SUMMARY: When Professor Everett Land is found dead, detective Brandy Mather has a puzzle on her hands. The body is definitely his; dental records confirm his identity. But Professor Land is in his forties and the body is that of a very old man. What could have caused him to age so rapidly? Why is the corpse smiling? Brandy enlists the aid of computer scientist Dan Martin, who is smart, handsome, and anxious to help. Dan is almost too good to be true, and Brandy soon falls in love. But something is off about Dan. . . very off. Brandy’s investigation soon throws her into the midst of small-town politics, bank robberies, and vampires. SUMMARY: Dana Stabenow once again returns to Alaska, America's last frontier, where her unforgettable Aleut investigator, Kate Shugak, faces one of the most painful cases of her reluctant career. Kate was formerly the star investigator of the Anchorage D.A.'s office; now all she wants to do is enjoy the first weeks of autumn on her isolated homestead. Alone. But duty calls, in the form of Ekaterina Shugak, Kate's grandmother, the imposing matriarch of her extended family. It's the week of the Alaska Federation of Natives Convention, and everyone who's anyone - as well as a few nobodies - has gathered in Anchorage for a week of shopping, gossiping, bragging, and more than a little wheeling and dealing. But there's more happening this year than what's on the official agenda. A vote is coming up on the future of tribal lands, and the arguments are heated. Heated enough to raise suspicions about the recent death of a Native Association board member. Kate has always refused to get involved with tribal politics. But the dead woman was a relative, and the one true weakness Kate Shugak has is for her family. Reluctantly agreeing to investigate, she is drawn into a whirlpool of deceit, lies, and secrets; she is torn not only between the modern world and the traditional, but also between opposing factions within each group. And the more Kate investigates, the more she discovers how deeply she is tied to the land, and to what lengths she will go in order to protect it... EDITORIAL REVIEW: At the request of her grandmother, a matriarch of her Aleut clan, Kate Shugak travels to Anchorage to investigate the mysterious deaths of several Council members just before a crucial meeting to determine the fate of some disputed tribal lands. Reprint. *AB. *" <

David Rucker wakes up to a scene of shocking violence. Blood and body parts are everywhere. At first, he has no memory of who he is or how he wound up unconscious in the midst of all this carnage The mental fog engulfing him begins to clear and recognition dawns. The bodies of the dead belonged to people he loved. As he absorbs this information, a series of increasingly devastating revelations soon follow, including the realization that he is no longer alive. At least not in the technical sense. He is a monster. A killer. A vampire. At last he remembers something even more disturbing—Narcisa, the ancient and beautiful vampire queen who turned him and set in motion the events that led to this tragedy.

There's still more David needs to remember, but first an even more crucial piece of the puzzle needs an answer—where the hell is Narcisa? 
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Review

“Southern has managed to lay a kind of prose on us that can perpetrate a complete hoax while telling a mother’s own truth.” —Chicago Tribune

 “If there were a Mount Rushmore of American humor, Terry Southern would be the mountain they’d carve it from.” —Michael O’Donoghue, SNL

“Terry Southern is the illegitimate son of Mack Sennet and Edna Saint Vincent Millay.” —Kurt Vonnegut

“Terry Southern is the only author capable of handling mayhem on a gigantic scale.” —Esquire

“Terry Southern writes a mean coolly deliberate, and murderous prose—and in it we may have at last found the rightful heir (saints protect me from sacrilege) of Nathaniel West.” —Norman Mailer

Product Description

A darkly hilarious, wildly erotic satire of Hollywood

King B., the world’s most admired filmmaker—winner of a string of Oscars and awards from Cannes to Venice—takes on a new project: the most expensive, star-studded, high-quality, X-rated film ever made. He joins forces with producer Sid Krassman, who’s made a fortune with B movies, and Angela Sterling, a misunderstood sex symbol who longs to do “serious” work. After convincing the principality of Liechtenstein to host the production in exchange for a distribution exclusive to boost tourism, King B. and Krassman arrive with cast and crew to make The Faces of Love. While keeping the nature of the film secret from American bankers, King B. lines up a host of European and American big-name stars. But word leaks out to the local religious groups and possibly even the Vatican. Between the Cardinal’s attempts to sabotage production and the big egos and even bigger libidos behind the scenes, the enterprise plummets into hilarious anarchy.

Blue Movie is comic eroticism at its best—populated by over-the-top characters, memorable dialogue, and perverse vignettes, and colored by razor-sharp insights into the film industry.

This ebook features an illustrated biography of Terry Southern including rare photos and never-before-seen documents from the author’s estate.

