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In this novel of menace and eroticism, Richard Ford updates the tradition of Conrad for the age of cocaine smuggling. The setting is Oaxaca, Mexico, where Harry Quinn has come to free his girlfriend's brother, Sonny, from Jail and, ideally, to get him away form the suavely sadistic drug dealer who suspects Sonny of having cheated him.

"His prose has a taut, cinematic quality that bathes his story with the same hot, mercilessly white light that scorches Mexico."-

In each of these tales master storyteller Richard Ford is drawn to the themes of intimacy, love, and their failures. An illicit visit to the Grand Canyon reveals a vastness even more profound; an exacting career woman celebrates Christmas with her adamantly post-nuclear family; a couple weekending in Maine try to recapture the ardour that has disappeared, both gradually and suddenly, from their lives; on a spring evening's drive, a young wife confesses to her husband the affair she had with the host of the dinner party they're about to join.<

As Ford's women and men each experience the consolations and complications of relationships with the opposite sex, they must confront the difference between privacy and intimacy and the distinction between pleasing another and pleasing oneself.<

Commentari sulla società dello spettacolo<

Mines literary gold from the wind-scrubbed landscape of the American West — and from the guarded hopes and gnawing loneliness of the people who live there. This is a story collection about ordinary women, men and children.<

La ragazza dagli occhi d'argento è bella, maliosa, astuta, capace di doppie esistenze; se dietro di sé lascia una scia di cadaveri è per volgare sete di denaro, non perché appartenga al male metafisico, per l'ambizione inestinguibile di chi è stato povero. È un'anti-dark lady. E il detective che la stringe e infine la cattura è abbastanza sciatto e privo di immaginazione da non cadere innamorato di lei. Dopo tornerà al suo whisky e alla sua stanza fumosa, perché questo mondo è tutto indifferentemente brutto.<

Two days before New Years, a pack of five friends — three men and two women — head to a remote cabin near Lake Tahoe to celebrate the holidays. They've been buddies forever, banded together by scrapes and squalor, their relationships defined by these wild times.

After a car accident leaves one friend sick and dying, and severe weather traps them at the cabin, there is nowhere to go, forcing them to finally and ultimately take stock and confront their past transgressions, considering what they mean to one another and to themselves.

With some of the most luminous and purple prose flexed in recent memory, D. Foy is an incendiary new voice and , a grand, episodic debut, redolent of the stark conscience of Denis Johnson and the spellbinding vision of Roberto Bolaño.

Not since the debut of Hunter S. Thompson or Thomas Pynchon has there been a book to emerge that speaks so clearly to a generation. Jay Fox’s debut novel, THE WALLS, is arguably the first iconic book from the Millennials.

Set in Brooklyn during the opening decade of the 21st century, Fox has captured the heartbeat, the zeitgeist, the essence of the echo boomers as they confront an uncertain future built upon a rapidly receding past.

The search, the hunt, the motivation to discover the truth presses Fox’s eclectic cast as they deal with their own lives, one day at a time. Certain to resonate now and in the rearview mirror of history, THE WALLS is a book, a story, a time capsule that snapshots and chronicles the quest to find a famous, elusive New York City graffiti artist whose greatest works can only be found in restrooms of underbelly dive bars in contemporary Brooklyn.

A singularly talented writer makes his literary debut with this provocative, soulful, and sometimes hilarious story of a failed journalist asked to do the unthinkable: Forge Holocaust-restitution claims for old Russian Jews in Brooklyn, New York.

Yevgeny Gelman, grandfather of Slava Gelman, "didn't suffer in the exact way" he needs to have suffered to qualify for the restitution the German government has been paying out to Holocaust survivors. But suffer he has-as a Jew in the war; as a second-class citizen in the USSR; as an immigrant to America. So? Isn't his grandson a "writer"?

High-minded Slava wants to put all this immigrant scraping behind him. Only the American Dream is not panning out for him-Century, the legendary magazine where he works as a researcher, wants nothing greater from him. Slava wants to be a correct, blameless American-but he wants to be a lionized writer even more.

Slava's turn as the Forger of South Brooklyn teaches him that not every fact is the truth, and not every lie a falsehood. It takes more than law-abiding to become an American; it takes the same self-reinvention in which his people excel. Intoxicated and unmoored by his inventions, Slava risks exposure. Cornered, he commits an irrevocable act that finally grants him a sense of home in America, but not before collecting a price from his family.

A Replacement Life is a dark, moving, and beautifully written novel about family, honor, and justice.

In a world of shadows, anything is possible. Except escaping your fate.

Ever since she was a child, Ivy has been gripped by visions of strange realms just beyond her own. But when her sister goes missing, Ivy discovers the truth is far worse—her hallucinations are real, and her sister is trapped in a parallel realm. And the one person who believes her is the dangerously attractive guy who's bound by an ancient legacy to betray her.

Adrian might have turned his back on those who raised him, but that doesn't mean he can change his fate…no matter how strong a pull he feels toward Ivy. Together they search for the powerful relic that can save her sister, but Adrian knows what Ivy doesn't: that every step brings Ivy closer to the truth about her own destiny, and a war that could doom the world. Sooner or later, it will be Ivy on one side and Adrian on the other. And nothing but ashes in between…