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Can Sloane and James survive the lies and secrets surrounding them, or will The Program claim them in the end? Find out in this sequel to The Program, which Publishers Weekly called “chilling and suspenseful.”
How do you stop an epidemic?
Sloane and James are on the run after barely surviving the suicide epidemic and The Program. But they’re not out of danger. Huge pieces of their memories are still missing, and although Sloane and James have found their way back to each other, The Program isn’t ready to let them go.
Escaping with a group of troubled rebels, Sloane and James will have to figure out who they can trust, and how to take down The Program. But for as far as they’ve come, there’s still a lot Sloane and James can’t remember. The key to unlocking their past lies with the Treatment—a pill that can bring back forgotten memories, but at a high cost. And there’s only one dose.
Ultimately when the stakes are at their highest, can Sloane and James survive the many lies and secrets surrounding them, or will The Program claim them in the end?
When Caroline Piasecki’s ex-boyfriend posts their sex pictures on the Internet, it destroys her reputation as a nice college girl. Suddenly her once-promising future doesn’t look so bright. Caroline tries to make the pictures disappear, hoping time will bury her shame. Then a guy she barely knows rises to her defense and punches her ex to the ground.
West Leavitt is the last person Caroline needs in her life. Everyone knows he’s shady. Still, Caroline is drawn to his confidence and swagger—even after promising her dad she’ll keep her distance. On late, sleepless nights, Caroline starts wandering into the bakery where West works.
They hang out, they talk, they listen. Though Caroline and West tell each other they’re “just friends,” their feelings intensify until it becomes impossible to pretend. The more complicated her relationship with West gets, the harder Caroline has to struggle to discover what she wants for herself—and the easier it becomes to find the courage she needs to fight back against the people who would judge her.
When all seems lost, sometimes the only place to go is deeper.
The New York Times bestselling author of On Dublin Street and Down London Road returns with a story about letting go of the past and learning to trust in the future…
When Hannah Nichols last saw Marco D’Alessandro, five long years ago, he broke her heart. The bad boy with a hidden sweet side was the only guy Hannah ever loved—and the only man she’s ever been with. After one intense night of giving into temptation, Marco took off, leaving Scotland and Hannah behind. Shattered by the consequences of their night together, Hannah has never truly moved on.
Leaving Hannah was the biggest mistake of Marco’s life, something he has deeply regretted for years. So when fate reunites them, he refuses to let her go without a fight. Determined to make her his, Marco pursues Hannah, reminding her of all the reasons they’re meant to be together.…
But just when Marco thinks they’re committed to a future together, Hannah makes a discovery that unearths the secret pain she’s been hiding from him, a secret that could tear them apart before they have a real chance to start over again….
There is a spy in S&D systems who is leaking top-secret information that could lead to extreme distaster. It's up to Shane Gallagher to uncover the mole and set things right.
Systems analyst Elena Reyes had no intention of stealing company secrets until her brother's life was threatened by the cruelest of mobsters. When Elena finally confesses her deeds to Shane, he's ready to do everything he can to keep her out of danger. But will Shane's help be enough to protect them, or will his good intentions leave them all for dead?
How do you rid the Earth of seven billion humans? Rid the humans of their humanity.
Surviving the first four waves was nearly impossible. Now Cassie Sullivan finds herself in a new world, a world in which the fundamental trust that binds us together is gone. As the 5th Wave rolls across the landscape, Cassie, Ben, and Ringer are forced to confront the Others’ ultimate goal: the extermination of the human race.
Cassie and her friends haven’t seen the depths to which the Others will sink, nor have the Others seen the heights to which humanity will rise, in the ultimate battle between life and death, hope and despair, love and hate.
Ida needs a shrink. . or so her philandering father thinks, and he sends her to a Seattle psychiatrist. Immediately wise to the head games of her new shrink, whom she nicknames Siggy, Ida begins a coming-of-age journey. At the beginning of her therapy, Ida, whose alter ego is Dora, and her small posse of pals engage in "art attacks." Ida’s in love with her friend Obsidian, but when she gets close to intimacy, she faints or loses her voice. Ida and her friends hatch a plan to secretly film Siggy and make an experimental art film. But something goes wrong at a crucial moment — at a nearby hospital Ida finds her father suffering a heart attack. While Ida loses her voice, a rough cut of her experimental film has gone viral, and unethical media agents are hunting her down. A chase ensues in which everyone wants what Ida has.
Spanning three generations, , a novel of family and myth, is told through a series of flashbacks that depict events of staggering horror set against a landscape of gemlike beauty, as the Chinese battle both Japanese invaders and each other in the turbulent war years of the 1930s.
A legend in China, where it won major literary awards inspired the Oscar-nominated film, is a book in which fable and history collide to produce fiction that is entirely new and unforgettable.