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They are drawn by his deception, then disappear into the darkness forever... Endover, New Hampshire, looks innocent. But below its surface an ancient powerful thirst lurks. And when two girls go missing, only one person can find them: private investigator Maxine Stuart. No other living mortal knows as much about the undead as Maxie. But the dark force controlling Endover will use that knowledge to strengthen his hold on the town – and on her. Not even Lou Malone, the man Maxie most desires, can convince her to abandon her crusade against a madman's yearning for power...and resurrected love.<

As Lew Griffin leaves a New Orleans music club with an older white woman he's just met, someone fires a shot and Lew goes down. When he comes fully to, Griffin discovers that most of a year has gone by since that night. What happened? Who was the woman? Which of them was the target? Who was the sniper? There are too many pieces missing, too few facts, and a powerful need to know why a year has been stolen from his life. Weaving Griffin's search for identity—one of the recurring themes in this magnificent series of novels—with a sensuous portrait of the people and places the define New Orleans, Sallis continues not only to unravel Griffin's past but to map his future...and our own. Somewhere in the Crescent City—and in the white supremacist movement crawling through it—there's an answer to the questions left by the shot that echoed through the night. But to get it, Griffin is going to have to work with the only people offering help, people he knows he should avoid: allies if...<

At the age of twenty-nine, Sydneyhas already been once divorced and once widowed. In hergrief she left behind her settled life, and has now cometo tutor the teenage daughter of the well-to-do Edwardsfamily as they spend a sultry summer in their beachfrontNew England cottage.But when the Edwards's two grown sons, Milesand Jeff, show up at the beach house, it becomes clearthat the placid, anonymous existence Sydney had hoped foris not to be. Instead, tensions mount between thebrothers as they compete for the love of a woman who hasvowed never to risk her heart again.<

No Description Available<

The war between humanity and Faerie devastated both sides. Or so 15-year-old Liza has been told. Nothing has been seen or heard from Faerie since, and Liza’s world bears the scars of its encounter with magic. Trees move with sinister intention, and the town Liza calls home is surrounded by a forest that threatens to harm all those who wander into it. Then Liza discovers she has the Faerie ability to see—into the past, into the future—and she has no choice but to flee her town. Liza’s quest will take her into Faerie and back again, and what she finds along the way may be the key to healing both worlds.

Janni Lee Simner’s first novel for young adults is a dark fairy-tale twist on apocalyptic fiction—as familiar as a nightmare, yet altogether unique.

From the Hardcover edition.

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From Publishers Weekly

At the start of Sokoloff's solid crime thriller, the discovery in a landfill of the mutilated corpse of Erin Carmody, the 18-year-old daughter of a prominent Boston businessman, presents homicide detective Adam Garrett with a particularly sensitive case. Marks on the body suggest the killer was conducting Satanic rituals. When Adam and his partner, Carl Landauer, question the prime suspect, Jason Moncrief, a college friend of Erin's, Jason chants the name of the demon Choronzon, then assaults Carl. Despite what appears to be an open-and-shut case, Adam can't discount the claim that Jason is innocent made by Tanith Cabarrus, an attractive witch who comes to police headquarters to report that she dreamed of other murders—and who believes that supernatural forces are behind the slaughter. As usual, Sokoloff (_The Unseen_) does a good job keeping the reader guessing whether a supernatural agency is really at work. (June)
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.

Review

“A wonderfully dark thriller with amazing is-it-isn't-it suspense all the way to the end. Highly recommended.”---Lee Child

Praise for The Unseen

“Sokoloff keeps her story enticingly ambiguous, never clarifying until the climax whether the unfolding weirdness might be the result of the investigators’ psychic sensitivities or the mischievous handiwork of a human villain.”_---Publishers Weekly _

“The suspense starts on page one, tightening the noose on every page with increasing velocity to a stunning, fearsome climax. Ms. Sokoloff has created a chilling, fantastic supernatural thriller that will have you fearing what you can’t see.”---Allison Brennan, New York_ Times _bestselling author of Sudden Death

“A spine-tingling story that has every indication of becoming a horror classic . . . this is a chillingly dark look into the unknown. 4 1/2 stars.”_---RT Book Reviews_

“A masterful blend of fascinating fact and chilling fiction . . . an unsettling and highly entertaining horror/thriller read.”---_BookBitch.com_ 

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Review

“[This] is Robert Silverberg at his very best, and when [he’s] at his best, no one is better.”
–George R.R. Martin

“This is, simply put, one of my favorite nightmare novels.”
–Harlan Ellison, author of I Have No Mouth, and I Must Scream

“Flawlessly written . . . as close to poetic beauty as any contemporary science fiction novel I’ve ever read.”
–James Blish, Hugo Award—winning author of A Case of Conscience_
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“The Book of Skulls is a revelation–it was a masterpiece when I first read it, and remains a masterpiece to this day.”
–Greg Bear, New York Times bestselling author of Darwin’s Radio

“Silverberg is a master writer in any genre–and now you’re going to find out why they call them ‘thrillers.’ ”
–John Shirley, author of Demons

“Where Silverberg goes today, science fiction will follow tomorrow.”
–Isaac Asimov

From the Trade Paperback edition.

