seems that when his US publisher turned it down Powys made no effort to place it elsewhere. Indeed, when Powys had finished a book he tended to be oddly indifferent to its fate.
The novel has two other unusual features: its locations (Sussex and Greenwich Village) and Isadora Duncan being the inspiration for Elise, the dancer and mistress of the protagonist, Richard Storm (based quite largely on Powys himself).
As one would expect from Powys the writing is vivid, not least in the descriptions of the Sussex landscape and the bohemian milieu of Greenwich Village.
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"Rodmoor is, unusually for a John Cowper Powys novel, set in East Anglia, Rodmoor itself being a coastal village. The protagonist, Adrian Sorio, is a typically Powys-like hero, highly-strung with only precarious mental stability. He is in love with two women — Nance Herrick and the more unconventional Phillipa Renshaw.
This was Powys second novel, published in 1916. It deploys a rich and memorable cast of characters.
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Wood and Stone was John Cowper Powys' first novel published in 1915. It is no prentice-work however — the author was already in his forties.
The novel is set in the area of south Somerset that John Cowper Powys grew up in. The village of Nevilton is based on Montacute where his father was vicar for many years. When he wrote it Powys was living in the USA and it is perhaps this absence that accounts for the heightened vividness of the descriptive writing.
Powys deploys a large and wonderfully delineated cast of characters. They are loosely divided between 'the well-constituted' and 'the ill-constituted'. Characteristically Powys favours the latter.
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Ducdame was John Cowper Powys' fourth novel published in 1925. It is set in Dorset. The protagonist, Rook Ashover (a wonderfully Powysian name) is an introverted young squire with a dilemma: to go on loving his mistress, Netta Page, or, make a respectable marriage and produce an heir.
Of his early novels (pre- Wolf Solent) this one is often considered to be the most carefully constructed and best organized. Like them all it contains a gallery of rich, complex characters and glorious writing.
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Fifteen-year-old Daisy is sent from Manhattan to England to visit her aunt and cousins she’s never met: three boys near her age, and their little sister. Her aunt goes away on business soon after Daisy arrives. The next day bombs go off as London is attacked and occupied by an unnamed enemy.
As power fails, and systems fail, the farm becomes more isolated. Despite the war, it’s a kind of Eden, with no adults in charge and no rules, a place where Daisy’s uncanny bond with her cousins grows into something rare and extraordinary. But the war is everywhere, and Daisy and her cousins must lead each other into a world that is unknown in the scariest, most elemental way.
A riveting and astonishing story.
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Beyond the wrought-iron gates and behind the stuccoed facades of the Spanish-style houses in the affluent California community of Greenwood, a murderous maze of deceit, adultery, fraud, and betrayal awaits the private eye hailed by the as “the thinking man’s detective” in this ingeniously contrived mystery novel by two-time Shamus award-winner Bill Pronzini.
Not that larceny among the rich comes as a surprise to “Nameless.” Indeed, even before he visits the handsomely appointed offices of the blond, tanned insurance agent Rich Twining and the estate where the recently widowed Sheila Hunter lives uneasily with her wary ten-year-old daughter, the private investigator’s darker suspicions have been aroused. For why would anyone, no matter how moneyed and beautiful and bereaved, refuse to claim fifty thousand dollars due to her in life insurance?
The question is simple enough. The answer, though, lies several murders, many miles, ten years, a deviously contrived name game, and one baffling word clue — away.
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Mark and Maggie's annual drive east to visit family has gotten off to a rocky start. By the time they're on the road, it's late, a storm is brewing, and they are no longer speaking to one another. Adding to the stress, Maggie — recently mugged at gunpoint — is lately not herself, and Mark is at a loss about what to make of the stranger he calls his wife. When they are forced to stop for the night at a remote inn, completely without power, Maggie's paranoia reaches an all-time and terrifying high. But when Mark finds himself threatened in a dark parking lot, it’s Maggie who takes control.
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Côté famille, maman s'est tirée une fois de plus en m'abandonnant les mômes, et le Petit s'est mis à rêver d'ogres Noël.
Côté cœur, tante Julia a été séduite par ma nature de bouc (de bouc émissaire).
Côté boulot, la première bombe a explosé au rayon des jouets, cinq minutes après mon passage. La deuxième, quinze jours plus tard, au rayon des pulls, sous mes yeux. Comme j'étais là aussi pour l'explosion de la troisième, ils m'ont tous soupçonné.
Pourquoi moi ?
Je dois avoir un don…
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« Si les vieilles dames se mettent à buter les jeunots, si les doyens du troisième âge se shootent comme des collégiens, si les commissaires divisionnaires enseignent le vol à la tire à leurs petits-enfants, et si on prétend que tout ça c'est ma faute, moi, je pose la question : où va-t-on ? »
Ainsi s'interroge Benjamin Malaussène, bouc émissaire professionnel, payé pour endosser nos erreurs à tous, frère de famille élevant les innombrables enfants de sa mère, cœur extensible abritant chez lui les vieillards les plus drogués de la capitale, amant fidèle, ami infaillible, maître affectueux d'un chien épileptique, Benjamin Malaussène, l'innocence même (« l'innocence m'aime ») et pourtant… pourtant, le coupable idéal pour tous les flics de la capitale.
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