In these stories, we see the breathtaking range of Mo Yan's vision-which critics have compared to those of Tolstoy and Kafka. The stories range from the tragic to the comic, though Mo Yan's humor is always tinged with a shade of black. They embody, too, the author's deep and abiding love of his fellow man, equaled only by his intense disdain of bureaucracy and repression-despite which his fiction is never didactic. Satire, fantasy, the supernatural, mystery: all are present in this remarkable and intensely enjoyable volume.
— The release of award-winning director Zhang Yimou's major film adaptation of the title story (Happy Times) in summer 2002 heightened the visibility of both the author and this collection.
— This paperback is being published simultaneously with the author's mangum opus, Big Breasts and Wide Hips-a return to the sweep and ambition of his bestelling Red Sorghum-which will receive major critical acclaim and further raise Mo Yan's profile in the States.
— One of the stories in the volume serves as a companion piece to the author's hugely popular Red Sorghum.
The farmers of Paradise County have been leading a hardscrabble life unchanged for generations. The Communist government has encouraged them to plant garlic, but selling the crop is not as simple as they believed. Warehouses fill up, taxes skyrocket, and government officials maltreat even those who have traveled for days to sell their harvest. A surplus on the garlic market ensues, and the farmers must watch in horror as their crops wither and rot in the fields. Families are destroyed by the random imprisonment of young and old for supposed crimes against the state.
The prisoners languish in horrifying conditions in their cells, with only their strength of character and thoughts of their loved ones to save them from madness. Meanwhile, a blind minstrel incites the masses to take the law into their own hands, and a riot of apocalyptic proportions follows with savage and unforgettable consequences. is a powerful vision of life under the heel of an inflexible and uncaring government. It is also a delicate story of love between man and woman, father and child, friend and friend — and the struggle to maintain that love despite overwhelming obstacles.
Before the Cultural Revolution, narrator Tadpole's feisty Aunt Gugu is revered as an obstetrician in her home township in rural China. Renowned for her sure hands and uncanny ability to calm anxious mothers, Gugu speeds around town on her bicycle to usher thousands of babies into life.
When famine lifts and the population booms, Gugu becomes the unlikely yet passionate enforcer of China's new family-planning policy. She is unrelenting in her mission, invoking hatred in her wake. In her dramatic fall from deity to demon, she becomes the living incarnation of a reviled social policy violently at odds with deep-rooted cultural values.
As China moves towards the millennium, a new breed of entrepreneur emerges with a perverse interpretation of the decades-old law. Tadpole finds himself again caught up in the one-child policy and its unpredictable repercussions on the human price of capital.
Frog is an extraordinary and riveting mix of the real and the absurd, the comic and the tragic. It presents a searing portrait of China's recent history, in Mo Yan's unique and luminous prose.
A suspenseful novel of ideas that explores the limitations of science, the origins of immorality, and the ultimate unknowability of the human psyche. Rafael Neruda is a brilliant psychiatrist renowned for his effective treatment of former child-abuse victims. Apart from his talent as an analyst, he’s deeply empathetic — he himself has been a victim of abuse. Gene Kenny is simply one more patient that Dr. Neruda has “cured” of past trauma. And then Kenny commits a terrible crime. Desperate to find out why, Dr. Neruda must shed the standards of his training, risking his own sanity in uncovering the disturbing secrets of Kenny’s former life. Structured as actual case studies and steeped in the history of psychoanalysis, Dr. Neruda’s Cure for Evil is Yglesias’s most formally and intellectually ambitious novel. This ebook features a new illustrated biography of Rafael Yglesias, including rare photos and never-before-seen documents from the author’s personal collection.
Max Klein suffers from many anxieties — including a terrible fear of flying — but after surviving a plane crash his worries vanish and he suddenly believes himself invincible. Back home, a psychiatrist puts him in touch with Carla, a victim of the same crash who lost her infant son and suffers from a morbid, debilitating depression. Now Max and Carla begin a relationship that is sometimes intimate, sometimes painful, and perhaps the only path to recovery for both.
This ebook features a new illustrated biography of Rafael Yglesias, including rare photos and never-before-seen documents from the author’s personal collection.
A powerful examination of denial and guilt, Yglesias’s (Hot Properties) terrific new novel opens with a gut-wrenching scene incarnating the worst nightmares of anyone who is afraid of flying. Forty-two minutes after takeoff, a DC-10 en route from New York to Los Angeles loses its rear engine. Max Klein, an architect traveling with his business partner, imagines the worst. Carla Fransisca, her two-year-old son in her lap, refuses to believe that she and her child are in danger. When the plane crashes, both are ironically confounded: Max walks away unhurt, and Carla blames herself for her son’s death. The ordeal crushes Carla, elevates Max to a higher level of perception and strips them both of everything except brutal, fearless honesty. Yglesias chronicles their actions after the flight with the same candor, often portraying Max and Carla as abrupt and abrasive without making them any less real or less likable to the reader. A screenwriter as well as a novelist, he makes good use of cinematic techniques. Each image in his simple, precise prose is vivid and memorable; the pre-crash scene on the plane and a later re-enactment of the accident, in particular, linger in the mind. Film rights to Spring Creek Productions; audio rights to Simon & Schuster; BOMC alternate.