Product Description

Seeking the immortality promised in an ancient manuscript, The Book of Skulls, four friends, college roommates, go on a spring break trip to Arizona: Eli, the scholar, who found and translated the book; Timothy, scion of an American dynasty, born and bred to lead; Ned, poet and cynic; and Oliver, the brilliant farm boy obsessed with death.

Somewhere in the desert lies the House of Skulls, where a mystic brotherhood guards the secret of eternal life. There, the four aspirants will present themselves–and a horrific price will be demanded.

For immortality requires sacrifice. Two victims to balance two survivors. One by suicide, one by murder.

Now, beneath the gaze of grinning skulls, the terror begins. . . .

From the Trade Paperback edition.

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From Library Journal

In a post-technology world in which the Olympian deities are distant memories, Jeremy Redthorn discovers a divine artifact that transforms his life and heralds the return of the gods. Equally at home with both sf and fantasy, Saberhagen (Beserker Fury, LJ 8/97) here shows off his skill at revitalizing old mythologies in this rousing series opener. Combining the epic quest with a story of one young man's rite of passage, this title should appeal to YA readers as well as to the author's many fans.
Copyright 1998 Reed Business Information, Inc.

From Booklist

In fine form, Saberhagen turns to a world that recalls (and may actually be) that of his Swords series. The ancient classical gods have returned but are at war among themselves, and this yarn opens with a battle to the death between Apollo and Hades. Although Hades appears the victor, the face of Apollo is carried off by one of the sun god's human votaries. It ends up entering the body of 15-year-old Jeremy Redthorn, turning him into an avatar of Apollo who possesses many attributes of the god. That noticeably improves his sex life and gives him the power to summon swarms of bees against his enemies, but it also imposes responsibilities equal to the new powers and thrusts him forcibly into the front lines of the cosmic battle of good and evil. Saberhagen offers classical scholarship, wit, and brisk pacing in an admirable coming-of-age story that should appeal even to readers unfamiliar with the Swords books and attract Swords-familiar readers in swarms. Roland Green

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From Publishers Weekly

This followup to The Face of Apollo plants one foot in the mythology of ancient Greece and the other in Saberhagen's wry take on the frailties of human nature-a slippery position, as it turns out. The novel is based on the myth of Prince Theseus, who is shanghaied to Crete as tribute to evil King Minos, cajoles Princess Ariadne into stringing him through the deadly Labyrinth and kills the monstrous Minotaur. To Saberhagen, though, Theseus is an opportunistic pirate who uses, then dumps, Ariadne in his pursuit of a god's Face: a mask "as clear as fine glass" that, when donned by a mortal avatar, sinks below his skin and endows him with divine attributes--but not with immortality. Meanwhile, Alex, a soldier smitten by hopeless love for Ariadne, becomes the avatar of Dionysus, god of wine and ecstasy. Aided by the genial Minotaur Asterion, the source of Saberhagen's pithiest reflections on human foibles, Alex/Dionysus swashes his way through several rousing Aegean adventures to rescue Ariadne, but his knees buckle at the sight of Hades, Lord of the Underworld, whose "great game" of eternal warfare against Apollo, god of the sun, anchors this fantasy series. Despite all the fun, Saberhagen's redo of classical myth has pitfalls. Jerky shifts in point of view disrupt the action; names seemingly snatched haphazardly out of Bulfinch's Mythology tend to distract. Most problematic of all, Saberhagen waters down mighty gods into mere rollicking humans, denaturing deities who for time immemorial have given Western culture its metaphors for the human condition. Something necessary to human imagination is thereby lost--and the old magic just isn't there.
Copyright 1999 Reed Business Information, Inc.

From Library Journal

After the brutal death of her royal father, the princess Ariadne resolves to prevent her beloved Theseus from becoming a sacrifice to the whims of the dark god who presided over the assassination. Saberhagen (The Face of Apollo) gives the familiar story of Theseus and the Minotaur a whimsical twist as gods and heroes come together in an elaborate scheme to further the twin causes of love and justice. The author of the popular Berserker series brings his storytelling expertise and gracious wit to bear in this seriocomic mythic fantasy that belongs in most libraries.
Copyright 2000 Reed Business Information, Inc.

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