Copyright 1993 Reed Business Information, Inc.
Acclaimed author Yglesias (The Murderer Next Door, LJ 8/90) examines how almost dying can affect one’s life. His protagonists are Max and Carla, who experience psychological problems after surviving a DC-10 crash. An architect traveling on business, Max accompanies his partner, who is killed in the crash. Having outwitted death, Max decides that he has nothing further to fear. Carla, traveling with her baby, feels unworthy to live once she loses him. Consumed by guilt, Max and Carla reexamine their lives, their relationships, and their religious beliefs, and eventually realize that they alone can make each other whole. Yglesias, a talented writer, immediately involves readers in the fate of his characters, telling their story extremely well. Highly recommended.
These days the news is full of reports about the graying of America, yet it's rare that old people appear in contemporary fiction except as stock characters: the indulgent grandmother, the wicked witch. In her first novel in a dozen years, the acclaimed author of How She Died and Sweetsir gives us four grand old ladies, sisters, each unique and indelibly real, in a poignant and very funny story about the last American taboos, old age and dying.
As the novel opens, Jenny, the youngest at eighty, has flown down to Miami — that gaudy, pastel-hued haven of the elderly — to look after her two failing oldest sisters: Eva, ninety-five, always the family mainstay, and Naomi, ninety, who is riddled with cancer but still has her tart tongue and her jet-black head of hair. The fourth sister, Flora, still has her black hair too, straight out of the bottle, but no head for the hard decisions facing Eva and Naomi. An energetic eighty-five, Flora spends her time dating ("He's mad about me, I only hope he can get it up!”) and making the rounds of the retirement homes with her standup routine, the Sandra Bernhard of the senior set.
The Girls gives us these four full-if-wrinkled-fleshed women with all their complaints and foibles, their self-absorption and downright orneriness, their unquenchable humor and immense courage. Aches and pains, wrinkles and hearing aids, wheelchairs and walkers — out of these, and out of the human spirit, Helen Yglesias fashions a novel that moves us, opens our eyes, and makes us laugh out loud.
Rafael Yglesias completed this novel, his first, at the age of sixteen. The largely autobiographical story follows a New York prep school dropout yearning for freedom and authenticity.
On its release the book was hailed as a next-generation . But protagonist Raul Sabas comes of age in a very different New York than Holden Caulfield — a tumultuous and radicalized city following the student takeover of Columbia University and assassinations of Robert Kennedy and Martin Luther King, Jr. is a story of adolescence written by an adolescent — deeply felt and commanding the remarkably perceptive eye that distinguishes Yglesias as a great novelist.
This ebook features a new illustrated biography of Rafael Yglesias, including rare photos and never-before-seen documents from the author’s personal collection.
“Comparisons with are inevitable… [But] Yglesias’s tone… is completely his own… A superior novel.”
“An extremely gifted young writer whose treatment of adolescence… is shockingly brilliant.”
Rafael Yglesias (b. 1954) is a master American storyteller whose career began with the publication of his first novel, , at seventeen. Through four decades Yglesias has produced numerous highly acclaimed novels, including , which was adapted into the film starring Jeff Bridges and Rosie Perez. He lives on New York City’s Upper East Side.
Writers Tony, Patty, Fred, and David all know what they want: renown, glamour, wealth, recognition. They know where to get it: New York, a beacon for ambitious novelists, playwrights, and journalists. But what they don’t know is that the game is changing. This is the 1980s, an era of massive corporatization and commercialization in the business of arts and letters. Fame and fortune may come quickly for many, but dignity and lasting influence are in short supply.
Rafael Yglesias’s most sharp-tongued satire, exposes the greed, envy, and backbiting in a media world bloated with money and power.
This ebook features a new illustrated biography of Rafael Yglesias, including rare photos and never-before-seen documents from the author’s personal collection.
Touted by the gossip columns as a roman a clef about the publishing world, Yglesias's fourth novel has definite commercial potential, since there are always people who like to read sordid tales about the media. Focusing on a group of ambitious, opportunistic New York yuppies, each desperate for success, power, fame, money and glamorous sexual partners, Yglesias follows his characters as their aspirations flourish or fade. And even for the one person who comes up with a smashing bestseller, happiness is an elusive emotion, banished by inner fear and self-loathing. The leading players in this fermenting brew are introduced in the book's opening scene, a dinner party so exquisitely awkward that even the reader is embarrassed. Thereafter we watch an aspiring playwright sell out to Hollywood; a sexy blonde discover she can really write, but must use her body to assure publication; a blocked novelist lose his scruples, professional and personal; a journalist at a leading newsmagazine realize that his way to the top has been sabotaged by office intrigue. Yglesias views his characters with cynicism, but he knows how to create the dramatic momentum that will have readers turning the pages. And if his book does become a bestseller, he will have the ironic last laugh.
Copyright 1986 Reed Business Information, Inc.
“ [is] the novel you want in the Hamptons. It lambastes the pretensions of the people you’ve been glaring at on the beach all day, and excoriates the city you’ve left behind.”
—
“Sharp, funny, and fresh insight into the American literary world…”
The Golds and the Hummels live in the same wealthy Manhattan neighborhood, but as both couples prepare for the arrival of their first child, they share little in terms of parenting philosophy. The Golds plunge into natural birth without bothering to first set up a nursery. The Hummels schedule a C-section and fill out hospital admissions paperwork weeks in advance. Both couples, however, are grappling with the transformations they know parenthood will immediately bring.
Set in a milieu of material excess and limitless ambition, skewers new parents who expect perfect lives, but also offers an intimate look at the trials all new parents face as they learn how to nurture.
This ebook features a new illustrated biography of Rafael Yglesias, including rare photos and never-before-seen documents from the author’s personal collection.
With insight and candor, Yglesias recounts five years in the lives of two yuppie couples, to whom parenthood occasions typical tribulations and discouraging self-assessments. Byron’s birth exacerbates the problems between Diane and Peter Hummel (she’s a Yale-educated corporate lawyer, he’s a wealthy fundraiser for the arts). While she foolishly tries to be super-mom, wife and professional, she also puts pressure on Byron to excel, attempting to enroll him in an elite school and forcing him to play the violin. Peter withdraws from them both after Byron’s presence activates long-dormant memories of his icily aloof mother. Investment counselor Eric Gold, obsessed by the humiliation of his father’s business failures, frantically pushes himself to produce substantial earnings for his wife Nina and their son Luke. Her imagined inadequacies torment Nina, especially when she cannot soothe Luke, whose colic makes him infuriatingly uncontrollable. This is a vivid description of how rearing a first child can conjure up neurotic fears, which must be resolved before parents can nurture their offspring. Yglesias has abandoned the cynicism that infused Hot Properties; this new novel is deeply felt and thought-provoking. $75,000 ad/promo; Doubleday Book Club main selection; Literary Guild featured alternate.
Copyright 1988 Reed Business Information, Inc.
"The joys of Motherhood. Are they all one great lie?" In carefully orchestrated, parallel stories of two New York couples and their sons from birth through age five, Yglesias explores this and other contemporary parenting issues. The story moves carefully between the Golds and the Hummels in a sort of literary counterpoint that becomes more staccato in the second half of the book. Educated professionals with good incomes, both sets of parents have excellent intentions but are crippled by emotional "baggage": they are adult children ("only children") themselves. The children are unusually bright, but their development, like their parents’, is impeded by complex psychological issues. Yglesias writes with insight, showing how true adulthood comes with self-awareness, pain, and understanding. Definitely recommended.Ellen R. Cohen, Rockville, Md.
Being a teenage literary prodigy is hard. Richard Goodman may have a book contract at seventeen, but his parents don’t respect his opinions, he can’t lose his virginity, and his ego inflates and deflates with every breath. Even when Richard receives the attention he craves, he finds that fame and fortune can’t deliver him from his own flaws.
This ebook features a new illustrated biography of Rafael Yglesias, including rare photos and never-before-seen documents from the author’s personal collection.
“It is a spectacular achievement, while you are still growing up, to write a good novel about growing up—which is what this author did at age fifteen. Now, at the ripe age of twenty-two, Rafael Yglesias looks over his shoulder and tells what it was like. Another bull’s-eye.”
—
Rafael Yglesias (b. 1954) is a master American storyteller whose career began with the publication of his first novel, , at seventeen. Through four decades Yglesias has produced numerous highly acclaimed novels, including , which was adapted into the film starring Jeff Bridges and Rosie Perez. He lives on New York City’s Upper East Side.
He offers advice on what he calls "not-writing-badly," which consists of the ability, first, to craft sentences that are correct in terms of spelling, diction (word choice), punctuation, and grammar, and that also display clarity, precision, and grace. Then he focuses on crafting whole paragraphs — with attention to cadence, consistency of tone, sentence transitions, and paragraph length.
In a fun, comprehensive guide, Yagoda lays out the simple steps we can all take to make our writing more effective, more interesting — and just plain better.
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